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Implementing the fade-in audio effect for real-time computing

Treść / Zawartość
Identyfikatory
Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
Audio fading is performed in order to smoothly modify over time the level of an audio signal. In particular, the fade-in audio effect designates a gradually increase in the audio volume, starting from silence. In practice, audio fading is mostly carried out within audio editors i.e. in off-line mode by employing various transcendental functions to enforce the fade profile. Taking into account the increasing demand for interactive media services requiring real-time audio processing, the present approach advances an effective method of constructing the audio fade-in shape with a view to real-time computing. The paper encompasses plain and straightforward implementations in pure JavaScript, prepared precisely to validate the method of audio volume processing proposed here.
Rocznik
Strony
5--18
Opis fizyczny
Bibliogr. 14 poz., fig.
Twórcy
  • Transilvania University of Braşov, Faculty of Electrical Engineering and Computer Science, Department of Electrical Engineering and Applied Physics, Bd. Eroilor No. 29, Braşov, RO-500036, Romania
Bibliografia
  • [1] Case, A. U. (2007). Sound FX: Unlocking the Creative Potential of Recording Studio Effects. Burlington, MA, USA: Focal Press.
  • [2] Corey, J. (2017). Audio Production and Critical Listening: Technical Ear Training. New York, NY, USA: Routledge.
  • [3] Devlin, I. (2012). HTML5 Multimedia: Develop and Design. Berkeley, CA, USA: Peachpit Press.
  • [4] Jackson, W. (2015). Digital Audio Editing Fundamentals: Get started with digital audio development and distribution. Berkeley, CA, USA: Apress Media. doi:10.1007/978-1-4842-1648-4
  • [5] Jacobs, I., Jaffe, J., & Le Hegaret, P. (2012). How the open web platform is transforming industry. IEEE Internet Computing, 16(6), 82-86. doi:10.1109/MIC.2012.134
  • [6] Langford, S. (2014). Digital Audio Editing: Correcting and Enhancing Audio in Pro Tools, Logic Pro, Cubase, and Studio One. Burlington, MA, USA: Focal Press.
  • [7] Lupsa-Tataru, L. (2017). Shaping the fade-in audio effect with a view to JavaScript implementation. Journal of Computations & Modelling, 7(4), 111–126.
  • [8] Lupsa-Tataru, L. (2018). Novel technique of customizing the audio fade-out shape. Applied Computer Science, 14(3), 5–14. doi:10.23743/acs-2018-17
  • [9] Panagakis, Y., Kotropoulos, C. L., & Arce, G. R. (2014). Music genre classification via joint sparse low-rank representation of audio features. IEEE/ACM Transactions on Audio, Speech, and Language Processing, 22(12), 1905–1917. doi:10.1109/TASLP.2014.2355774
  • [10] Potter, K. (2002). Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass (Series: Music in the Twentieth Century). Cambridge, UK: Cambridge University Press.
  • [11] Powers, S. (2011). HTML5 Media. Sebastopol, CA, USA: O’Reilly Media.
  • [12] Reiss, J. D., & McPherson, A. (2015). Audio Effects: Theory, Implementation and Application. Boca Raton, FL, USA: CRC Press.
  • [13] Schroder, C. (2011). The Book of Audacity: Record, Edit, Mix, and Master with the Free Audio Editor. San Francisco, CA, USA: No Starch Press.
  • [14] WebPlat WG (Web Platform Working Group). (2017). HTML 5.2. W3C Recommendation. W3C technical reports index: https://www.w3.org/TR/2017/REC-html52-20171214
Uwagi
Opracowanie rekordu w ramach umowy 509/P-DUN/2018 ze środków MNiSW przeznaczonych na działalność upowszechniającą naukę (2019).
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-69a372f5-037c-40ed-913c-3527a840895a
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