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Over the past few years, murals have actively and firmly entered into the fabric of the architectural environment as one of the most powerful artistic means of urban art. According to the latest statistics, Ukraine, and Kyiv in particular, tops the list of leaders of the countries with the largest number of murals. Based on the historical context, the murals performed a social and propaganda mission. Already in the XXI century, Ukraine has experienced two revolutions. And they became a powerful impetus for the active manifestation of „street art” on free surfaces. But in contrast to the monumental and decorative compositions of totalitarian art, which still adorn the cities of Ukraine, the artistic and graphic language has changed. Young designers in modern graphic trends, form an updated visual representation of established stylistic solutions. The purpose of the article is an attempt to determine the historical conditions of the murals’ development, the features and principles of their solutions in the city space, as well as modern and promising means of implementation. The article discusses the factors and conditions of the evolution of modern murals, their typology and thematic focus, techniques and means of spatial composition and artistic solutions.
Czasopismo
Rocznik
Tom
Strony
57--65
Opis fizyczny
Bibliogr. 10 poz., il.
Twórcy
autor
- Kyiv National University of Technology and Design, Ukraine
autor
- Kyiv National University of Culture and Arts, Ukraine
Bibliografia
- [1] Gralińska-Toborek A. Experience of Art in Urban Space, Lodz: Biblioteka Publishing House, 2014. – p. 85-99
- [2] Gastman R., Neelon C., Smyrski А. Street World: Urban Culture and Art from Five Continents, New York: Abrams Books, 2007. p. 384
- [3] Kais Z. W. Social semantics of the urban world: graffiti symbolism: author’s ref. dis. ... cand. philos. Sciences: 09.00.03 / Z. V. Kais; NAS of Ukraine, Institute of Philosophy. G.S. Frying pans. – Kyiv, 2015. – 20 p.
- [4] Shpetna S.A. Socio-cultural phenomenon of the mural as a call for dialogue and discussion, Bulletin of Luhansk Taras Shevchenko National University. Philological Sciences, 2020, 3 (334): p. 150–156.
- [5] Kolisnyk, A. V., Ponomarova, N.S. (2019) Murals as a way of social communication, Comparison of the world experience. Art and design. 2. p. 62-73.
- [6] Havrylash I. S. Murals and graffiti in modern Ukraine: features and differences, Culture of Ukraine, 2018 (62) p. 235-244.
- [7] Lolina N.A. Mural in modern urban spase: Challenge or Reflection of cultural reality, Ministry of education and science of Ukraine MP Dragomanov national university of pedagogy, 2019, p.84-87.
- [8] Piotr Gryglewski,Yulia Ivashko, Denys Chernyshev, Peng Chang, Andrii Dmytrenko. Art as a message realized through various means of artistic expression, Art Inquiry. Recherchessur les arts 2020, vol. XXII, pp.57-88.
- [9] Kozub W. Mural – a contemporary architectural detail, Proceedings from Aktualni problemy suchasnoho dyzainu [Actual problems of modern design]: materialy Mizhnarodnoi naukovo praktychnoi konferentsii (20 kvitnia 2018 r.). Kyiv: KNUTD, 2018. p. 33-36.
- [10] Ostapenko, A.A. Kyiv mural art / AA Ostapenko, OA Pivovarenko, // Scientific achievements of youth – solving problems of human nutrition in the XXI century: materials of the 83rd international scientific conference of young scientists, graduate students and students, April 5–6, 2017 – Kyiv: NUHT, 2017, Part 4. – p. 51-52.
Typ dokumentu
Bibliografia
Identyfikator YADDA
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