21st century theater - regress or progress?

• Autorzy: Obracaj P.

Identyfikatory

DOI

10.21307/ACEE-2018-054

• Języki publikacji: EN

Abstrakty

EN

Theater as such is mostly defined through a relationship between play and observation. Such interplay results in a final product with either lasting or fleeting spatial form, and such spatial form ensues from a broadly understood function it is meant to fulfill. Therefore, the aesthetics of stage objects will involve the shape of the building as well as the stage pictures that are created in it and in its factual or significative proximity. To put it in simple terms, present-day global trends in theater construction seem to be headed in two directions. The first one involves standard solutions for the stage layout in a representative facility. They are addressed to the majority of audiences. The second trend is a form of relationship between the areas of play and observation. It is an embodiment of the creative idea of the people of theater, and, oftentimes, it is an outcome of advanced and complex creative ideas combined with many years of experience. It is an ambitious theater, in many circumstances bordering on an experiment. The discussion of aesthetics of theater facilities and stage layouts was conducted on the basis of judgments expressed by Władysław Tatarkiewicz and Umberto Eco. Despite being seemingly different, they are generally similar.

Słowa kluczowe

EN

aesthetics; theatre; stage; audience; technology; structure

PL

estetyka; teatr; scena; widownia; technologia; struktura

• Wydawca: Silesian University of Technology
• Czasopismo: Architecture Civil Engineering Environment
• Rocznik: 2018
• Tom: Vol. 11, no. 4
• Strony: 55--66
• Opis fizyczny: Bibliogr. 15 poz.

Twórcy

autor

Obracaj P.

• Faculty of Civil Engineering and Architecture, University of Science and Technology in Bydgoszcz, Aleja prof. S. Kaliskiego 7, 85-796 Bydgoszcz, Poland

Bibliografia

• [1] Braun K. (1984). „Wielka reforma teatru w Europie, ludzie - idee - zdarzenia”, (The Great Theatre Reform, People - Ideas - Events) Zakład Narodowy im. Ossolińskich, Wrocław-Warszawa-Kraków- Gdańsk-Łódz.
• [2] Braun K. (1979). „Druga reforma teatru?”, (The Second Theatre Reform?), Zakład Narodowy im. Ossolińskich, Wrocław.
• [3] Braun K. (1982). „Przestrzeń teatralna”, (The Theatrical Space), PWN, Warszawa.
• [4] Bablet D. (1980). „Rewolucje sceniczne XX wieku”, (Revolutions of Stage Design in the twentieth century), PIW, Warszawa.
• [5] Obracaj P. (2017). „Zmienna przestrzeń teatralna a synergia”, (Multiform Theatre versus Synergy), Budownictwo i Architektura, Politechnika Lubelska, Lublin.
• [6] Obracaj P. (2016). „Teatr elżbietański: rzeczywiste i pochodne formy”, (Elizabethan Theatre: Actual and Derivative Forms), Integracja Sztuki i Techniki w Architekturze i Urbanistyce, Wydawnictwo UTP, Bydgoszcz
• [7] Korycki K. (12/2013). GDAŃSKI TEATR SZEKSPIROWSKI, (The Shakespeare Theatre in Gdansk), Architektura Murator 231.
• [8] Tatarkiewicz W. (1985). „Historia estetyki - estetyka starożytna”, (The History of Aesthetics - Ancient Aesthetics), vol.1, Arkady, Warszawa.
• [9] Tatarkiewicz W. (1989). „Historia estetyki - estetyka średniowiecza”, (The History of Aesthetics - Medieval Aesthetics) Vol.2, Arkady, Warszawa.
• [10] Historia brzydoty, (The History of Ugliness), (2007). redakcja UMBERTO ECO Rebis, Poznań.
• [11] Historia piękna, (The History of Beauty), (2008). redakcja UMBERTO ECO Rebis, Poznań.
• [12] Obracaj P. (2007). “Sztuka teatru a ewolucja architektury scenicznej. Od wzorów ateńskich po światową standaryzację włoskiej sceny barokowej”, (The Theatre Art and the Evolution of the Scenic Architecture. From Models of Athens up to the International Standarization of Italian Baroque Stage), Oficyna Wydawnicza Politechniki Opolskiej, Opole.
• [13] Didier Laroche (nov-dec 2010). CONSTRUCTIONS ET RECONSTRUCTIONS A DELPHES AU IVes.av. J-C, (Construction and Reconstruction of Delphes in IVth age BC), Dossiersd’archeologie n’342.
• [14] Ziółkowski G.(2000). Teatr bezpośredni Petera Brooka, (The Direct Peter Brook’s Theatre), Słowo/obraz, terytoria, Gdańsk.
• [15] Strong J. (2013). Theatre buildings. A design guide. ABTT, London.

Uwagi

PL

Opracowanie rekordu w ramach umowy 509/P-DUN/2018 ze środków MNiSW przeznaczonych na działalność upowszechniającą naukę (2019).