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Vibrational Properties of Sundatang Soundboard

Treść / Zawartość
Identyfikatory
Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
This paper presents the measurement of vibrational properties of sundatang soundboard. Sundatang is a plucked stringed traditional musical instrument that is popular among the Kadazandusun communities in Sabah, Malaysia. The vibrational properties of the soundboard are measured using CADA-X impact hammering system in a condition where the instrument is without any string. There are two types of sundatang used in this study; one made from acacia and the other from vitex wood. In this measurement, frequency response functions (FRFs) and modal parameters of the top plate and back plate of this instrument are obtained. It is found that in free edge, fundamental frequency of both plates of acacia sundatang is greater than the vitex sundatang in a range of 112 Hz to 230 Hz. However, in clamped edge (attached to its ribs), it was modified to a lower frequency and closer to each other in the range of 55 Hz to 59 Hz. Another finding is the detection of the excitation of similar mode shape at different resonance frequencies. This phenomenon is termed as Different State of Mode (DSM) which is observed may be because the number of testing points is not enough. Findings of this study provide important information to the study of quality development of this instrument.
Rocznik
Strony
177--187
Opis fizyczny
Bibliogr. 34 poz., rys., tab., wykr.
Twórcy
  • Teacher Education Institute of Malaysia Keningau Campus Locked Beg 11, 89009, Keningau, Sabah, Malaysia
autor
  • Energy, Vibration and Sound Research Group (e-VIBS), Faculty of Science and Natural Resources Universiti Malaysia Sabah, Jalan UMS 88400 Kota Kinabalu, Sabah, Malaysia
autor
  • School of Mechatronics and Information Engineering, Gwangju, Institute of Science and Technology 261 Cheomdan-gwagiro (Oryong-dong), Buk-gu, Gwangju 500-712, Republic of Korea
autor
  • School of Mechatronics and Information Engineering, Gwangju, Institute of Science and Technology 261 Cheomdan-gwagiro (Oryong-dong), Buk-gu, Gwangju 500-712, Republic of Korea
Bibliografia
  • 1. Ahn S.J., Weui B.J., Wan S.Y. (2004), Unbiased expression of FRF with exponential Window Function in Impact Hammer Testing, Journal of Sound and Vibration, 277, 931-941.
  • 2. Alman J.H. (1961), If you can’t sing, you can beat a gong, Sabah Society Journal, 2, 29-42.
  • 3. Bae W., Kyong Y., Dayou J., Park K., Wang S. (2011), Scaling the Operating Deflection Shapes Obtained from Scanning Laser Doppler Vibrometer, Journal of Nondestructive Evaluation, 30, 2, 91-98.
  • 4. Cladersmith G. (1978), Guitar as a reflex enclosure, Journal of Acoustical Society of America, 63, 5, 1566- 1575.
  • 5. Department of Museum and State Archive of Sabah (1992), An introduction to the traditional musical instruments of Sabah, pp. 1-23, Kota Kinabalu.
  • 6. Devriendt C., Guillaume P. (2007), The use of transmissibility measurements in output-only modal analysis, Mechanical System and Signal Processing, 2689-2696.
  • 7. Firth I.M. (1977), Physics of the guitar at the Helmholtz and, first top-plate resonances, Journal of Acoustical Society of America, 61, 2, 588-593.
  • 8. Fletcher N.H., Rossing T.D. (1998), The physics of musical instruments, 2nd edition. Springer-Verlag, New York, pp. 239-326.
  • 9. Frame E.M. (1975), A preliminary survey of several major musical instruments and, form-types of Sabah, Malaysia, Borneo Research Bulletin, 7, 1, 16-24.
  • 10. Frame E.M. (1976), Several major musical instruments of Sabah, Malaysia, Journal of the Malaysian, Branch of the Royal Asiatic Society, Volume XLIX, Part 2.
  • 11. Frame E.M. (1982), The musical instruments of Sabah, Malaysia, Society of Ethnomusicology, Inc., 247-274.
  • 12. Gade S., Herlufsen H. (1992), Errors involved in, computing impulse response functions via frequency response function, Mechanical systems and Signal Processing, 6, 3, 193-206.
  • 13. Ismail A., Samad S.A., Hussain A., Azhari C.H., ZAINAL M.R.M. (2006), Analysis of the Sound, of the Kompang for Computer Music Synthesis, 4th Student Conference on Research and Development (SCOReD 2006), IEEE, pp. 95-98, Malaysia.
  • 14. Jansson E.V. (1969), A comparison of acoustical measurements and, hologram interferometry measurements of the vibrations of a guitar top plate, Journal STL- QPSR, 10, 2-3, 36-41.
  • 15. Rating P.K. (1996), Traditional musical instrument in Sabah our cultural heritage, [in Malay], KDI Publications Sdn. Bhd, pp. 90-94, Kota Kinabalu.
  • 16. Kromulski J., Hojan E. (1996), An application, of two experimental modal analysis methods for the determination of operational deflection shapes, Journal of Sound and Vibration, 196, 4, 429-438.
  • 17. Lee U., Shin J. (2002), A frequency response function- based structural damage identification method, Computers and Structures, 80, 117117-132.
  • 18. Liew R. (1962), Music and musical instruments in Borneo, Borneo Society Journal, 5, 10-17.
  • 19. McHargue P.L., Richardson M.H. (1993), Operating deflection shapes from time versus frequency domain measurement, 11th IMAC Conference, pp. 108, Kissimmee, FL.
  • 20. McIntyre M.E., Woodhouse J. (1978), The acoustics of stringed musical instruments, Interdisciplinary Science Reviews, 3, 2, 157-173.
  • 21. Ong C.W., Dayou J. (2009), Freguency Characteristic of Sound from Sompoton Musical Instrument, Borneo Science, 25, 71-79.
  • 22. Pandey A.K., Biswas M., Samman M.M. (1991), Damage detection from changes in curvature mode shapes, Journal of Sound and Vibration, 145, 2, 321- 332.
  • 23. Pljgh-Kltingan J. (1992), Musical instruments in the cultural heritage of Sabah, Borneo Research Council Second Biennial International Conference, pp. 1-13, Kota Kinabalu.
  • 24. Pljgh-Kltingan J. (2004), Selected papers on music in Sabah. Universiti Malaysia Sabah, Kota Kinabalu, pp. 19-42.
  • 25. Ramakrisna B.S., Sondhi M.M. (1954), Vibrations of Indian musical drums regarded as composite membranes, Journal of the Acoustical Society of America, 26, 4, 523-528.
  • 26. Richardson M.H. (1997), Is it a shape, or an operating deflections shape?, Sound and Vibration Magazine 30th Anniversary Issue, Vibrant Technology, Inc., Jamestwon, California, pp. 1-11.
  • 27. Schoukens J., Rolain Y., Pintelon R. (2006), Analysis of window leakage effects in frequency response function measurements, Automatica, 42, 27-38.
  • 28. Schwarz B.J., Richardson M.H. (1999a), Introduction to operating deflection shapes, CSI Reliability Week, Orlando, FL, pp. 1-7.
  • 29. Schwarz B.J., Richardson M.H. (1999b), Experimental modal analysis, CSI Reliability Week, Orlando, FL, pp. 1-12.
  • 30. Skrodzka E.B., Hojan E., Proksza R. (2006), Vibroacustics investigation of a batter head of a snare drum, Archives of Acoustics, 31, 3, 289-297.
  • 31. Skrodzka E.B., Linde B.B.J., Krupa A. (2013), Modal parameters of two violins with different varnish layers and subjective evaluation of their sound quality, Archives of Acoustics, 38, 1, 75-81.
  • 32. Skrodzka E., Lapa A., Linde B.B.J., Rosenfeld E. (2011), Modal parameters of two incomplete and complete guitars differing in the bracing pattern of the soundboard, Journal of Acoustical Society of America, 130, 4, 2186-2195.
  • 33. Talbot J.P., Woodhouse J. (1997), The Vibration damping of laminated, plates, Elsevier, composites part A, 28, A, 1007-1012.
  • 34. Wong T.H., Dayou J., Ngu M.C.D., Chang J.H.W., Liew W.Y.H. (2013), Clamped bar model for sompoton vibrator, Archives of Acoustics, 38, 3, 425-432.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-af4f8eed-510b-45df-901d-36b314ec6a63
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