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Sound localisation definition in parametrically and non-parametrically decoded first-order ambisonic systems

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EN
Abstrakty
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This study assessed sound localisation definition in ambisonic systems using two-non-parametric and three parametric decoders, in a two-dimensional format. The sound samples were played back through eight loudspeakers arranged in a circle. The participants compared pairs of sound samples to determine which sample offered a more precise perception of the sound source’s location. The data analysis, using a Bradley-Terry probability mode, revealed that parametric decoders were preferred with a 60-83% probability. Among the parametric decoders, the COMPASS method, which utilizes the Multiple Signal Classification algorithm for sound source direction estimation, received the highest scores for sound localisation judgements.
Twórcy
autor
  • Chopin University of Music, Department of Sound Engineering, Chair of Musical Acoustics and Multimedia, Warszawa, Poland
Bibliografia
  • [1] M. A. Gerzon, “Periphony: With-Height Sound Reproduction,” J. Audio Eng. Soc., vol. 21, pp. 2-10, 1973.
  • [2] V. Pulkki, “Spatial Sound Reproduction with Directional Audio Coding,” J. Audio Eng. Soc., vol. 55, pp. 503-516, 2007.
  • [3] A. Politis, J. Vilkamo and V. Pulkki, "Sector-Based Parametric Sound Field Reproduction in the Spherical Harmonic Domain," in IEEE Journal of Selected Topics in Signal Processing, vol. 9, no. 5, pp. 852-866, 2015, https://doi.org/10.1109/JSTSP.2015.2415762.
  • [4] A. Politis, S. Tervo and V. Pulkki, "COMPASS: Coding and Multidirectional Parameterization of Ambisonic Sound Scenes," in 2018 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Calgary, AB, Canada, 2018, pp. 6802-6806, https://doi.org/10.1109/ICASSP.2018.8462608.
  • [5] S. Moreau, J. Daniel, and S. Bertet, “3D Sound Field Recording With Higher Order Ambisonics-Objective Measurements and Validation of a 4th Order Spherical Microphone,” presented at the 120th Convention of the Audio Engineering Society (2006 May), paper 6857.
  • [6] F. Zotter, M. Frank “Ambisonics: A Practical 3D Audio Theory for Recording, Studio Production, Sound Reinforcement, and Virtual Reality”, 2019. https://doi.org/10.1007/978-3-030-17207-7.
  • [7] M. A. Gerzon, “General Metatheory of Auditory Localisation,” presented at the 92th Convention of the Audio Engineering Society (1992 March), paper 3306.
  • [8] T. Letowski and S. Letowski, “Localisation Error: Accuracy and Precision of Auditory Localisation,” in Advances in Sound Localisation. InTech, Apr. 11, 2011. https://doi.org/10.5772/15652.
  • [9] Makita, Y. “On the Directional Localisation of Sound in the Stereophonic Sound Field”, EBU Review, part A no. 73, pp.102-8, 1962.
  • [10] Bertet, S., Daniel, J., Parizet, E., and Warusfel, O., “Investigation on localisation accuracy for first and higher order ambisonics reproduced sound sources,” Acta Acustica united with Acustica, 99(4), pp. 642.657, 2013, ISSN 1610-1928, https://doi.org/10.3813/AAA.918643.
  • [11] ITU-R Recommendation BS.1534-1, “Method for the subjective assessment of intermediate quality levels of coding systems,” Tech. Rep., International Telecommunication Union (ITU), Geneva, Switzerland, 2003.
  • [12] https://leomccormack.github.io/sparta-site/docs/plugins/compass-suite/
  • [13] https://www.reaper.fm/sdk/reascript/reascript.php
  • [14] Bang and Olufsen. Music for Archimedes. CD B&O 101, 1992.
  • [15] R. A. Bradley and M. E. Terry, “Rank analysis of incomplete block designs: I. The method of paired comparisons,” Biometrika, vol. 39, pp.324-345, 1952. https://doi.org/10.2307/2334029.
  • [16] J. S. Lee, "Paired comparison for subjective multimedia quality assessment: Theory and practice," 2013 IEEE International Symposium on Circuits and Systems (ISCAS), Beijing, China, 2013, pp. 1099-1102, https://doi.org/10.1109/ISCAS.2013.6572042.
  • [17] M. Frank and F. Zotter, “Localisation experiments using different 2D Ambisonics decoders,” in 25th Tonmeistertagung, Leipzig, 2008.
Typ dokumentu
Bibliografia
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