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Wybrane pełne teksty z tego czasopisma
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Warianty tytułu
Rachel Whiteread: attempts at not building
Konferencja
Międzynarodowa Konferencja Naukowa Instytutu Projektowania Architektonicznego (5 ; 2005 ; Kraków)
Języki publikacji
Abstrakty
Rachel Whiteread's monumental projects - castings, such as House (1993, the casting of a whole house), The Water Tower (1998-99, New York), Judenplatz Memorial (1995-2000, Vienna), Monument (2001, Trafalgar Square) penetrate the possibilities of architecture. The artist's work is often explained with Foucault's term heterotopy - the place where the order and cohesion of function are disturbed. She is also interested in obsolescent places. But her transparent, light castings are also a symbol of new order - foretoken of revolutionary inversion, a different spirituality, without opposing the inside to the outside and humiliating the body. The "new" emerges slowly in Whiteread's work, as each of the consecutive rejected forms is laid to the grave, as the beginning is always besmirched, instead of offering crystal-clear utopianism, and as challenges are issued to the newest technologies, and old ideologies deconstructed. Her work can, therefore,help us reflect on what architecture stands for today.
Czasopismo
Rocznik
Tom
Strony
81--86
Opis fizyczny
Bibliogr. 9 poz.
Twórcy
autor
- Politechnika Krakowska, Kierownik Samodzielnego Zakładu Rysunku, Malarstwa i Rzeźby
Bibliografia
- [1] The art of Rachel Whiteread, ed. by Ch. Townsend, Thames&Hudson, London 2004.
- [2] M. Foucault, Les mots et les chases: une archéologie des sciences humaines, Paris, Gallimard 1966.
- [3] R. Whiteread in conversation with I. Blazwick, [w:] Rachel Whiteread, Stedelijk van Abbemuseum 1993.
- [4] M. Merleau-Ponty, Mowa pośrednia i głosy milczenia. przeł. E. Bieńkowska, [w:] Oko i umysł. Szkice o malarstwie, red. S. Cichowicz, Gdańsk 1996.
- [5] M. Marińo, Moving on, [w:] The art of Rachel Whiteread, ed. by Ch. Townsend, Thames&Hudson, London 2004.
- [6] L. Dennison, A house is not a home: the sculpture of Rachel Whiteread. [w:] Rachel Whiteread: Transient space, Berlin 2001.
- [7] Ch. Townsend, When we collide. History and aestetics, space and signs in the art of Rachel Whiteread. [w:] The art of Rachel Whiteread, ed. by Ch. Townsend, Thames&Hudson, London 2004.
- [8] L. Barber, Some day my plinth will come, "The Observer". Sunday May 27, 2001.
- [9] Ch. Townsend, Lessons from what's poor. [w:] The art of Rachel Whiteread, ed. by Ch. Townsend, Thames&Hudson, London 2004.
Typ dokumentu
Bibliografia
Identyfikator YADDA
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