Building on the Build. Unfinished Architecture and Confiscated Property as New Palinsesto for the Contemporary Architecture

• Autorzy: Tavoletta Concetta

Identyfikatory

DOI

10.29227/IM-2024-02-78

Warianty tytułu

PL

Budowanie na budowie. Niedokończona architektura i przejęta własność jako nowy palimpsest dla współczesnej architektury

• Konferencja: 9th World Multidisciplinary Congress on Civil Engineering, Architecture, and Urban Planning - WMCCAU 2024 : 2-6.09.2024
• Języki publikacji: EN

Abstrakty

EN

The co-presence of multiple temporalities opens a narrative space that includes the biography of each object, the context of its reuse, the intentions of those who wanted it and its reception. The materiality of objects, with the traces they bear of their events, welds these aspects together more and better than the eloquence of a text or the impact of a museum exhibition». Over time, the designer has taken on the role of 'defuser' of bad practices that have changed the appearance of places through dynamics that have escaped the action of even the most attentive scholars of social and urban practices. The need emerged to ask we how to change course with respect to the multitude of anonymous, abandoned and unfinished spaces precisely because of the intrinsic potential of what has emerged as a residue, but which contains within itself all the potential of the repertoire. As George Simmel wrote in his essay dedicated to Auguste Rodin when speaking of what appears unfinished, «If there were some truth in the theory according to which the user must repeat the creative process within himself, this could not happen more energetically than when the imagination of spectator must complete what is unfinished, transferring into him the productive movement between the work as it appears and what should be its final effect». In fact, precisely in what is crystallized in time, the potential of the possible is present, the vision of a future that can come true in the eyes of the beholder. Pre- existence presents itself as Mary Shelley's Frankenstein where «you can give shape to dark and amorphous substances, but you cannot give birth to the substance itself». This research aims to analyse the methods of good practices of designing with pre-existence, useful tools for imagining a new and poetic way of "building on the built"

Słowa kluczowe

EN

unfinished; reuse; waste; recovery

PL

architektura modernistyczna; urbanizacja; socjalistyczna Jugosławia; kontekst społeczny

• Wydawca: Polskie Towarzystwo Przeróbki Kopalin
• Czasopismo: Inżynieria Mineralna
• Rocznik: 2024
• Tom: Vol. 2, no. 2
• Strony: art. no. 78
• Opis fizyczny: Bibliogr. 4 poz., zdj.

Twórcy

autor

Tavoletta Concetta

• Università degli studi della Campania “Luigi Vanvitelli, Via S. Lorenzo, 31, 81031 Aversa CE, Italy

• https://orcid.org/0000-0001-7713-5059

Bibliografia

• 1. Perasso, E. (2015), Antropocene: l’attuale era geologica è iniziata con la prima bomba atomica, Corriere della sera.it. AA. VV., (2015), When did the Anthropocene begin? A mid-twentieth century boundary level is stratigraphically optimal, Quaternary International, (vol. 383, pp. 204-207).
• 2. Crutzen, P. J., Stoermer, E., (2000), The Anthropocene, in IGBP Newsletter (vol. 41, pp. 17-18), Stockholm.
• 3. Cannata, M. (eds. by), (2020), La città per l’uomo ai tempi del Covid19 – Testi di Giovanni Maria Flick, Luca Begamo, Margherita Petrazan, Franco Purini, Salvatore Settis, Milano: La Nave di Teseo, p.143.
• 4. SETTIS Salvatore, L’ordine delle cose, in SETTIS Salvatore, ANGUISSOLA Anna (eds by), Recycling Beauty, Fondazione Prada, Milano, 2023, p. 489.

Uwagi

Opracowanie rekordu ze środków MNiSW, umowa nr POPUL/SP/0154/2024/02 w ramach programu "Społeczna odpowiedzialność nauki II" - moduł: Popularyzacja nauki i promocja sportu (2025).