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Design Expression of "Chinese-style" Costumes in the Context of Globalization

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Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
The purpose of this study is to discuss how "Chinese-style" clothing is integrated into the international fashion market by applying traditional Chinese clothing design elements in the context of globalization. This research defined four design elements of traditional Chinese clothing through literature analysis, which mainly consisted of colors, silhouettes, fabrics and crafts. Then professional researchers selected four representative enterprises oriented to the international market from a large quantity of "Chinese-style" enterprises and compared the design works officially released by the four "Chinese-style" enterprises with the four design elements by Nvivo12. Through analyzing 1,176 pieces of Chinese-style design works of the four representative enterprises, the study found that "Chinese-style" enterprises oriented to the international market comprehensively apply traditional Chinese clothing design elements to conduct innovative design to show their own cultural identities to a large extent.
Rocznik
Strony
82--91
Opis fizyczny
Bibliogr. 17 poz., rys., tab.
Twórcy
autor
  • Beijing Peony Electronic Group Co.,Ltd. & Beijing University of Posts and Telecommunications
autor
  • School of Artificial Intelligence, Beijing University of Posts and Telecommunications
autor
  • School of Artificial Intelligence, Beijing University of Posts and Telecommunications
  • Science and Technology Innovation Department of Beijing Peony Electronic Group Co., Ltd.
Bibliografia
  • 1. Chen, X. A study of the “Chinese-style” Clothing design theory. XiNn, Xi’an Academy of Fine Arts; 2015; p.1-3.
  • 2. Duan, X. Phenomenon and Enlightenment of Chinese-style in Chinese and Western Fashion Design. Journal of Wuhan University of Science and Engineering, 2018; p.8-12.
  • 3. Ma, Y. “Chinese style”- the application of Chinese traditional clothing shape in modern clothing design, Jiangnan University; 2010.
  • 4. Tsui C. From Symbols to Spirit: Changing Conceptions of National Identity in Chinese Fashion, Fashion Theory, 2013; 17(5): 579-604.
  • 5. Tu, T. The Beautiful Generation: Asian Americans and the Cultural Economy of Fashion. New York, USA: Duke University Press; 2010.
  • 6. Kim, YJ. The strategic inquiry for globalization of Korean culture. Comparative Korean Studies, 2009; 17(1):251-275.
  • 7. Guo, F. The application and reflection of Chinese elements by local fashion designers, Fashion Guide, 2015; p.78-85.
  • 8. Zhang AF, Lee JH, “Animation Costume Style Migration Based on CycleGAN”, Wireless Communications and Mobile Computing, 2022; p.10.
  • 9. Audita H, Figueiredo B, Gurrieri L. The fashion development process for traditional costumes in the contemporary global fashion market, Journal of Global Fashion Marketing, 2022.
  • 10. Welters L, Arthur C. The Future of Chinese Fashion, Fashion Practice, 2012; 4(1): 13-40.
  • 11. Seoha M. Korean Fashion Designers’ Use of Cultural Expression and its Influence on Their Design, Fashion Practice, 2015; 7(2): 219-239.
  • 12. Wu, S. Dictionary of Chinese Arts and Crafts. Jiangsu Art Press, 1989; p.2-10.
  • 13. Kwon YJ, Lee YY. Traditional Aesthetic Characteristics Traced in South Korean Contemporary, Fashion Practice, 2015; 7(2):153-174.
  • 14. Kim YI, Lee JH. A Comparative Study on the Characteristics of Traditional Costume Colors of Korea. China. Japan. Journal of the Korean Society of Costume, 2006; 56(8):35-44.
  • 15. Liu A(Western Han Dynasty) , Ma Q (Commentary). Huai Nan Zi, Phoenix Press.
  • 16. Ferrero-Regis T, Tim L. Branding “Created in China”: The Rise of Chinese Fashion Designers, Fashion Practice, 2012; 4(1):71-94.
  • 17. Jones C, Niessen S, Leshkowich AM. Re-orienting Fashion: The Globalization of Asian Dress. New York: Berg Publishers, 2003; 230.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-130b58a7-b5ec-436e-8639-c0b788d616ac
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