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Modal Analysis of a Trapezoidal Violin Built after the Description of Félix Savart

Treść / Zawartość
Identyfikatory
Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
One-dimensional experimental modal analysis of an unvarnished trapezoidal violin built after the description of F. Savart and an anonymous trapezoidal violin on display in the Music Instrument Museum of Brussels is described. The analysis has revealed ten prominent modes. A mode that may potentially play a role of the “tonal barometer” of the instrument is pointed out. The mode shapes are symmetric and of high amplitude, due to the construction of the instrument. Subjective evaluation of the sound quality demonstrated no pronounced difference between the trapezoidal violin and normal violin.
Słowa kluczowe
Rocznik
Strony
623--628
Opis fizyczny
Bibliogr. 21 poz., fot., tab., wykr.
Twórcy
autor
  • Faculty of String Instruments, Harp, Guitar and Violin–Making, I.J. Paderewski Academy of Music Święty Marcin 87, 61-808 Poznań, Poland
  • Royal Conservatory Ghent, University College Ghent Hoogpoort 64, 9000 Ghent, Belgium
autor
  • Faculty of String Instruments, Harp, Guitar and Violin–Making, I.J. Paderewski Academy of Music Święty Marcin 87, 61-808 Poznań, Poland
  • Institute of Acoustics, Adam Mickiewicz University Umultowska 85, 61-614 Poznań, Poland
autor
  • Institute of Experimental Physics, University of Gdańsk Wita Stwosza 57, 80-952 Gdańsk, Poland
Bibliografia
  • 1. BISSINGER G. (2008), Structural acoustics of good and bad violins, J. Acoust. Soc. Am., 124, 3, 1764–1773.
  • 2. BOULLOSA R.R., GOMEZ S.R. (2014), Acoustics of the jarana jarocha, Appl. Acoust., 78, 59-67.
  • 3. DÜNNWALD H. (1999), Deduction of objective quality parameters on old and new violins, Catgut Acoust. Soc. J., II, 1,1–5.
  • 4. EXPERIMENTAL VIOLIN, designed by Félix Savart, Paris, ca. 1818, Music Instrument Museum Brussels, Inv. 1362.
  • 5. FLETCHER N. H., ROSSING T. D. (1997), The Physics of Musical Instruments, Springer-Verlag, New York, 1997.
  • 6. FONTANA F., SERAFIN S. (2003), Modelling Savart’s trapezoidal violin using digital waveguide mesh, Proceedings of the SMAC2003: Stockholm Music Acoustics Conference, Stockholm (Sweden).
  • 7. FOUILHE E., GOLI G., HOUSSAY A., STOPPANI G. (2011), Vibration modes of the cello tailpiece, Arch. Acoust. 26, 4, 713-726.
  • 8. GOUGH G. (2007), The violin: Chladni patterns, plates, shells and sounds, Eur. Phys. J. Special Topics 145, 77-101.
  • 9. HERON-ALLEN E. (1885), Violin-making: A historical and Practical Guide, Dover Publications, Dover.
  • 10. LYONS R.G. (2000), Understanding Digital Signal Processing [in Polish], WKiŁ, Warszawa.
  • 11. MARSHALL K.D. (1985), Modal analysis of a violin, J. Acoust. Soc. Am., 77, 695-709.
  • 12. MORRISON A., ROSSING T.D. (2001), Modal analysis of the Russian balalaika, Proceedings of ISMA2001: International Symposium on Musical Acoustic, Perugia (Italy), 2, 421–4.
  • 13. PENTTINEN H., ERKUT C., PÖLKKI J., VÄLIMÄKI V., KARJALAINEN H. (2005), Design and analysis of a modified kantele with increased loudness, Acta Acust. Acustica, 91, 261-268.
  • 14. SAVART F. (1819), Mémoire sur la construction des instrumens à cordes et à archets, Tech. Rep., Paris, Deterville.
  • 15. SCHLESKE M. (2002), Empirical tools in contemporary violin making. 1. Analysis of design, materials, varnish and normal modes, Catgut Acoust. Soc. J., 4, 5, 50–65.
  • 16. SKRODZKA E., KRUPA A., ROSENFELD E., LINDE B. B. J. (2009), Mechanical and optical investigation of dynamic behavior of violins in modal frequencies, Appl. Opt., 48, C165-170.
  • 17. SKRODZKA E.B., LINDE B.B. J., KRUPA A. (2013), Modal parameters of two violins with different varnish layers and subjective evaluation of their sound quality, Arch. Acoust., 38, 1, 75-81.
  • 18. SKRODZKA E., LINDE B. B. J., KRUPA A. (2014), Effect of bass bar tension on modal parameters of violin’s top plate, Archives of Acoustics 39, 1, (in press)
  • 19. SKRODZKA E., ŁAPA A., LINDE B.B.J., ROSENFELD E. (2011), Modal parameters of two complete guitars differing in the bracing pattern of the soundboard, J. Acoust. Soc. Am. 130, 4, 2186-2195.
  • 20. SKRODZKA E. B., SĘK A. (1998), Vibration patterns of the front panel of the loudspeaker system: measurement conditions and results, J. Acoust. Soc. Jap. (E)., 19, 4, 249-257.
  • 21. TORRES J.A., BOULLOSA R.R. (2009), Influence of the bridge on the vibration of the top plate of a classic guitar, Appl. Acoust., 70, 1371-1377.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-0f4988f7-a0a8-4853-8596-f41a2d4f2fbe
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