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Warianty tytułu
Języki publikacji
Abstrakty
The ability to correctly reproduce notes by the voice is one of the essential features of the singing task and called intonation. In combination with other parameters like timbre, formants, and sound attack, it affects the reception of listening impressions. In this paper, we present results of the examination concerning the automatic evaluation of intonation among the nonsingers, untrained and trained choral singers. We performed both pitch error during vocalization and pitch stability in crescendo task analysis among studied groups. We used Zero Band Filtering method to determine fundamental frequency from the singing signal. We noticed significant differences between singers with different skills and experience, and the possibility to classify the level of advancement of the singer by using intonation characteristic.
Czasopismo
Rocznik
Tom
Strony
art. no. 2019138
Opis fizyczny
Bibliogr. 19 poz., wykr.
Twórcy
autor
- AGH University of Science and Technology, 30-059 Cracow, Mickiewicza 30
autor
- AGH University of Science and Technology, 30-059 Cracow, Mickiewicza 30
Bibliografia
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- 5. N. Henrich, B. Roubeau, M. Castellengo, On the use of electroglottography for characterisation of the laryngeal mechanisms, Proceedings of the Stockholm Music Acoustics Conference, August 6-9, 2003.
- 6. N. Henrich, C. D’Alessandro, B. Doval, M. Castellengo, Glottal open quotient in singing: measurements and correlation with laryngeal mechanisms, vocal intensity, and fundamental frequency, The Journal of the Acoustical Society of America, 117 (March 2005) 1417 - 30.
- 7. E. Półrolniczak, M. Kramarczyk, Formant analysis in the assessment of the quality of choral singers, Signal Processing: Algorithms, Architectures, Arrangements, and Applications (SPA), (September 2013) 200 - 204.
- 8. J. Sundberg, Articulatory interpretation of the “singing formant”, The Journal of the Acoustical Society of America, 55 (April 1974) 838 - 844.
- 9. T. Murry, Pitch-matching accuracy in singers and nonsingers, Journal of Voice, 4 (January 1990) 317 - 321.
- 10. T. Nakano, M. Goto, Y. Hiraga, An automatic singing skill evaluation method for unknown melodies using pitch interval accuracy and vibrato features, INTERSPEECH 2006, April 2006.
- 11. E. Półrolniczak, M. Łazoryszczak, Quality assessment of intonation of choir singers using f0 and trend lines for singing sequence, Metody Informatyki Stosowanej, 4 (2011) 259 - 268.
- 12. J. Sundberg, Intonation in singing, The Oxford Handbook of Singing, chapter 13, April 2019.
- 13. S. Ternstrom, J. Sundberg, Intonation precision of choir singers, Journal of the Acoustical Society of America, 84 59 - 69.
- 14. A. Grell, J. Sundberg, S, Ternstrom, M. Ptok, E. Altenmuller, Rapid pitch correction in choir singers, Journal of the Acoustical Society of America, 126(1) (2009) 407 - 413.
- 15. J. Dai, S. Dixon, Intonation trajectories within tones in unaccompanied soprano, alto, tenor, bass quartet singing, Journal of the Acoustical Society of America, 146 (August 2019).
- 16. A. Vurma, J. Ross, Production and perception of musical intervals, Music Perception, 23 331 - 344.
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- 18. K. Deepak, Epoch extraction using zero band filtering from speech signal, Circuits Systems and Signal Processing, 34 (2014).
- 19. E. Prame, Measurements of the vibrato rate of ten singers, The Journal of the Acoustical Society of America, 96 (October 1994) 1979 - 1984.
Uwagi
Opracowanie rekordu ze środków MNiSW, umowa Nr 461252 w ramach programu "Społeczna odpowiedzialność nauki" - moduł: Popularyzacja nauki i promocja sportu (2020).
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-97057a8a-7317-4e2e-8ed3-5af6247a7621