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Tytuł artykułu

The selected architectural solution of modern museums in China in the aspect of manifestation of traditional culture

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Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
In the developed countries of the world, the interests of society are increasingly becoming oriented towards acquaintance with the cultural characteristics that characterize the identity of a particular region. The result of interaction with national traditions, as components of culture is clearly demonstrated by architecture. In relation to China, its rich cultural heritage has become a source for creating unique modern museum structures. This paper analyzes a number of design solutions of museum constructions in the PRC, which clearly represent actual ways of rethinking of cultural traditions. Using the example of the Ningbo History Museum, the Xinjin Zhi Museum in Chengdu, the Folk-art galleries for China Academy of Arts and the Museum of Handcraft Paper, professional methods that determine architectural nature of museum structure are systematized. At the same time, they act as carriers of local features expressing “the spirit of the place”.
Rocznik
Strony
17--26
Opis fizyczny
Bibliogr. 18 poz.
Twórcy
  • PhD, Prof.; Department of Environmental Design, Kharkiv State Academy of Design and Arts, 8, Mystetstv st., Kharkiv, 61002, Ukraine
autor
  • Graduate student; Department of Environmental Design, Kharkiv State Academy of Design and Arts, 8, Mystetstv st., Kharkiv, 61002, Ukraine
  • PhD, Assoc. Prof.; Department of Design, Kharkiv State Academy of Design and Arts, 8, Mystetstv st., Kharkiv, 61002, Ukraine
  • Associate Professor; Department of Architecture, Kharkov National University of Construction and Architecture, 40 Sumy St., Kharkov, 61002, Ukraine
Bibliografia
  • [1] A Cultural Heritage Manifesto. (2002). ICOMOS. Retrieved from http://www.icomosuk.org/uploads/sidebar/PDF/A%20Cultural%20Heri tage%20Manifesto.pdf (Accessed 20 February 2019).
  • [2] Rosenberg, N. (2014). National cultures as a challenge of globalization Humanities. Philosophy, 3 (31), 110-117.
  • [3] Gültekin, C. (2012). Rethinking The Role of Context and Contextualism in Architecture and Design. Submitted to the Institute of Graduate Studies and Research in partial fulfillment of the requirements for the Degree of Master of Science in Architecture Eastern Mediterranean University. Retrieved from https://pdfs.semanticscholar.org/37fe/e8774fcc33213ad8c7d93e1c9ad21aa61988.pdf (Accessed 11 January 2019).
  • [4] Gelfond, A. (2013). Architectural design of public spaces: training pos. for universities. Novgorod: NNGASU. р.108. ISBN 978-5-87941-891-0 (Accessed 7 January 2019) (in Russian).
  • [5] Chua M. Why are huge museums in China virtually empty? Retrieved from https://www.dw.com/en/whyare- huge-museums-in-china-virtually -empty/a- 49738913 (Accessed 11 July 2019).
  • [6] Eldemery, I. (2009). Globalization challenges in architecture. Architectural and Planning Research 26(4), 343-354.
  • [7] Jencks, Ch. (2000). Spectacular Museum - between the temple and the shopping center: Understanding the contradictions. Pinakothek, 125-155.
  • [8] Wang Jh. (2017). The role of museums in the cultural landscape of modern China. Abstracts of Papers ‘17: Theory and practice of modern science: materials of the international community. Dnipro, 73-74 (in Russian).
  • [9] Chakroff, E. (n.d.). Amateur Architecture: a New Vernacular? Retrieved from http://evanchakroff.com/2012/03/11/amateur-architecture- a-new-vernacular/ (Accessed 21 March 2019).
  • [10] Scavuzzo, G. (2013). Wang Shu: facades as material and tactile stratifications. Screencity journal, 2. Retrieved from https://arts.units.it/handle/11368/2733698 (Accessed 15 January 2019).
  • [11] Wöhler, T. (2010). A Fortress Besieged by Critical Regionalism. ORIS, 61. Retrieved from http://www.oris.hr/en/oris-magazine/overview-of-articles/[121]a-fortress-besieged-by-critical-regionalism,1734.html (Accessed 14 January 2019).
  • [12] Garth, C. (n.d.). Architecture Wang Shu’s Ningbo Museum. Retrieved from https://cfileonline.org/architecture-wang-shus-ningbo-museum/ (Accessed 29 January 2019).
  • [13] Ningbo Historic Museum. (n.d.). Retrieved from https://en.wikiarquitectura.com/building/ningbo-historic- museum/ (Accessed 1 March 2019).
  • [14] Xu, T. (2012). Chinese architects won the Nobel Prize in architecture for the first time. The representative is the Ningbo Museum. Retrieved from http://news.cnnb.com.cn/system/2012/2/29/007251869.shtml (Accessed 12 January 2019) (in Chinese).
  • [15] Traditional and solemn place: Known Art Museum, which is loved by Kengo Kuma. (2014). Retrieved from https://read01.com/z0ggO7.html (Accessed 11 January 2019) (in Chinese).
  • [16] China Academy of Arts’ Folk Art Museum / Kengo Kuma & Associates (2016). Retrieved from https://www.archdaily.com/782230/china-academy-ofarts-folk-art-museum-kengo-kuma-and-associates (Accessed 1 March 2019).
  • [17] Gao, Li G. Museum of Handmade Paper Retrieved from http://www.ikuku.cn/project/gaoligong-shougongzaozhi- bowuguan-huali (Accessed 21 January 2019) (in Chinese).
  • [18] Shaw, C. Low profile: the Muxin Art Museum is a delicate lakeside addition (2015). Retrieved from https://www.wallpaper.com/architecture/low-profilethe-muxin-art-museum-is-a-delicate-lakeside-addition (Accessed 28 January 2020).
Uwagi
PL
Opracowanie rekordu ze środków MNiSW, umowa Nr 461252 w ramach programu "Społeczna odpowiedzialność nauki" - moduł: Popularyzacja nauki i promocja sportu (2020).
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-1e6ec787-9ea1-401c-8f53-7c34faec099f
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