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Indigenous Costume Color of Bangladesh: A Traditional Context for Cultural Revival

Treść / Zawartość
Identyfikatory
Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
Traditional elements are generally influenced as the symbols of cultural context that contains the sign of the past. Costume color study of Bangladesh mainly found through psychological thinking that depends on several factors, such as the use of traditional festival elements from history, costume color aesthetics, costume decoration colors of selected geographical regions To analyze costume color firstly, Zaltman Metaphor Elicitation Technique (ZMET) visual analysis method was performed that gives in-depth thoughts on research viewpoints; secondly, statistical analysis was done from research questionaries’ report, and the result has shown that the traditional colors analyzed from the visual analysis are significant. The findings of this analysis would be beneficial in establishing the concept of clothing color in Bangladeshi culture, also presenting an appreciation of the traditional context for the art design learner.
Rocznik
Strony
123--132
Opis fizyczny
Bibliogr. 26 poz., rys., tab.
Twórcy
autor
  • Jiangnan University, No.1800, Lihu Avenue, Binhu district, Wuxi 214122, Jiangsu province, P.R. China
  • Wuhan Textile University, College of Fashion, 1 Fangzhi Rd, Hongshan, Wuhan 430079, Hubei province, P.R. China
autor
  • Wuhan Textile University, College of Fashion, 1 Fangzhi Rd, Hongshan, Wuhan 430079, Hubei province, P.R. China
autor
  • Jiangnan University, No.1800, Lihu Avenue, Binhu district, Wuxi 214122, Jiangsu province, P.R. China
  • Wuxi University, No. 333, Xishan Avenue, Wuxi 214122, Jiangsu province, P.R. China
Bibliografia
  • 1. Allman, H.F., K. Hewett, and M. Kaur, Understanding Cultural Differences in Consumers’ Reactions to Foreign-Market Brand Extensions: The Role of Thinking Styles. Journal of International Marketing, 2019. 27(2): p. 1-21.
  • 2. Mahmud , F., Social Change as represented in the Art of Pottery in Bangladesh, in Social Change and Folklore, S. Khan, F. Mahmud , and S. Khatun, Editors. 2017, Bangla, Academy: Dhaka, Bangladesh. p. 61-74.
  • 3. Power, D. and A.J. Scott, Cultural Industries and the Production of Culture. 1st ed. Routledge Studies in International Business and the World Economy. 2011, New York: Routledge.
  • 4. Hyun, S.-H. and S.-J. Bae, Aesthetic Characteristics of Traditional Korean Patterns Expressed on Contemporary Fashion Design - from 1990 to 2005. Journal of Fashion Business, 2007. 11(6): p. 139-156.
  • 5. Shin, M.J., T. Cassidy, and E.M. Moore, Design Reinvention for Culturally Influenced Textile Products: Focused on Traditional Korean Bojagi Textiles. Fashion Practice, 2015. 7 (2): p. 175-198.
  • 6. Koo, H.S., L. Dunne, and E. Bye, Design functions in transformable garments for sustainability. International Journal of Fashion Design, Technology and Education, 2013. 7 (1): p. 10-20.
  • 7. Madden, T.J., K. Hewett, and M.S. Roth, Managing Images in Different Cultures: A Cross-National Study of Color Meanings and Preferences. Journal of International Marketing, 2000. 8 (4): p. 90-107.
  • 8. Qin, Z., Y. Song, and Y. Tian, The Impact of Product Design with Traditional Cultural Properties (TCPs) on Consumer Behavior Through Cultural Perceptions: Evidence from the Young Chinese Generation. Sustainability, 2019. 11(2).
  • 9. Korom, F.J., Social Change as Depicted in the Folklore of the Bengali Patuas: A Pictorial Essay, in Social Change and Floklore, S. Khan, F. Mahmud , and S. Khatun, Editors. 2017, Bangla Academy: Dhaka, Bangladesh. p. 27-38.
  • 10. Zakaria, S., Itinerants in Folklore of Bangladesh: History, Tradition and an Urban Context, in Folklore in the Urban Context, S. Khan, F. Mahmud , and S. Khatun, Editors. 2016, Bangla Academy: Dhaka, Bangladesh.
  • 11. Minhus, S.M. and L. Huie, The Tendency of Traditional Costume at Heritage Festival for Cultural Revival. SAGE Open, 2021. 11(2).
  • 12. Barnett, C., Culture, government and spatiality: Re-assessing the ’Foucault effect’ in cultural-policy studies. International Journal of Cultural Studies, 1999. 2 (3): p. 369-397.
  • 13. Min, S. and H. Koo, Sustainable apparel design strategies regenerated from traditional costumes of the Chosun Dynasty. Research Journal of Textile and Apparel, 2017. 21 (1): p. 27-41.
  • 14. Jain, J., Folk Arts and Craft Museum. 1984, United Nations Educational, Scientific and Cultural Organization (UNESCO): Paris.
  • 15. Bortoli, M.D. and J. Maroto. Colors Across Cultures: Translating Colors in Interactive Marketing Communications. in European Languages and the Implementation of Communication and Information Technologies (Elicit) Conference. 2001. University of Paisley.
  • 16. Volpintesta, L., The language of fashion design : 26 principles every fashion designer should know. 2014, Beverly: Rockport Publishers. 223.
  • 17. Zaltman, G. and L.H. Zaltman, Marketing Metaphoria. 2008: Harvard Business School Publishing.
  • 18. Eakin, E., Penetrating the Mind by Metaphor, in The New York Times. 2002: New York.
  • 19. Zaman, A., Pohela Boishakh: Origin, History, Culture & Facts, in Daraz Life. 2017: Dhaka.
  • 20. Zarif, M.M., Forever in Fashion: The colours of our lives, in The Daily Star 2017: Dhaka.
  • 21. Islam, M., Pohela Falgun the harbinger of colours, in The Daily Star 2015: Dhaka.
  • 22. Hossain, M.M., The Emerging Consumer Culture in Bangladesh: Everyday Life and Festivals in Rural Areas. Journal of Social Sciences, 2010. 6(3): p. 488-497.
  • 23. Minhus, S.M. and L. Huie, Costume Color: The Representation of Bangladeshi Tradition and Cultural Revival. Journal of Textile Science & Fashion Technology, 2021. 8 (1): p. 1-7.
  • 24. Mahmud Khan, M.W., The traditional epic art of Bangladesh (Intangible cultural heritage of humanity). International Journal of Asian History Culture and Tradition, 2016. 3 (2): p. 30-40.
  • 25. Mahmud , F., Mangal Shobhajatra on Pahela Baishakh in Dkaka City, in Ten Elements of the Intangible Cultural Heritage of Bangladesh, S. Khan, F. Mahmud , and S. Khatun, Editors. 2016, Bangla Academy: Dhaka, Bangladesh.
  • 26. Zaltman, G. and R.H. Coulter, Seeing the voice of the customer: Metaphorbased advertising research. Journal of Advertising Research, 1995. 35(4): p. 35-51.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-965aed33-b2f3-4f9c-b963-c401d8696b91
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