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Preferences of customers in accordance with sensitivity to narrative criterion in film and literary tourism

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Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
Purpose: The aim of the paper is to assess the possibility of using narrative attributes applied in film and literary works for creating tourism products based on the attitudes and preferences of potential tourists with different levels of narrative. Design/methodology/approach: In the research procedure, desk research was used to define the attitudes and preferences of potential tourists, which were examined in terms of sensitivity to narrative related to the place. Then, an online survey (CAWI) was conducted among 200 respondents who were asked a sequence of questions about attitudes towards narratives related to the setting of the plot appearing in literary works. On this basis, potential tourists were divided into 3 groups: people with a low, medium and high level of sensitivity to narrative related to the place. In addition, they were asked to indicate their propensity to visit places related to film and literary works, and finally to determine the importance of various factors (pull factors) influencing the perception of the narrative. In the study, it was assumed that the tourist development of a given town can be intensified if a given place can be associated by potential tourists with a story that is described in a novel, film or series appearing in pop culture. Findings: The highest declarative inclination to visit a plot-related place is represented by people with a high level of sensitivity to narrative, which is in line with expectations. However, people with its low level more often decide to visit a described place. This may be due to their emotional insufficiency related to the narrative. Probably, when planning tourist trips, they want to become a "real" part of the plot. On the other hand, people with a high level of sensitivity are most emotionally attached to the narrative and, despite a higher declarative tendency towards visiting places related to the plot, they less often decide to actually travel. The lowest tendency to visit places related to the plot was declared by undecided people (with an average level of sensitivity to narrative) who, at the same time, constituted the largest group in the study. People responsible for film tourism should focus on this group. Places related to film and literary works in their home country are most often visited. Research limitations/implications: It is worth empirically verifying the possibility of developing film and literary tourism products based on fictional places related to fantasy films and series, not only such well-known and developed products as “Game of Thrones” or “Harry Potter”, but also other productions, because they are very popular and have a group of loyal fans. It is also worth using the criterion of sensitivity to narration as a moderator in future research. Practical implications: The group of people with an average level of sensitivity to narrative is the most attractive group for the authorities of territorial units due to their size. There are 4 narrative features that are worth considering to attract this group to the place: the attractive plot of the film, the experience/skills of the actors, the actors selected for the role and the actor's portrayal of the character, i.e. acting skills. In the promotional policy, it seems necessary to use the presence of actors and recreate the most attractive scenes from the film's plot in the design of promotional campaigns and the film tourism product itself. Originality/value: The article contains a list of attributes that can be used in a promotional campaign of a place related to a literary or film work. These attributes are perceived differently by various target groups divided according to the criterion of sensitivity to narration. The paper is addressed to the authorities of territorial units, both at national and local levels, and to people involved in the tourist development of a territorial unit.
Rocznik
Tom
Strony
297--314
Opis fizyczny
Bibliogr. 23 poz.
Twórcy
autor
  • Poznan University of Economics and Business, SKNMarketing
  • Poznan University of Economics and Business, Institute of Marketing
  • Czech University of Life Science, Faculty of Economics and Management
Bibliografia
  • 1. Babbie, E. (2004). Badania społeczne w praktyce. Warszawa: PWN.
  • 2. Buczkowska, K. (2009). Kulturowa turystyka eventowa. Współczesne formy turystyki kulturowej. In: K. Buczkowska, A.M. von Rohrscheidt, Współczesne formy turystyki kulturowej (pp. 91-118). Poznań: AWF.
  • 3. Butler, R. (2011). It's only make believe: the implications of fictional and authentic locations in films. Worldwide Hospitality and Tourism Themes, Vol. 3, No. 2, pp. 91-101. https://doi.org/10.1108/17554211111122961.
  • 4. Chen, Y., Liu, P., Zhang, J., Xiao, X. (2019). Falling in love with a place because of a song: the transportation effects of music on place attachment. Asia Pacific Journal of Tourism Research, 24(9), pp. 882-893.
  • 5. Chymkowski, R., Zasacka, Z. (2020). Stan czytelnistwa w Polsce w 2020 roku. Biblioteka Narodowa.
  • 6. Ciechomski, W., Romanowski, R. (2016). Segmentacja nabywców produktu terytorialnego jako element budowania przewagi konkurencyjnej. Marketing i Rynek, 10(CD), 75-88.
  • 7. Contu, G., Pau, S. (2022). The impact of TV series on tourism performance: the case of Game of Thrones. Empirical Economics, 63, pp. 3313-3341, https://doi.org/10.1007/ s00181-022-02228-2.
  • 8. Crompton, J.L. (1979). Why people go on pleasure vacation. Annals of Tourism Research, Vol. 4, No. 6, pp. 408-424.
  • 9. Dann, G.M.S. (1977). Anomie, ego-enhancement and tourism. Annals of Tourism Research, No. 4, pp. 184-194.
  • 10. Daszkiewicz, M., Wołosecka, A. (2019). Development of a brand idea as the basis for region branding. A case study of the Jizera mountains and the foreland region. Scientific Papers of Silesian University of Technology. Organization and Management, Vol. 139, pp. 107-121.
  • 11. Gazley, A., Clark, G., Sinha, A. (2011). Understending preferences for motion pictures. Journal of Business Research, 64(8), pp. 854-861, DOI: 10.1016/j.jbusres.2010.09.012.
  • 12. Gjorgievski, M., Melles-Trpkova, S. (2012). Movie induced tourism: A new tourism phenomenon. UTMS Journal of Economics, 3(1), pp. 97-104.
  • 13. Hudson, S., Wang, Y., Gil, S.M. (2010). The influence of a film on destination image and the desire to travel: a cross-cultural comparison. International Journal of Tourism Research, Vol. 13. No. 2, pp. 177-190, https://doi.org/10.1002/jtr.808.
  • 14. Itoo, M., Nagar, K. (2019). Audience responses towards positive and negative destination placement in films: an experimental investigation. International Journal of Hospitality and Tourism Systems, 12(1), pp. 75-82.
  • 15. O'Connor, N., Kim, S. (2014). Pictures and prose: exploring the impact of literary and film tourism. Journal of Tourism and Cultural Change, Vol. 12, iss. 1, pp. 1-17, https://doi.org/10.1080/14766825.2013.862253.
  • 16. Olkusz, K. (2018). Transfikcyjność w literaturze. Zagadnienia Rodziajów Literackich, Vol. 61, No. 1(125), pp. 159-165.
  • 17. Pham, D.D., Hwang, Y.-H. (2022). Halo effects of a Country in film-induced tourism: A case study of the Ha Long Bay, Vietnam in ‘Kong: Skull Island’. Journal of Destination Marketing & Management, Vol. 25, DOI: 10.1016/j.jdmm.2022.100722.
  • 18. Romanowski, R. (2013). Relacyjne przesłanki tworzenia megaproduktu terytorialnego. In: W. Ciechomski, R. Romanowski (ed.), Marketing terytorialny oparty na wiedzy. Poznań: Wydawnictwo Uniwersytetu Ekonomicznego.
  • 19. Stasiak, A. (2009). Turystyka literacka i filmowa. In: K. Buczkowska, A.M. von Rohrscheidt, Współczesne formy turystyki kulturowej (pp. 223-265). Poznań: AWF.
  • 20. Urbańczyk, A. (2018). Set jetting szansą rozwoju obszaru recepcji (na przykładzie Nowej Zelandii). In: P. Gryszel (ed.), Spojrzenie na współczesną turystykę (pp. 30-40). Jelenia Góra: AD REM.
  • 21. van Es, N., Reijnders, S., Bolderman, L., Waysdorf, A. (2021). Locating Imagination in Popular Culture. Place, tourism and belonging. Rotterdam: Routledge, https://doi.org/10.4324/9781003045359.
  • 22. von Rohrscheidt, A.M. (2016). Turystyka Kulturowa. Fenomen, potencjał, perspektywy. ISBN 978-83-930211-4-7.
  • 23. Xiaohong, Wu; Ivan. Ka Wai Lai (2022). How destination personality dimensions influence film tourists’ destination loyalty: an application of self-congruity theory. Current Issues in Tourism, DOI: 10.1080/13683500.2022.2140401.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-9f287de3-7da5-4617-9362-87a78f4014c0
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