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Experiments on pitch perception: implications for music and other processes

Identyfikatory
Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
This paper presents a review of the development of our understanding of pitch perception during the past three decades, in which the author was deeply involved. Some specific applications are discussed that are for the most part in the domain of music perception and show where the interest in pitch perception has led us today.
Rocznik
Strony
475--490
Opis fizyczny
Bibliogr. 32 poz., rys.
Twórcy
  • US Army Aeromedical Research Laboratory Building 6901, Fort Rucker, AL 36362, USA
Bibliografia
  • [1] HELMHOLTZ H. L. F. VON., Die Lehre von den Tonempfindingen als physiologische Grundlage für die Theorie der Musik, F. Vieweg & Sohn, Braunschweig 1863.
  • [2] SCHOUTEN J. F., The residue and the mechanism of hearing, Proceedings of the Koninklijke Nederlandse Academie voor Wetenschap 43, 991–999 (1940).
  • [3] RITSMA R. J., Frequencies dominant in the perception of the pitch of complex sounds, Journal of the Acoustical Society of America, 42, 191–198 (1967).
  • [4] American National Standards Institute, American national psycho-acoustical terminology, S3.20, New York 1973.
  • [5] HOUTSMA A. J. M., GOLDSTEIN J. L., The central origin of the pitch of complex tones: Evidence from musical interval recognition, Journal of the Acoustical Society of America, 51, 520–529 (1972).
  • [6] TERHARDT E., Zur Tonhöhewahrnehmung von Klängen II: Ein Funktionsschema, Acustica, 26, 187–199 (1972).
  • [7] GOLDSTEIN J. L., An optimum processor theory for the central formation of the pitch of complex tones, Journal of the Acoustical Society of America, 54, 1496–1516 (1973).
  • [8] BILSEN F. A., GOLDSTEIN J. L., Pitch of dichotically delayed noise and its possible spectral basis, Journal of the Acoustical Society of America, 55, 292–296 (1974).
  • [9] MEDDIS R., HEWITT M. J., Virtual pitch and phase sensitivity of a computer model of the auditory periphery, I. Pitch identification, Journal of the Acoustical Society of America, 89, 2866–2882 (1991).
  • [10] HOUTSMA A. J. M., SMURZYNSKI J., Pitch identification and discrimination for complex tones with many harmonics, Journal of the Acoustical Society of America, 87, 304–310, 1990.
  • [11] BEERENDS J. G., HOUTSMA A. J. M., Pitch identification of simultaneous diotic and dichotic two-tone complexes, Journal of the Acoustical Society of America, 85, 813–819 (1989).
  • [12] RAYLEIGH LORD, On bells, Philosophical Magazine, 29, 1–17 (1890), Reprinted [in:] Acoustics of Bells, ROSSING T. D., [Ed.], Van Nostrand Reinhold, New York 1984.
  • [13] SCHOUTEN J. F., ‘T HART J., The strike note of bells, Journal of the Acoustical Society of the Netherlands, 7, 8–19 (1965).
  • [14] GREENHOUGH M., The analysis and synthesis of bell sounds, Proceedings of the Institute of Acoustics, September (1976).
  • [15] HOUTSMA A. J. M., EGGEN J. H., Indian drums and Chinese bells: Measured spectrum and perceived pitch, [in:] E. OZIMEK [Ed.], Subjective and objective evaluation of sound, World Scientific Press, Singapore 1990.
  • [16] SCHOOFS A. J. G., ASPEREN F. VAN., MAAS P., HOUTSMA A. J. M., THOLEN H. J. G. M., LEHR A., A carillon of major-third bells (I, II, III), Music Perception 4, 3, (1987).
  • [17] LEHR A., The significance of the twelfth for the formation of the strike note [in Dutch], www.andrelehr.nl, 2006.
  • [18] DUIFHUIS H., WILLEMS L. F., SLUYTER R. J., Measurement of pitch in speech: an implementation of Goldstein’s theory of pitch perception, Journal of the Acoustical Society of America, 71, 1568–1580 (1982).
  • [19] ‘T HART J., COLLIER R., COHEN A., A perceptual study of intonation: An experimental-phonetic approach to speech melody, Cambridge University Press, Cambridge 1990.
  • [20] FANT C.G.M., Acoustic theory of speech production, Mouton, The Hague 1960.
  • [21] COLLIER R., ‘T HART J., A grammar of pitch movements in Dutch intonation, IPO Annual Progress Report 6, 17–21 (1971).
  • [22] ADRIAENS L. M. H., Ein modell deutscher intonation, Dissertation, Technical University Eindhoven, 1991.
  • [23] ELSENDOORN B. A. G., Tolerances of durational properties in Britisch English vowels, Dissertation, Technical University Eindhoven, 1984.
  • [24] ODÉ C., Russian intonation: A perceptual description, Dissertation, Leiden University, 1989.
  • [25] WILLEMS N. J., English intonation from a Dutch point of view, Dissertation, Technical University Eindhoven, 1982.
  • [26] MOZZICONACCI S., Speech variability and emotion, Dissertation, Technical University Eindhoven, 1998.
  • [27] HOUTSMA A. J. M., Perceptually-based audio coding, [in:] VORLÄNDER M., KUWANO S., HAVELOCK D. [Eds.], Handbook of signal processing in acoustics, Springer, New York 2007 (in press).
  • [28] International Telecommunications Union, Method for objective measurement of perceived audio quality, ITU-R.BS 1387, 2001.
  • [29] CAIN P. A., AHROON W. A., Auscultation in noise: A program to develop a stethoscope capable of functioning during aeromedical transport, Journal of the Acoustical Society of America, 112, 2274 (2002).
  • [30] HOUTSMA A. J. M., High noise environment stethoscope, U.S. patent application nr. 11/425312, 2006.
  • [31] HOUTSMA A. J. M., CURRY I. P., SEWELL J. M., BERNHARD W. N., A dual-mode noise-immune stethoscope for use in noisy vehicles, Proceedings Army Science Conference 2006, paper K-27, Orlando, 2006.
  • [32] HOUTSMA A. J. M., CURRY I. P., SEWELL J. M., BERNHARD W. N. Auscultation in high-noise environments using hybrid electromechanical and ultrasound-Doppler techniques, Journal of the Acoustical Society of America, 120, 3361 (2006).
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-71bb7f4f-4742-49cf-81cc-dfd78c4e61c1
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