Architect Hans Poelzig: a project for Ukraine

• Autorzy: Smolenska Svitlana , Nägelke Hans-Dieter

Identyfikatory

DOI

10.35784/bud-arch.4241

• Języki publikacji: EN

Abstrakty

EN

The paper examines one of the fragments of the creative heritage of the famous German architect Hans Poelzig: his competition project of the State Ukrainian Theatre of Mass Musical Action for 4000 seats for Kharkiv. The project is viewed through the prism of little-known competitive events of 1930, which makes it possible to decipher its architectural, compositional, urbanistic and functional ideas, to reveal its symbolism. The study is based on the architect’s original drawings preserved in the archive, primary sources of the early 1930s, biographical and critical works of other authors dedicated to the nominees of the Kharkiv competition, as well as on a comparative and meaningful analysis of architectural graphics and textual documentation.

Słowa kluczowe

EN

Hans Poelzig's project; international architectural competitions; modernism of the 1920s-1930s; Ukraine; theatre buildings

• Wydawca: Wydawnictwo Politechniki Lubelskiej
• Czasopismo: Budownictwo i Architektura
• Rocznik: 2023
• Tom: Vol. 22, no 3
• Strony: 59--72
• Opis fizyczny: Bibliogr. 21 poz., fig.

Twórcy

autor

Smolenska Svitlana

• Department of Construction, Architecture and Design; Kherson State Agrarian and Economic University ; (Ukraine)

• https://orcid.org/0000-0002-4953-9563

autor

Nägelke Hans-Dieter

• Museum of Architecture; Technische Universität Berlin; (Germany)

• https://orcid.org/0000-0002-9200-1734

Bibliografia

• 1. Heuss T., Hans Poelzig 1869-1936, Milano: Electa, 1991.
• 2. Posener J., Hans Poelzig. Reflections on His Life and Work, New York: The MIT Press, 1992.
• 3. Hambrock H., Bauen im Geist des Barock. Hans und Marlene Poelzig, Delmenhorst und Berlin: Aschenbeck&Holstein Verlag, 2005.
• 4. Smolenska S., “The modernist administrative centre in Kharkiv (Ukraine) as cultural heritage: from the early 1920s to 2022”, in Als der Krieg kam … Neue Beiträge zur Kunst in der Ukraine, Heidelberg: arthistoricum 2023, pp. 76–104. https://doi.org/10.11588/arthistoricum.1227.c17105
• 5. Smolenska S., “The heroic period of architecture in Ukraine: early modernism of the 1920s-1930s”, in DOCOMOMO journal, no. 67, (2022), pp. 38-46. https://doi.org/10.52200/docomomo.67.04
• 6. Prospectus for the international competition in composing a project for the state Ukrainian theatre mass musical stage with a 4000 seat capacity, Kharkov: Town council, Constructive aid committee, 1930.
• 7. Galović, K., “Zdenko Strižić Natječajni rad za kazalište u Harkovu”, in Peristil, no. 40 (1), (1997), pp. 137-147. https://hrcak.srce.hr/150766
• 8. Proekty mizhnarodnoho konkursu derzhavnoho ukrainskoho teatru masovoho muzychnoho diistva na 4000 mists v m. Kharkovi. Albom fotohrafii dlia holovy sektsii mystetstv tov. Petrenko, O.I. Kharkiv: USRR, Kharkivska Miska Rada, Uprava budivnytstva, 1931.
• 9. Linetsky А. V., Rudnik K. A., Shestopal M. M. “Mizhnarodnyi konkurs na proekt Derzhavnoho ukrainskoho teatru masovoho muzychnoho diistva na 4000 mists u Kharkovi”, in Budivnitstvo, no. 7-8, (1931), pp. 32 -51.
• 10. Richter, „Wettbewerb Theater Charkow", in Die Baugilde, no. 20, (1931), pp. 1562-1588.
• 11. Architectural Museum, Technical University of Berlin (AM TU Berlin), Inv. No. 2773.
• 12. AM TU Berlin, Inv. No. HP 040,013.
• 13. Rake (theatre). Available: https://en.wikipedia.org/wiki/Rake_(theatre) [Access: 2 May 2023].
• 14. AM TU Berlin, Inv. No. HP 040,006.
• 15. Der dramatische Raum, Der dramatische Raum: Hans Poelzig - Malerei, Theater, Film, Krefeld: Museen Haus Lange und Haus Esters, 1986.
• 16. Český Krumlov. Available: https://en.wikipedia.org/wiki/Český_Krumlov [Access: 2 May 2023].
• 17. AM TU Berlin, Inv. No. HP 040,020.
• 18. AM TU Berlin, Inv. No. HP 040,021.
• 19. AM TU Berlin, Inv. No. 3501.
• 20. AM TU Berlin, Inv. No. F 1966.
• 21. Hans Poelzig. Die Pläne und Zeichnungen aus dem ehemaligen Verkehrs- und Baumuseum in Berlin / herausgegeben von Matthias Schirren, Berlin: Ernst & Sohn, 1989.