Tytuł artykułu
Treść / Zawartość
Pełne teksty:
Identyfikatory
Warianty tytułu
Języki publikacji
Abstrakty
The aim of this study was to compare the vibroacoustic characteristics of two guitars, whose bodies were made of carbon-epoxy composites. The article presents vibroacoustic tests of the string and body carried out using microphones and accelerometers. The object of the research were electric guitars with different composite bodies. The phenomena occurring in the instrument during the creation and extraction of sound were described. The measurements were performed using various signal representations. A method of stimulating the instrument was proposed, which allowed for performing the tests in a repeatable manner. The methodology of the measurements was described, as well as the algorithm for analyzing the measurements performed using the selected method. Finally, the obtained results from all modalities and conclusions from the analyses were presented.
Słowa kluczowe
Wydawca
Rocznik
Tom
Strony
211--222
Opis fizyczny
Bibliogr. 20 poz., fig., tab.
Twórcy
autor
- Department of Theoretical and Applied Mechanics, Faculty of Mechanical Engineering, Silesian University of Technology, ul. Konarskiego 18A, 44-100 Gliwice, Poland
autor
- Department of Theoretical and Applied Mechanics, Faculty of Mechanical Engineering, Silesian University of Technology, ul. Konarskiego 18A, 44-100 Gliwice, Poland
autor
- Institute of Machine Design Fundamentals, Faculty of Automotive and Construction Machinery Engineering, Warsaw University of Technology, ul. Narbutta 84, 02-524 Warszawa, Poland
Bibliografia
- 1. Krupiński, M. I gra gitara, czyli o fizyce gitary. Foton, 2007, 99.
- 2. Fletcher, N. H., Rossing, T. D. The Physics of Musical Instruments. Springer-Verlag, New York, 1991.
- 3. Rossing, T. D., Fletcher, N. H. Principles of Vibration and Sound. 2nd ed., Springer-Verlag, New York, 2004.
- 4. French, R. M. Technology of the Guitar. Springer Science+Business Media, New York, 2012.
- 5. French, R. M. Engineering the Guitar: Theory and Practice. Springer Science+Business Media, New York, 2009.
- 6. Bader, R. Computational Mechanics of the Classical Guitar. Springer, Berlin, 2005.
- 7. Rossing, T. D. The Science of String Instruments. Springer, Stanford, 2010.
- 8. Zoric, A., Kaljun, J. The influence of the acoustic properties of wood for the production of electric solid body guitars. DAAAM International Scientific Book, 2018, 195–210. https://doi.org/10.2507/daaam.scibook.2018.1.
- 9. Ze Hong Wu, Jia Hui Li. Carbon fiber material in musical instrument making. Materials & Design, 2016, 89, 660–664. https://doi.org/10.1016/j.matdes.2015.09.124.
- 10. Brezas, S., Katsipis, M., Kaleris, K., Papadaki, H., Katerelos, D. T. G., Papadogiannis, N. A., Bakarezos, M., Dimitriou, V., Kaselouris, E. Review of manufacturing processes and vibro-acoustic assessments of composite and alternative materials for musical instruments. Applied Sciences, 2024, 14, 2293. https://doi.org/0.3390/app14062293.
- 11. Ono, T., Isomura, D. Acoustic characteristics of carbon fiber-reinforced synthetic wood for musical instrument soundboards. Acoustical Science and Technology, 2004, 25(6), 475–477. https://doi.org/10.1250/ast.25.475.
- 12. Rangappa, S. M. Lightweight polymer composite structures: design and manufacturing techniques. CRC Press, 2024.
- 13. Cross, I. Music, cognition, culture, and evolution. Annals of the New York Academy of Sciences, 2001, 930, 28–42. https://doi.org/10.1111/j.1749-6632.2001.tb05723.x.
- 14. Damodaran, A., Lessard, L., Suresh Babu, A. An overview of fibre-reinforced composites for musical instrument soundboards. Acoustics Australia, 2015, 43, 117–122. https://doi.org/10.1007/s40857-015-0008-5.
- 15. Mohammadi, M., Taban, E., Tan, W. H., Che Din, N. B., Putra, A., Berardi, U. Recent progress in natural fiber reinforced composite as sound absorber material. Journal of Building Engineering, 2024, 84, 108514. https://doi.org/10.1016/j.jobe.2024.108514.
- 16. Vandžura R., Simkulet V., Hatala M. Design and construction of an electric guitar body made of carbon composite. SAR Journal, 2021, 4(3), 101–106. https://doi.org/10.18421/SAR43-01.
- 17. Pierce, M. A revolution in guitar manufacturing: The use of alternative materials. Pierce Acoustics. Retrieved: February 20, 2025, from https://www.pierceacoustics.com/post/a-revolution-in-guitar-manufacturing-the-use-of-alternative-materials.
- 18. Kotus, J., Szczuko, P., Szczodrak, M., Czyżewski, A. Application of fast camera to string vibrations recording. Signal Processing, Poznań, 2015.
- 19. Fernando, J. N., Calzado, G. R., Rubert, S. C., Lazaro, M., Rossi, D. Modal analysis applied to electric guitar design influence on manufacturing parameters. Proceedings of the 31st DAAAM International Symposium, 2020, 520–529. https://doi.org/10.2507/31st.daaam.proceedings.072.
- 20. Sweetwater Editorial Team. Electric Guitar Bodies: Sonic Differences Between Solid, Semi-Hollow, and Hollow Bodies. Sweetwater InSync. [Accessed on 11.10.2024] https://www.sweetwater.com/insync/electric-guitar-bodies-sonic-differences-solid-semi-hollow-hollow-bodies/.
Uwagi
Opracowanie rekordu ze środków MNiSW, umowa nr POPUL/SP/0154/2024/02 w ramach programu "Społeczna odpowiedzialność nauki II" - moduł: Popularyzacja nauki (2025).
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-286eac53-45d7-49d5-b88c-53c534a2c557
JavaScript jest wyłączony w Twojej przeglądarce internetowej. Włącz go, a następnie odśwież stronę, aby móc w pełni z niej korzystać.