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Reflections on sound timbre definitions

Identyfikatory
Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
The article is concerned with systematic classification of concepts and terms in acoustics. Special attention is attached to definitions of timbre. The article presents a review of definitions of timbre published in the literature. Inadequacy of the currently used IEC definition is shown and a new definition of timbre is proposed. Discussed are advantages of the new definition and the prospects for common acceptance of this definition in acoustics.
Rocznik
Strony
591--602
Opis fizyczny
Bibliogr. 51 poz., rys.
Twórcy
  • Gdańsk University of Technology Multimedia Systems Department Narutowicza 11/12, 80-952 Gdańsk, Poland
  • Gdańsk University of Technology Multimedia Systems Department Narutowicza 11/12, 80-952 Gdańsk, Poland
Bibliografia
  • [1] ALDOSHINA I., PRITTS R., Musical acoustics [in Russian], Kompozitor, St. Petersburg 2006.
  • [2] American Standard Acoustical Terminology, American National Standards Institute S1.1 - 1960.
  • [3] BERANEK L. L., Acoustics, McGraw, New York 1954.
  • [4] BERANEK L. L., Concert and opera houses – how they sound, Acoustical Society of America, New York 1996.
  • [5] BERGTOLD F., Schall und Klang, R. Oldenbourg, München 1939.
  • [6] BUDZYŃSKI G., SANKIEWICZ M., The definition of sound-image quality and its influence on sound engineering concepts, Proceedings of the 86th AES Convention, Preprint 2747, Hamburg 1989.
  • [7] BUDZYŃSKI G., GUDEL J., SANKIEWICZ M., Timbre of the Gdańsk historical bells and Carillons, Preservation of the industrial heritage – Gda´nsk Outlook, Technical University of Gda´nsk, 1993.
  • [8] BUDZYŃSKI G., SANKIEWICZ M., SZYCHLIŃSKI G., New timbres of St. Catherine’s Carillon, Archives of Acoustics, 25, 2, 147–155 (2000).
  • [9] CLASON W. E., Elsevier’s dictionary of television and video recording (six languages), Elsevier, Amsterdam 1975.
  • [10] DONNADIEU S., MCADAMS S., WINSBERG S, Caractérisation du timbre des sons complexes I, Journal de Physique IV, 4, C5 (1994).
  • [11] EVEREST F. A., Master handbook of acoustics, Polish translation by W. Kurylak, Podręcznik akustyki, Sonia Draga, Katowice 2004.
  • [12] FASOLD W., KRAAK W., SCHIRMER W., Taschenbuch Akustik, VEB Verlag Technik, Berlin 1984.
  • [13] FIOK A., Television – general fundamentals [in Polish], WKiŁ, Warszawa 1991.
  • [14] FOWLER H.W., FOWLER F. G. [Eds.], The concise Oxford dictionary, University Press/PWN, Warszawa 1956.
  • [15] VON HELMHOLTZ H., Die Lehre von den Tonempfindungen als psychologische Grundlage für die Theorie der Musik, F. Vieweg und Sohn, Braunschweig, 1863; English translation by A. Ellis, On the sensations of tone, Dover, New York 1954.
  • [16] HOUTSMA A. J.M., ROSSING T. D., WAGENAARS W.M., Auditory demonstrations, Acoustical Society of America, New York 1989.
  • [17] INTERNATIONAL ELECTROTECHNICAL COMMISSION, International Electrotechnical Vocabulary, 801-21-02-29-09, 2007.
  • [18] JEAN-LOUIS V., L’Ingénieur du son, Chiron, Paris 1955.
  • [19] JOSEPHS J. J., The physics of musical sound, Van Nostrand, Princeton 1967.
  • [20] KLINKE R., Physiologie des Hörens I, [in:] Hören, Stimme, Gleichgewicht, Urban & Schwarzenberg, München 1972.
  • [21] KOSTEK B., Computing with words, concept applied to musical retrieval, Electronic Notes in Theoretical Computer Science, 82, 4 (2003).
  • [22] KOSTEK B., CZYŻEWSKI A., Representing musical instrument sounds for their automatic classification, Journal of the Audio Engineering Society, 49, 768–785 (2001).
  • [23] KOSTEK B., Perception-based data processing in acoustics, Springer, Berlin 2005.
  • [24] KRIMPHOFF J., MCADAMS S., WINSBERG S., Caractérisation du timbre des complexes II, Journal de Physique IV, 4, C5 (1994).
  • [25] LEIPP E., Acoustique et musique, Masson, Paris 1971.
  • [26] LINDSAY R. B., Historical introduction to the theory of sound, Dover, New York 1945.
  • [27] LULLIES H., Stimme und Sprache, [in:] Hören, Stimme, Gleichgewicht, Urban Schwarzenberg, München 1972.
  • [28] ŁĘTOWSKI T., Development of technical listening skills: Timbre solfeggio, Journal of the Audio Engineering Society, 33, 240–244 (1985).
  • [29] MALLOCH S. N., CAMPBELL A.M., An investigation of musical timbre, Journal de Physique IV, 4, C5 (1994).
  • [30] MELKA A., Methodological approach to the investigation of musical timbre, Journal de Physique IV, 4, C5 (1994).
  • [31] Meyers Konversations-Lexikon, Bibliographisches Institut, Leipzig 1897.
  • [32] MOORE B. C. J., Introduction to the psychology of hearing, 4th edition, Academic Press, London, 1997; Polish translation by A. S˛ek and E. Skrodzka, Wprowadzenie do psychologii słyszenia, Wydawnictwo Naukowe PWN, Warszawa – Pozna´n 1999.
  • [33] OZIMEK E., Sound and its perception [in Polish], Wydawnictwo Naukowe PWN, Warszawa – Poznań 2002.
  • [34] PLOMP R., SMOORENBURG G. F. [Eds.], Frequency analysis and periodicity detection in hearing, Sijthoff, Leiden 1970.
  • [35] PUJOLLE J., Lexique guide d’acoustique architecturale, Eyrolles, Paris 1971.
  • [36] RAKOWSKI A., Remarks on the systematics of sounds [in Polish], Archiwum Akustyki, 2, 73–92, 1967.
  • [37] RAKOWSKI A., An analysis of factors governing the acoustical quality of concert halls [in Polish], PWSM Scientific Reports, 3, Warszawa 1968.
  • [38] RAKOWSKI A. [Ed.], Studies on musical pitch and timbre [in Polish], Fryderyk Chopin Academy of Music, Warszawa 1999.
  • [39] RAYLEIGH J.W. S., The theory of sound, 2nd edition, Macmilan, London 1874; reprinted Dover, New York 1945.
  • [40] REICHARDT W. [Ed.], Technical acoustics – technical vocabulary [in Polish], VEB VerlagTechnik, Berlin, WNT Warszawa 1978.
  • [41] ROSSING T. D., The science of sound, Addison-Wesley, London 1982.
  • [42] RYSIEWICZ Z. [Ed.], Vocabulary of foreign words [in Polish], PIW, Warszawa 1961.
  • [43] SACERDOTE G., Acustica musicale, Istituto Elettrotecnico Nazionale Galileo Ferraris, Vol. XXXVIII, Torino 1966.
  • [44] SANKIEWICZ M., Specialization syllabus and review of diploma theses 1968–1974 [in Polish], Gda´nsk University of Technology, Gda´nsk 1975.
  • [45] SMURZYŃSKI J., HOUTSMA A. J.M., Auditory discrimination of tone-pulse onsets, Perception and Psychophysics, 45, 2–9 (1989).
  • [46] SZLIFIRSKI K., “Pro-Audio” English-Polish dictionary of sound recording terms [in Polish], WNT, Warszawa 1996.
  • [47] THODEN U., Neurophysiologische Terminologie, [in:] Hören, Stimme, Gleichgewicht, Urban & Schwarzenberg, München 1972.
  • [48] TREMAINE H.M., Audiocyclopedia, H. W. Sams, New York 1959.
  • [49] VERSFELD N. J., HOUTSMA A. J.M., Perception of spectral changes in multitone complexes, Quarterly Journal of Experimental Psychology, 43, 459–479 (1991).
  • [50] WINCKEL F. [Ed], Klangstruktur der Musik, Funk-Technik Bücher, Berlin 1955.
  • [51] ŻYSZKOWSKI Z., Fundamentals of electroacoustics [in Polish], WNT, Warszawa 1953.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-a8fda36f-7598-46b9-9080-229fd7e16262
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