Computer application in music - a aurvey

• Autorzy: Kotoński W.
• Języki publikacji: EN

Abstrakty

EN

Two main applications of computers in music - sound synthesis and simulation of the compositional process are presented in this paper. Other applications of computers, such as digital sound recording or editing and mixing of sound tracks are also objects of discussion.

Słowa kluczowe

EN

digital sound synthesis; digital registration of sound; digital sound processing; sampling; samplers; music programs; digital music instruments; simulation of compositional process

• Wydawca: Politechnika Gdańska
• Czasopismo: TASK Quarterly : scientific bulletin of Academic Computer Centre in Gdansk
• Rocznik: 1999
• Tom: Vol. 3, No 2
• Strony: 159--170
• Opis fizyczny: Bibliogr. 7 poz., rys.

Twórcy

autor

Kotoński W.

• Fryderyk Chopin Academy of Music in Warsaw, Okólnik 2, 00-368 Warszawa, Poland

Bibliografia

• [1] Chowning John M., The Synthesis of the Complex Audio Spectra by Means of the Frequency Modulation, “ Journal of the Audio-Engineering Society” no 1, 1977, (Polish: Synteza zlozonych widm akustycznych przy pomocy modulacji czqstotliwosci trans. W.Kotonski), “Zeszyt Naukowy Nr 31, Akademia Muzyczna w Warszawie”, 1995
• [2] Dolson Mark, Machine Tongue XII, Neural Networks, “Computer Music Journal” Vol. 13, no 3, 1989
• [3] Mathews Max V., The Technology of Computer Music (Co-authors: J.E.Miller, F.R.Moore, J.R.Pierce, J.-C.Risset), Cambridge , Mass.- London, England 1969 (The MIT Press)
• [4] Moorer James A., Signal Processing Aspects of Computer Music-a survey, “Computer Music Journal” Vol l,no 1, 1977
• [5] De Poli Giovanni, A Tutorial on Digital Sound Synthesis Techniques, “Computer Music Journal” Vol 7, no 4, 1983 (Polish: Przewodnik po technikach syntezy cyfrowej (trans. E.Sielicki), “Zeszyt Naukowy Nr 31, Akademia Muzyczna w Warszawie, 1995)
• [6] Todd Peter M., A Connectionist Approach to Alghorithmoc Composition, “Computer Music Journal”, 13/4, 1989
• [7] Widmer Gerhard, Qualitative Perception Modeling and Intelligent Music Learning, “Computer Music Journal” 16/2, 1992