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The Study of the Proscenium Area in an Opera House

Treść / Zawartość
Identyfikatory
Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
The paper describes issues of the proscenium area shown on the example of two opera houses. The subject of the analysis was the design of the Chamber Opera House in Kalisz and the already existing building of the Opera House in Krakow. It covers the influence of the proscenium walls and forestage ceiling on the acoustic conditions in the auditorium. Another subject of the investigation was the influence of the primary proscenium, designed in the very first opera houses in Baroque. The analyses were carried out by means of two computer softwares: Ray Model and Catt Acoustic, and such parameters as sound strength (G), reverberation time (RT), early decay time (EDT), C80 (clarity) index and center time (TS) were calculated. The parameters were further analyzed in the auditorium for three positions of the sound source on the stage.
Słowa kluczowe
Rocznik
Strony
515--526
Opis fizyczny
Bibliogr. 19 poz., fot., rys., tab., wykr.
Twórcy
autor
  • Faculty of Architecture, Poznań University of Technology, Nieszawska 13 C, Poznań, Poland
autor
  • AGH University of Science and Technology, al. Mickiewicza 30, 30-059 Kraków, Poland
Bibliografia
  • 1. Barron M., Lee, L.-J. (1988), Energy relations in concert auditoriums. I, The Journal of the Acoustical Society of America, 84, 2, 618-628.
  • 2. Beranek L., Hidaka T., Masuda S. (2000), Acoustical design of the opera house of the New National Theatre, Tokyo, Japan, Journal of the Acoustical Society of America, 107, 1, 368-383.
  • 3. Dolejši J., Pouzar L., Dolejši j., Rychtáriková M. (2011), Room acoustic properties of baroque theaters, Proceedings of Forum Acusticum, pp. 2611-2613.
  • 4. Dolejši J., Dolejši, J., Sturmova I., Rychtáriková M., Pouzar L. (2013), Acoustic properties of four baroque theatres, Akustika, 18, 1-10.
  • 5. Edwards N., Kahn D. (n.d.), Acoustics of a Baroque opera house, retrieved August 29, 2011, from www.acousticdimensions.com/Downloads/tech papers/Acoustics Baroque House.pdf.
  • 6. Egan D. (2007), Architectural acoustics, J. Ross Publishing, US.
  • 7. Fasold W., Kraak W., Schirmer W. (1984), Taschenbuch akustik, Vol. II [in German], Veb Verlag Technik, Berlin.
  • 8. Halmrast T., Buen A., Ihlen G. (2003), The influence of a large reflector over the orchestra pit in an opera house, ULTRAGARSAS 2003: Baltic-Nordic Acoustical Meeting (B-NAM 2002) Proceedings (2003), Vol. II, 48, 3, 62.
  • 9. Hidaka T., Beranek L. (2000), Objective and subjective evaluations of twenty-three opera houses in Europe, Japan, and the Americas, Journal of the Acoustical Society of America, 107, 1, 368-383.
  • 10. Kamisiński T., Burkot M., Rubacha J., Brawata K. (2009), Study of the effect of the orchestra pit on the acoustics of the Kraków Opera Hall, Archives of Acoustics, 34, 4, 481-490.
  • 11. Kamisiński T. (2012), Correction of acoustics in historic opera theatres with the use of Schroeder diffuser, Archives of Acoustics, 37, 3, 349-354.
  • 12. Kamisiński T., Kulowski A., Kinasz R. (2016), Can historic interiors with large cubature be turned acoustically correct?, Archives of Acoustics, 41, 1, 3-14.
  • 13. Kulowski A. (1985), Algorithmic representation of the ray tracing technique, Applied Acoustics, 18, 449-469.
  • 14. Kulowski A. (1991), Modification of ray tracing method in modeling acoustic field in interiors [in Polish: Modyfikacja promieniowej metody modelowania pola akustycznego w pomieszczeniach], Zeszyty Naukowe Politechniki Gdańskiej, Seria Elektronika, 74.
  • 15. Maffei L., Iannace G., Ianniello C., Romano R. (2000), Room acoustics condition of performers in an old opera house, Journal of Sound and Vibration, 232, 1, 17-26.
  • 16. Marshall L. G. (1995), Speech intelligibility prediction from calculated C50 values, Journal of the Acoustical Society of America, 98, 2845-2847.
  • 17. Pilch A., Szeląg A., Kamisiński T., Brawata K., Flach A. (2014), The analysis of the effectiveness of the overhead stage canopies basing on the in-situ measurements, Proceedings of Forum Acusticum 2014.
  • 18. Rychtarikova M., Dolejsi J., Vermeir G., Dolejsi J., Pouzar L. (2014), Comparison of Two Baroque Theatres from acoustical point of view, Acoustics in Practice, 2, 2, 13-19.
  • 19. Sygulska A. (2011), Role of proscenium in the design of opera house, Proceedings of Forum Acusticum, pp. 2615-2620.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-468620df-5f60-4443-9025-95a898711ad9
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