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Tytuł artykułu

Musical period as a factor in exposing orchestra musicians to loud sounds

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Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
Numerous studies on noise exposure and hearing loss risk of musicians playing in symphonic or chamber ensembles have been published in the literature. Typically, such studies present data averaged over a specific measurement time during which various repertoire is played, usually not thoroughly analyzed. This often creates concerns that the selection of musical pieces for the measurement may be an important factor determining the sound exposure. Our study was undertaken to examine how the musical repertoire from the classical, neo-romantic and 20th century periods differs in the exposure level (LAeq) measured near the ears of musicians who play various instruments. The results show that the difference caused by the selection of the repertoire may range from 2 to 6 dB(A), depending on the instrument. In the case of some instruments such a difference may cause a significant change in the physiological load imposed on the musicians’ auditory system.
Rocznik
Strony
art. no. 2022318
Opis fizyczny
Bibliogr. 15 poz., wykr.
Twórcy
autor
  • Warsaw University of Technology, Faculty of Electronics and Information Technology, Institute of Radioelectronics and Multimedia Technology, Nowowiejska 15/19, 00-665 Warsaw
  • Warsaw University of Technology, Faculty of Electronics and Information Technology, Institute of Radioelectronics and Multimedia Technology, Nowowiejska 15/19, 00-665 Warsaw
  • Warsaw University of Technology, Faculty of Electronics and Information Technology, Institute of Radioelectronics and Multimedia Technology, Nowowiejska 15/19, 00-665 Warsaw
Bibliografia
  • 1. E. Jansson, K. Karlsson; Sound levels recorded within the symphony orchestra and risk criteria for hearing loss; Scandinavian Audiology 1983, 12, 215-221.
  • 2. J.D. Royster, L.H. Royster, M.C. Killion; Sound exposures and hearing thresholds of symphony orchestra musicians; The Journal of the Acoustical Society of America 1991, 89, 2793-2803.
  • 3. H.M. Laitinen, E.M. Toppila, P.S. Olkinuora, K. Kuisma; sound exposure among the Finnish National Opera personnel; Applied Occupational and Environmental Hygiene 2003, 18, 177-182.
  • 4. J. Lee, A. Behar, H. Kunov, W. Wong; Musicians’ noise exposure in orchestra pit; Applied Acoustics 2005, 66, 919-931.
  • 5. Directive 2003/10/EC of European Parliament and of the Council of 6 February 2003: On the minimum health and safety requirements regarding the exposure of workers to the risks arising from physical agents (noise). 17th individual Directive within meaning of Article 16(1) of Directive 89/391/EEC), No L42/40, 2003.
  • 6. I. O’Brien, W. Wilson, A. Bradley; Nature of orchestral noise; The Journal of the Acoustical Society of America 2008, 124, 926-939.
  • 7. I. O’Brien, T. Driscoll, B. Ackermann; Sound exposure of professional orchestral musicians during solitary practice; The Journal of the Acoustical Society of America 2013, 134, 2748-2754.
  • 8. J.H. Schmidt, E.R. Pedersen, P.M. Juhl, J. Christensen-Dalsgaard, T.D. Andersen, T. Poulsen, J. Bælum; Sound exposure of symphony orchestra musicians; Annals of Occupational Hygiene 2011, 55, 893-905.
  • 9. M. Pawlaczyk-Łuszczyńska, A. Dudarewicz, M. Zamojska, M. Śliwinska-Kowalska; Evaluation of sound exposure and risk of hearing impairment in orchestral musicians; International Journal of Occupational Safety and Ergonomics 2011, 17, 255-269.
  • 10. E. Kozłowski, J. Żera, R. Młyński; Sound levels on stage during performances of music school symphony and wind symphony orchestras; The 20th International Congress on Sound and Vibration, Bangkok, Thailand, 2013.
  • 11. M. Jasiński, A. Pietrzak, J.H. Shin, J. Żera; Exposure of music students to sound in large music ensembles; Audio Engineering Society Convention 138. Audio Engineering Society, 2015.
  • 12. M. Pawlaczyk-Łuszczyńska, M. Zamojska-Daniszewska, A. Dudarewicz, K. Zaborowski; Exposure to excessive sounds and hearing status in academic classical music students; International Journal of Occupational Medicine and Environmental Health 2017, 30, 55-75.
  • 13. A.P. Pietrzak; Musicians’ daily sound exposure assessed by full-day dosimetry; Vibrations in Physical Systems 2019, 30.
  • 14. K.H. Smith, T.B. Neilsen, J. Grimshaw; University student musician noise-dosage study measuring both ensemble and full-day noise exposure; The Journal of the Acoustical Society of America 2019, 145, 494-500.
  • 15. A.P. Pietrzak; Musicians sound exposure assessed by the two-channel noise dosimetry; Doctoral dissertation, Warsaw University of Technology, 2021 (in Polish).
Uwagi
Opracowanie rekordu ze środków MEiN, umowa nr SONP/SP/546092/2022 w ramach programu "Społeczna odpowiedzialność nauki" - moduł: Popularyzacja nauki i promocja sportu (2022-2023).
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-ac517f44-5745-4a4e-b96d-fc441dae3a56
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