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Simulated Sound-Fields in a Multi-Configurable Auditorium

Treść / Zawartość
Identyfikatory
Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
In this work, simulation techniques have been implemented to study the sound fields of a multi- configurable performance enclosure by creating computer acoustic 3D-models for each room configuration. The digital models have been tuned by means of an iterative fitting procedure that uses the reverberation times measured on site for unoccupied conditions with the orchestra shell on the stage. The initial virtual acoustic model is validated by comparing the other monaural and binaural acoustic parameters measured in the room in terms of their perception differential threshold. The procedure is applied to the Maestranza Theatre of Seville, built for the Universal Exhibition in 1992. The spatial distribution of the acoustic parameters in the audience area of the venue by measured parameters and simulation mappings enables the establishment of three zones of acoustic comfort, and are corroborated by the values of the Ando- Beranek function which provide a global quality coefficient of each zone.
Rocznik
Strony
365--383
Opis fizyczny
Bibliogr. 42 poz., fot., rys., tab.
Twórcy
  • Departamento de Construcciones Arquitectónicas I, Universidad de Sevilla, E.T.S. Arquitectura (IUACC) Av. Reina Mercedes 2, 41012-Sevilla, Spain
autor
  • Departamento de F´ısica Aplicada II, Universidad de Sevilla, E.T.S. Arquitectura (IUACC) Av. Reina Mercedes 2, 41012-Sevilla, Spain
autor
  • Departamento de F´ısica Aplicada II, Universidad de Sevilla, E.T.S. Arquitectura (IUACC) Av. Reina Mercedes 2, 41012-Sevilla, Spain
Bibliografia
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  • 6. CHILES S., BARRON M. (2004), Sound level distribution and scatter in proportionate spaces, Journal of the Acoustical Society of America, 116, 3, 1585-1595.
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  • 10. DANCE S.M., VAN BUUREN G. (2013), Effects of damping on the low-frequency acoustics of listening rooms based on an analytical model, Journal of Sound and Vibration, 332, 25, 6891-6904.
  • 11. ERMANN M. (2005), Coupled volumes: Aperture size and the double-sloped decay of concert halls, Building Acoustics, 12, 1, 1-14.
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  • 18. HIDAKA T., BERANEK L.L., MASUDA S., NISHIHA- RA N., OKANO T. (2000), Acoustical design of the Tokyo Opera City (TOC) concert hall, Japan, Journal of the Acoustical Society of America, 107, 1, 340-354.
  • 19. HOFFMEIER J. (1996), Investigations on the influence of room timbres on speech definition [in German], Thesis for a degree at the TU Dresden, Technical University of Denmark.
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  • 38. VORLÄNDER M. (2013), Computer simulations in room acoustics: Concepts and uncertainties, Journal of the Acoustical Society of America, 133, 3, 1203-1213.
  • 39. XIANG N., BLAUERT J. (1993), Binaural scale modelling for auralisation and prediction of acoustics in auditoria, Applied Acoustics, 38, 2-4, 267-290.
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  • 42. ZAHORIK P. (2009), Perceptually relevant parameters for virtual listening simulation of a small room acoustics, Journal of the Acoustical Society of America, 126, 2, 776-791.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-9f28c048-23f7-4c59-8c79-c8bcecdf73d0
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