Identyfikatory
Warianty tytułu
Emerson Romero’s film title cards - an attempt to restore cinema to deaf viewers
Języki publikacji
Abstrakty
From the perspective of the deaf, the silent movie era was the golden age of cinema. The emergence of a sound film cut the deaf audiences away from cinematic entertainment, but they made attempts to regain it despite new circumstances. One way to share sound films was with title cards “like in a silent movie”, which were used by an American deaf former actor, Emerson Romero, whose Hollywood career was interrupted by film soundtracking. Based on the concept of media/technology ecology and the example of title cards prepared by Romero, I put forward the thesis that in the new technological environment, outdated solutions generate new cultural and social practices, gain new users, meanings, and values. This happens regardless of their actual effectiveness, as exemplified by Romero’s cards. Even though the films made available with their help were not very popular with deaf audiences, in retrospect, they have been considered the seeds of the deaf audiences’ victory in the fight for full participation in audiovisual culture.
Czasopismo
Rocznik
Tom
Strony
143--157
Opis fizyczny
Bibliogr. 32 poz.
Twórcy
autor
- Uniwersytet Jagielloński
Bibliografia
- Ballin A.V., Deaf Movie Actors and their Prospects in Screenland, „The Silent Worker” t. 39, 1927, nr 7, s. 214-217.
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- Edgerton D., From Innovation to Use: Ten Eclectic Theses on the Historiography of Technology, „History and Technology. An International Journal” t. 16, 1999, nr 2, s. 111-136, DOI 10.1080/07341519908581961.
- Cherchi Usai P., Silent Cinema: A Guide to Study, Research and Curatorship, London 2018.
- Fennetaux A., Junqua A., Vasset S., The Afterlife of Used Things: Recycling in the Long Eighteenth Century, New York, London 2014.
- Fuller M., Media Ecologies. Materialist Energies in Art and Technoculture, Cambridge, London 2005.
- Gallaudet Encyclopedia of Deaf People and Deafness, t. 3, red. J.V. Van Cleve, New York 1987.
- Gaudreault A., Barnard T., Titles, Subtitles, and Intertitles: Factors of Autonomy, Factors of Concatenation, „Film History” t. 25, 2013, nr 1-2, s. 81-94, DOI 10.2979/filmhistory.25.1-2.81.
- Hirsch M., Family Frames: Photography, Narrative, and Postmemory, Cambridge, London 1997.
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- Klein A.E., The Hidden Contributors: Black Scientists and Inventors in America, Garden City 1971.
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- Lang H., Deaf Persons in the Arts and Sciences: A Biographical Dictionary, Westport 1995.
- Lang H.G., Meath-Lang B., Deaf Persons in the Arts and Sciences, Greenwood, Westpoint, London 1995.
- Ley W., Engineers’ Dreams, New York 1954.
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- Łotysz S., Wynalazczość polska w Stanach Zjednoczonych, Warszawa 2013.
- Man with No Hearing Has Extra Big Heart, and Hobby to Prove It, „The Mechanist” t. 10, 1955, nr 31, s. 13.
- National Film Library for the Deaf, „The Volta Review” t. 49, 1947, nr 11, s. 524.
- Parikka J., A Geogology of Media, Minneapolis, London 2015.
- Penn J.E., A Deaf Movie Star, „The Silent Worker” t. 39, 1927, nr 6, s. 162.
- Postman N., What is Media Ecology?, Media Ecology Association, www.media-ecology.org/media_ecology [dostęp 30.03.2019].
- Romero E., The National Film Library for the Deaf, „The Silent Worker” t. 3, 1951, nr 5, s. 23.
- Rosenholz E., Brown Sturm R., Emerson Romero: Man of Thousand Lives, „The Deaf American” t. 24, 1972, nr 5, s. 7-10.
- Schuchman J.S., Hollywood Speaks. Deafness and the Film Entertainment Industry, Urbana 1999.
- Schuchman J.S., The Silent Film Era: Silent Films, NAD Films, and the Deaf Community’s Response, „The Sign Language Studies” t. 4, 2004, nr 3, s. 231-238, DOI 10.1353/sls.2004.0013.
- That’s My Pop, „The Deaf American” 1965, nr 9-10, s. 10.
- Thompson K., Exporting Entertainment: America in the World Film Market, 1907-1934, London 1985.
- Ubertowska A., Praktykowanie postpamięci. Marianne Hirsch i fotograficzne widma z Czernowitz, „Teksty Drugie” 2013, nr 4, s. 269-289.
- Veditz G.W., Motion Pictures and the Deaf, „American Annals of the Deaf” t. 76, 1931, nr 3, s. 299-300.
Uwagi
Opracowanie rekordu ze środków MNiSW, umowa Nr 461252 w ramach programu "Społeczna odpowiedzialność nauki" - moduł: Popularyzacja nauki i promocja sportu (2021)
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-36634de9-7fbe-43d7-9896-56a0a2972dd6