Modernity in architecture as the synergy of ideas, tradition and nature – opera in Bialystok

• Autorzy: Tokajuk Andrzej
• Języki publikacji: EN

Abstrakty

EN

The author of the article the is analysing the problem of modernity in architecture on the example of the concept of Podlasie Opera and Philharmonic in Bialystok – one of the most interesting project of contemporary architecture in Poland. It shows a kind of new way in creating modern public building not only in Poland but also in Europe. That means a special synergy of ideas, tradition, technology and nature in architecture – the sophisticated way to achieve modernity in contem -porary design. The project was based on three ideas – which concerns mainly to local context (religious hills, Orthodox and Jewish cemeteries), tradition of antique architecture and saint places of Israel and the city centre of Bialystok. Significant role in the project plays the greenery – plants on elevations, poles, roofs, introduced on a few different levels. This ecological aspect refers to the very important tendency of 21st century – sustainable architecture. The complex was designed by studio of Marek Budzynski Architect and was constructed during 2005−2012. We can define the project as the synergy and synthesis of the tradition with the modernity, integration of architecture, culture, technology and the landscape.

Słowa kluczowe

EN

modernity; architecture; synergy; opera

• Wydawca: Wydawnictwo Politechniki Lubelskiej ; Polska Akademia Nauk, Oddział w Lublinie
• Czasopismo: Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych
• Rocznik: 2019
• Tom: T. 15, nr 1
• Strony: 41--47
• Opis fizyczny: Bibliogr. 11 poz., fig.

Twórcy

autor

Tokajuk Andrzej

• Faculty of Architecture, Bialystok University of Technology

Bibliografia

• [1] Asanowicz A., 2017, „ Parametric design. Tool, medium or new paradigm? ”, Proceedings of the 35 th International Conference on Education and Research in Computer Aided Architectural Design in Europe, Rome, p. 379−386
• [2] Bujas P., 2012, „Od postmodernizmu do nowego romatyzmu”, Architektura-murator , Warszawa, nr 11, ISSN: 1232−6372 p. 66−69.
• [3] Gunel M.H., Ilgin H.E., 2014, „ Tall Buildings. Structural Systems and Aerodynamic Form” , Routledge, Taylor & Francis Group, New York
• [4] Heynen H., 1999, „Architecture and modernity: a critique”, MIT Press Massachusets, USA, p. 8−25.
• [5] Jencks Ch., 1987, „Architektura postmodernistyczna”, Polish Edition, Arkady, Warszawa.
• [6] Mozas J., Per A.F., 2004, New collective housing – density, a+t ediciones, Vitoria-Gasteiz, p. 204−290
• [7] Niebrzydowski W., 2015, „Brutalism in Poland on the Example of the Architecture of Krakow”, Journal of Sustainable Architecture and Civil Engineering, 2015 / nr 1 (10), Kaunas University of Technology – Faculty of Civil Engineering and Architecture, pp. 40−49.
• [8] Stiasny G., Bujas P., 2012, „Światopogląd wyrażony w formie”, Architektura-murator , Warszawa, nr 11, ISSN: 1232−6372, p. 60−64.
• [9] Uffelen v. Ch., 2017, Green, greener, greenest. Facades, roofs, indoors., Braun Publishing AG, Berlin, p. 6−70.
• [10] https://www.archdaily.com/628924/barozzi-veiga-s-philharmonic-hall-szczecin-receives-2015-eu-prize-for-contem - porary-architecture-nil-mies-van-der-rohe-award, accessed 29th June 2018
• [11] http://opera.bialystok.pl/en/institution-en.html , accessed 17 th May 201

Uwagi

Opracowanie rekordu w ramach umowy 509/P-DUN/2018 ze środków MNiSW przeznaczonych na działalność upowszechniającą naukę (2019).