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Decorative Image and Cultural Implication of Embroidery in Jinnan (Southern Shanxi)

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Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
Jinnan (Southern Shanxi) embroidery is a traditional Chinese folk handicraft. In this study, we collected a large number of historical resources and theoretical materials of Jinnan embroidery and randomly sampled 100 works as research objects. These works were compared, and the artistic expression and implication in these works were analysed. We found that animal patterns are the main object of Jinnan embroidery and that the colour scheme in Jinnan embroidery is simple, with red and yellow as the main colours. After an in-depth analysis of their theme and value, the embroidery patterns were shown to convey totem worship, reproduction worship and auspicious worship, reflecting the long-term aesthetic concepts and living customs in southern Shanxi.
Słowa kluczowe
Rocznik
Strony
112--122
Opis fizyczny
Bibliogr. 20 poz., rys., tab.
Twórcy
autor
  • College of Fine Arts, Seoul National University, 1 Gwanak-ro, Gwanak-gu, Seoul 151-742, Korea
  • College of Fine Arts, Seoul National University, 1 Gwanak-ro, Gwanak-gu, Seoul 151-742, Korea
Bibliografia
  • 1. Xu DD. The Art Features and Cultural Connotation of Folk Embroidery in Jinnan: Performance and Implication of Pattern Selection and Color Matching. Master’s thesis of Shanxi Normal University, 2016.
  • 2. Ren XF. Local Interpretation of Folk Embroidery in Jinzhong Area of Shanxi Province. Master’s thesis of Liaoning University, 2011.
  • 3. Zhang YH. By Folk Needlework Art in Daughter Interest. Master’s thesis Hebei University, 2007.
  • 4. Wang Y. Chinese Folk Art. Taiyuan: Shanxi Education Press, 2000.
  • 5. Han XY. The History, Current Situation and Future of Shanxi Embroidery Industry. Silk 2011; (08), 64-67.
  • 6. Guo ML. A Brief Discussion on the Meaning and Artistic Features of Houma Folk Embroidery. Inclusion in the beauty of traditional craft in 2009 Technical national-level training, 2009.
  • 7. Wang LH, Sun JJ. Folk embroidery. Wuhan: Hubei Fine Arts Publishing House, 2000
  • 8. Tian ZB, Wu SS, Tian Q. History of Chinese patterns [M]. Beijing: Higher Education Press, 2003.
  • 9. Wang LH. Folk embroidery patterns [M]. Changsha: Hunan Fine Arts Publishing House, 2001.
  • 10. Zhang YJ. The Color Research of Shanxi Folk Embroidery. Master’s thesis of Beijing Institute of Fashion Technology, 2013.
  • 11. Shi LY. Folk Embroidery Patterns and Their Artistic Characteristics in Southern Shanxi. Master’s thesis of Zhejiang Sci-Tech university, 2019
  • 12. Shi LY. Folk Embroidery Patterns and Their Artistic Characteristics in Southern Shanxi. Master’s thesis, Zhejiang Sci-Tech University, 2019.
  • 13. Tang JL, Pan LS. Introduction to Chinese Folk Art. Harbin: Heilongjiang Art. Publishing House. 2000.
  • 14. Wang LH. Folk Embroidery Graphics. Changsha: Hunan Fine Arts Publishing House, 2001.
  • 15. Peng JX. Introduction to Art. Peking: Peking University Press, 2015.
  • 16. Tang YX. Interpretation of Chinese Traditional Auspicious Patterns. Chinese Folk Custom 2008; (1).
  • 17. Liu KR. Looking for Creative Advertising from the Auspicious Figures of the Folks in Fu Lu Shou Xi. Master’s thesis, South Central University for Nationalities, 2011.
  • 18. Wang HX. The Origin of the Concept of Good Luck, Longevity, Happiness and Auspiciousness: Taking Auspicious New Year Pictures as an Example. Folk Art. 2020; (03), 68-72.
  • 19. Hou JF. Research on the Application of Chinese Traditional Auspicious Patterns in Skateboard Design. Master’s thesis of Xi’an Polytechnic University, 2019.
  • 20. Zheng J. Chinese Fu Lu Shou Xi Pattern. Shenyang: Liaoning Fine Arts Publishing House 2000.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-7da220fe-9a50-4ece-8cc4-75221f3773db
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