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The article refers to the functions that mosaics may perform in urban space. They are relics of ancient times, but they have found new enthusiasts in the latest century. Therefore, street mosaic is treated by the Authors as a part of architecture and communication medium. In Poland, mosaics frequently became a part of the socialist realism doctrine and were created within the context for propaganda purposes. The aim of this study is to present mosaic as a medium of communicative as well as artistic and urban character. Based on the historically and artistically researched mosaic by Bieniek, we can see the significance of artistic works, in the context of architecture but also sociology. The methods chosen to achieve this aim were desk research and a case study of work by Bieniek. The mosaic, which was destroyed, was a significant example of the use of this art form in public space. Analyzing mosaic we notice that introducing interaction with art makes the recipient get to know it more deeply, becoming its integral part. This identification allows us to arouse sentiment for the historical value of the work, which contributes to the cultivation of the culture surrounding us.
Czasopismo
Rocznik
Tom
Strony
17--32
Opis fizyczny
Bibliogr. 33 poz.
Twórcy
autor
- PhD; Silesian University of Technology in Gliwice
autor
- Prof., DSc; University of Information Technology and Management in Rzeszów
autor
- Prof. DSc; University of Information Technology and Management in Rzeszów
autor
- MSc Eng. Arch.; University of Information Technology and Management in Rzeszów
autor
- BA; Silesian University of Technology in Gliwice
Bibliografia
- [1] (Roncuzzi and Fiorentini 20020) Roncuzzi, Fiorentini, Isotta and Fiorentini, Elisabetta. 2002. Mosaic: Materials, Techniques and History. Ravenna: MWeV.
- [2] Stępień, Antoni. (1964). O sposobie istnienia dzieła sztuki (On the way art exists), Zeszyty Naukowe KUL 6(4).
- [3] Krupiński, Janusz. (2013). Determinanty dzieła sztuki jako continuum obrazów (Determinants of a Work of Art: a Continuum of Images), Estetyka i Krytyka 28(1), http://bityl.pl/NzRVa
- [4] James, Liz. (2017). Medium and Message: Mosaics in the Ninth and Tenth Centuries, in: Mosaics in the Medieval World: From Late Antiquity to the Fifteenth Century. Cambridge: Cambridge University Press. doi:10.1017/9780511997693.013 Open DOI
- [5] Wrench Licínia Nunes Correia. Some Geometrical Patterns and Decorative Motifs Occurring in Roman Portuguese Mosaics: A Comparative Approach with Eastern and Western Mosaics, Journal of Mosaic Research vol. 7, pp. 49-59, 2014
- [6] Moorey, Peter. (1999). Ancient Mesopotamian Materials and Industries: The Archaeological Evidence, Winona Lake: Eisenbrauns.
- [7] Abraços, Fátima and Wrench, Licínia. The Roman Mosaics of Bracara Augusta: Re-Reading and Reinterpretation of Decorative Motifs, Journal of Mosaic Research vol. 10, pp. 9-26, 2017. https://doi.org/10.26658/jmr.356676
- [8] Henderickson, Edwin. 1957. The Basics in Mosaics. Mastering a Hobbycraft with a Two Thousand Year Old Tradition, Design 59(1), pp. 6-81, https://doi.org/10.1080/00119253.1957.10743825
- [9] Cisek, E. “The mosaic as an element of colour characterization of architectural space”, Architectus, vol.2(12), pp. 49-59, 2002.
- [10] Šmuc, A. and Dolenec, M. and Lesar-Kikelj, M. and Lux, J. and Pflaum, M. and Šeme, B. and Županek, B. and Gale, L. and Kramar, S. Variety of Black and White Limestone Tesserae Used in Ancient Mosaics in Slovenia, Archaeometry 59(2), pp. 205-221, 2017. https://doi.org/10.1111/arcm.12250
- [11] Robertson, Ian. (2012). Heritage from Below, London: Routledge. https://doi.org/10.4324/9781315586632
- [12] Chilvers, Ian. (2004). The Oxford Dictionary of Art. New York: Oxford University Press
- [13] Csikszentmihalyi, Mihaly. 1996. Creativity: Flow and the psychology of discovery and invention, New York: Harper Collins.
- [14] Boden, Margaret. (2004). The Creative Mind: Myths and Mechanisms. London: Routledge.
- [15] Klinke, Harald. (2014). Art Theory as Visual Epistemology. Newcastle: Cambridge Scholars Publishing
- [16] Hickman, Richard. (2005). Critical Studies in Art and Design Education. Bristol: Intellect Books, 2005. [14] James, Liz. 2017. Medium and Message: Mosaics in the Ninth and Tenth Centuries, in: Mosaics in the Medieval World: From Late Antiquity to the Fifteenth Century. Cambridge: Cambridge University Press. doi:10.1017/9780511997693.013 Open DOI
- [17] Mills, Teresa. (2017). The Mosaic Artist’s Bible: 300 Traditional and Contemporary Designs. Pomfret: Trafalgar Square Books.
- [18] Fladmark, J. D. (2014). Heritage: Conservation, Interpretation and Enterprise. London: Routledge.
- [19] Bergström, Bo. (2008), Essentials of Visual Communication, London: Laurence King Publishing.
- [20] Zabawa-Krzypkowska, Joanna and Groń, Krzysztof. (2020), The Psychophysiology of Visual Perception, Gliwice: Silesian University of Technology.
- [21] Barthes, Roland. (2008). Światło Obrazu. Uwagi o Fotografii (The Light of the Image: Notes of Photography), Aletheia.
- [22] Chudzik, Anna. (2010). Inskrypcje w przestrzeni miejskiej (Insccriptions in urban space), Sanok: PWSZ.
- [23] Wallis, Aleksander (1979). Informacja i gwar. O miejskim centrum (Information and buzz. About the city center), Warszawa: PIW.
- [24] Tuan, Yi-Fu. (1987). Przestrzeń i miejsce (Space and place), Warszawa: PIW.
- [25] Jałowiecki, Bohdan. (1988). Społeczne wytwarzanie przestrzeni (Social Production of Space), Warszawa: Scholar.
- [26] Gawroński, Sławomir and Tworzydło, Dariusz and Bajorek, Kinga and Bis, Łukasz. (2021). A Relic of Communism, an Architectural Nightmare or a Determinant of the City’s Brand? Media, Political and Architectural Dispute over the Monument to the Revolutionary Act in Rzeszów (Poland), Arts 10(1), p. 8, https://doi.org/10.3390/arts10010008
- [27] Pater, Paula. (2017). Znaczenie sztuki w publicznej przestrzeni miejskiej na podstawie wybranych przykładów obiektów ceramicznych we Wrocławiu (The importance of art in the public space of the city on the basis of selected examples of ceramic objects in Wrocław), Szkło i Ceramika 4 (https://www.szkloceramika.pl/Upload/Pater.pdf
- [28] Dziadzia, Bogusław. (2015). Kiedy sztuka wytwarza kapitał. Zaangażowanie i sztuka w przestrzeni publicznej, in Bogusław Dziadzia and Barbara GłydaŻydek and Sabina Piskorek-Oczko (eds.), Sztuka w przestrzeni publicznej. Artystyczne wymiary wytwarzania kapitału społecznego i kulturowego (Art in Public Space: Artistic Dimensions of Creating Social and Cultural Capital), Bielsko Biała-Cieszyn: Fundacja Animacji Społeczno-Kulturalnej
- [29] Pater, Paula. (2017). Znaczenie sztuki w publicznej przestrzeni miejskiej na podstawie wybranych przykładów obiektów ceramicznych we Wrocławiu (The importance of art in the public space of the city on the basis of selected examples of ceramic objects in Wrocław), Szkło i Ceramika 4, https://www.szkloceramika.pl/Upload/Pater.pdf
- [30] Gawroński, Sławomir and Tworzydło, Dariusz and Bajorek, Kinga and Bis, Łukasz. (2021). A Relic of Communism, an Architectural Nightmare or a Determinant of the City’s Brand? Media, Political and Architectural Dispute over the Monument to the Revolutionary Act in Rzeszów (Poland), Arts 10(1), p. 8, https://doi.org/10.3390/arts10010008]
- [31] Kwiatkowski, Jacek. (2018), Why socialist realism? Space and propaganda - the birth of myth, Seminare.
- [32] Groń, Krzysztof. (2011), Oddany sztuce. Życie i twórczość Ignacego Bieńka (Devoted to Art: The Life and Work of Ignacy Bieniek), Kraków: Wydawnictwo Wyższej Szkoły Ekologii i Zarządzania Kraków.
- [33] Pleśniarowicz, Krzysztof. (2018), Kantor, Warszawa: Wielka Litera.
Uwagi
Opracowanie rekordu ze środków MNiSW, umowa nr POPUL/SP/0154/2024/02 w ramach programu "Społeczna odpowiedzialność nauki II" - moduł: Popularyzacja nauki (2025).
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-42fcdfde-8834-465a-b495-40cd09f70123
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