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Development of a Procedure for Camouflage Pattern Design

Identyfikatory
Warianty tytułu
PL
Opracowanie metody uzyskiwania wzorów kamuflażu
Języki publikacji
EN
Abstrakty
EN
Today, camouflage uniforms are an indispensable part of military equipment and serve not only as a means of disguising an object in a certain environment but also as a national symbol. Since battlefields and areas of international conflicts also take place in urban environments, the need to design urban camouflage is all the greater. The purpose of the research was to develop a procedure to create a set of camouflage patterns for the urban environment. The experimental part included the selection and processing of digital images of representative urban environments. Image processing simplified the digital photos by changing them into surface elements and contours, which helped us to extract representative shapes and sequences. Afterwards three methods for pattern design including the random and planned composition of shapes and sequences were developed and analysed. The procedures for pattern design included compositional and pictorial analyses of simplified digital images, principles of fractal sequences, a theory of the psychophysical comprehension of shapes and sequences, and knowledge about the visual and optical effects of shapes and repeats. The result of the research was the definition of an optimal procedure for digital camouflage pattern design, which was also confirmed by the Slovenian Ministry of Defence and Armed Forces.
PL
Współcześnie odzież maskująca stanowi niezbędne wyposażenie wojskowe i służy nie tylko dla kamuflażu obiektu w danym otoczeniu ale również jako cecha rozróżniająca formacje wojskowe. Ponieważ obecnie międzynarodowe konflikty mają często miejsce w środowiskach miejskich wzrasta zapotrzebowanie na kamuflaż uwzględniający tego typu krajobraz. Celem badań było opracowanie metody uzyskiwania odpowiednich wzorów kamuflażu. Korzystając z fotografii opracowywano cyfrowe obrazy graficzne przetwarzając je w zróżnicowane struktury, które następnie analizowano. W czasie analizy wykorzystywano teorię fraktali i analizy psychologiczne. Celem pracy badawczej było uzyskanie optymalnego kamuflażu dla działania określonych jednostek operacyjnych.
Rocznik
Strony
68--76
Opis fizyczny
Bibliogr. 38 poz., rys.
Twórcy
  • CETIS Plc, Čopova 24, 3000 Celje, Slovenia
  • University of Ljubljana, Faculty of Natural Sciences and Engineering, Department of Textiles, Chair of Information and Graphic Technology, Snežniska 5, 1000 Ljubljana, Slovenia
Bibliografia
  • 1. Blechman H.; DPM. Disruptive pattern material: an encyclopaedia of camouflage. Richmond Hill, Buffalo: Firefly Books, 2004.
  • 2. Newark T.; Brassey’s book of camouflage. London : Brassey’s, 2002.
  • 3. Newark T.; Camouflage. London: Thames & Hudson: Imperial War Museum, 2007.
  • 4. Richardson B., Colacello B., Andy Warhol : camouflage, New York: Gagosian Gallery, cop. 1998
  • 5. Camouflage patterns: 100 royalty free eps and jpeg files, Tokyo: BNN, 2005.
  • 6. O’Neill T. R., Johnsmeyer W. L.; DUALTEX: Evaluation of Dual-Texture Gradient Pattern, Military Academy West Point NY Office of Military Leadership, Technical report, April 1977, Accessible: http://www.stormingmedia.us/24/2430/A243040.html.
  • 7. Cramer G.; Dual Texture : U.S. army digital camouflage, 2004. Accessible: http://www.uniteddynamics.com/dualtex/.
  • 8. Canadian disruptive pattern, arid regions.Kamouflage.net, 2004. Accessible-:http://www.kamouflage.net/camouflage/en_00034.php.
  • 9. Cramer G.; in O’Neill T. R.; The science of digital camouflage design. HyperStealth Biotechnology Corp, 2005. Accessible: http://www.hyperstealth.com/digital-design/index.htm.
  • 10. HyperStealth breaking news: Phase one, Analog to digital camouflage conversion project complete: 150 world camouflage patterns now pixelated and protected. Hyperstealth, 1999. Accessible: http://www.hyperstealth.com/adc2.htm.
  • 11. Something wicked this way comes: new special operations (SpecAm) digital camo [dostopno na daljavo]. HyperStealth Biotechnology Corp., 1999. Accessible: http://www.hyperstealth.com/specops/ index.html.
  • 12. Simončič B., Orel B., Kobal L., Forte-Tavčer P., Bračko S., Gabrijelčič H., at all; Multifunctional protective textiles for military uniform, CRP M2-0104: final report of results of research work Knowledge for safety and peace. University of Ljubljana, Faculty of Natural Sciences and Engineering, Ljubljana, 2008.
  • 13. Chandler D.; Visual perception, 2008. Accessible: http://www.aber.ac.uk/media/Modules/MC10220/visindex.html.
  • 14. Circuitry for rod signals through the retina. Webvision, 2007. Accessible: http://webvision.med.utah.edu/Rodpathw.html.
  • 15. Kalloniatis M., Luu C.; Psychophysics of vision. Webvision, 2008. Accessible: http://webvision.med.utah.edu/Psych1.html.
  • 16. Valberg A.; Light Vision Color, John Wiley & Sons Ltd, Chichester, West Sussex, England, 2005.
  • 17. Schmidt P., Schöndeling U.; Patterns 2: design, art and architecture, Basel, Boston, Berlin : Birkhäuser, 2008.
  • 18. Lupton E., Phillips J. C.; Graphic design: the new basics, New York: Princeton Architectural Press,Baltimore: Maryland Institute College of Art, 2008.
  • 19. Bruce V. Visual Perception: Physiology, Psychology and Ecology, Psychology Press 1996.
  • 20. Lauwerier H. Fractals: Endlessly Repeated Geometrical Figures, London: Penguin Books, 1991.
  • 21. Frame M., Mandelbrot B.; in Neger N.; Fractal geometry, 2002, http://classes. yale.edu/fractals/ Accessed 13. 3. 2008.
  • 22. United dinamics corps website, 2009. Accessible: http://www.uniteddynamics.com/camo/c2g/index.html.
  • 23. Tildes P. L.; Animals in Camouflage. Charlesbridge Publishing, Inc. Pub. 2000.
  • 24. Post R. B., Welch R. B., Bridgeman B.;Perception and action: Two modes of processing visual information. 2008. Accessible: rcswww.urz.tudresden.de/~cogsci/pdf/p2283.pdf.
  • 25. Trevarthen C.B.; “Two mechanisms of vision in primates” Proc. Psychologische Forschung 31 (1968) pp. 299-337.
  • 26. Velichovsky B. M., Joos M., Helmert J. R., Pannash S.;Two Systems and their Eye Movement: Evidence from static and dynamic Scene Perception. 2008. Accessible: http://rcswww.urz.tu-dresden.de/~cogsci/pdf/p2283.pdf.
  • 27. Kang H. R.; Digital color halftoning: Bellingham: SPIE Optical Engineering, Piscataway: IEEE, cop. 1999.
  • 28. Hyperstealth website, 2008. Accessible: http://www.hyperstealth.com/tigerpat/].
  • 29. Thermal and Visual Camouflage System Patent No 6,338,292, 2009. Accessible: http://patft.uspto.gov/netacgi/nph-Parser? Sect1=PTO2&Sect2=HITOFF&p=1 &u=%2Fnetahtml%2FPTO%2Fsearch24bool.html&r=1&f=G&l=50&co1=AND&d=PTXT&s1=%22thermal+visual+camouflage%22&OS=.
  • 30. Friškovec M.; Analiza urbanega okolja in oblikovanje maskirnega vzorca: diplomsko thesis = Analysis of the urban environment and designing a camouflage pattern. Ljubljana, 2008.
  • 31. PhotoShop Family website, 2009. Accessible: http://www.adobe.com/products/photoshop/family/?promoid=BPDEK.
  • 32. ImageJ: image processing and analysis in Java website, 2009. Accessible: http://rsb.info.nih.gov/ij/.
  • 33. Gabrijelčič H., Friškovec M., Dimitrovski K.; “The use of image analysis for defining the shapes of urban camouflage pattern” Proc 9th Autex Conference (Ege University, Engineering Faculty, Department of Textile Engineering, Izmir, Turkey, 2009), pp. 646–654.
  • 34. Costa L. F.; Shape analyisis and classification: theory and practis. Boca Raton: CRC Press, 2001.
  • 35. Butina M.; Mala likovna teorija-Small art theory. Ljubljana: Debora, 2003.
  • 36. Tacol, T. Osnove likovnega jezika- The basis of art language. Ljubljana: Debora, 1994, 120 p.
  • 37. Gabrijelčič H., Dimitorvski K.; Use of regression methods for determining the relation between theoretical-linear and spectrophotometrical colour values of bicolour woven structures. Color. technol., 2009, vol. 125, no. 2, pp. 74-85.
  • 38. Kopač T.; Ljubljana v barvnem prostoru CIELAB: diplomsko delo = Ljubljana in the CIELAB colour space: Diploma thesis. Ljubljana, 2007.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-30d0106d-ae31-4086-9d0c-bcbf5e528fce
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