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History, Technology, and Treatment of a Painted Silk Folding Screen Belonging to the Palace-Museum of Golestan in Iran

Treść / Zawartość
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Warianty tytułu
PL
Historia, technologia i obróbka malowanego jedwabnego parawanu z Muzeum Pałacowego w Golestan w Iranie
Języki publikacji
EN
Abstrakty
EN
This study aimed to design and establish effective methods of conserving and restoring a double-sided silk folding screen in the Golestan museum of Iran. We examined the structure, techniques, pigments, silk type and extent of degradation of the artifact. Investigations and analysis were used to identify the pigments using noninvasive methods. Fourier transform infrared spectroscopy (FT-IR), a Scanning Electron Microscope (SEM-EDX) and X-ray fluorescence (XRF) analysis were used for identifying the pigments and fibers. The first step was to estimate why the painted side did not have any noticeable degradation compared with the whole structure and dyed side, which had suffered substantial physical decay. The effectiveness of several combinations of fungicides in preventing the fungal deterioration of the silk artifact was tested and Dichlorophen was selected. The cleaning process was carried out with low powered vacuum suction, a soft brush and soft rubber. To restore the folding screen, the paper conservation based method was used. Therefore the remounting process was done using self-adhesive Japanese tissue paper to attach the support to the silk in order to avoid stitching through the painted surface. Consolidation was not deemed necessary because the paint surface was not actively flaking. Since the treatment method applied in this study could successfully conserve and restore the artifact with minimal destructive impact, it is worth replicating in similar conservation projects.
PL
Badania miały na celu opracowanie metody konserwacji określonego rodzaju historycznych tkanin. Do badań wytypowano jedwabny, malowany, składany parawan pochodzący z Muzeum Pałacowego Golestan w Iranie. Badano strukturę, techniki wykonania, zastosowane pigmenty, rodzaj jedwabiu i stopień zniszczenia. Pigmenty identyfikowano metodami nieinwazyjnymi, stosując analizę spektroskopową FT-IR. Pigmenty i włókna badano również za pomocą elektronowej mikroskopii skaningowej SEM-EDX oraz fluorescencyjnej analizy rentgenowskiej (XRF). Pierwszym krokiem była ocena zniszczeń oraz analiza dobrze zachowanych fragmentów. Testowano również różnego rodzaju środki grzybobójcze wybierając dichlorofen jako optymalny. Przy procesie czyszczenia używano delikatnych ssawek, szczotek i gumek a także adhezyjnej japońskiej bibuły. Specjalną uwagę poświecono powierzchni malowanej. Doświadczenie zdobyte przy opisanej pracy i jej efektach może być wykorzystano w podobnych pracach konserwatorskich.
Rocznik
Strony
69--75
Opis fizyczny
Bibliogr. 36 poz., rys., tab., wykr.
Twórcy
autor
  • Iran, Tehran, Conservation Institute of Malek Museum
autor
  • Malaysia, Kuala Lumpur, University Malaysia, Faculty of Arts and Social sciences, Department of Indian studies
autor
  • Iran, Tehran, Conservation Institute of Malek Museum
Bibliografia
  • 1. Abdel-Kareem O. Fungal deterioration of historical textiles and approaches for their control in Egypt. J. e-Preservation- Services 2010; 7: 40-47.
  • 2. Abdel-Kareem O. Investigation and Conservation of Historical Woman`s coat Decorated with Fur Parts. J. Text. Apparel Techn. Manage. 2011; 7: 1-12.
  • 3. Skelton M, Lee-Whitman L. A systematic method for differencing between 18 century painted-printed Chinese and western silks. J. Hist. Textile Pap. Mater. 1986; 212: 131-151.
  • 4. Van der Rydene D. Technology and treatment of a folding screen: comparison of oriental and western techniques. Smithsonian Center for Materials Research and Education. In: The conservation of Far Eastern art: preprints of the contributions to the IIC Kyoto congress, Kyoto; 1988. In: Mills J (ed.), Smith P (ed.), Yamasaki K (ed.), London: International Institute for Conservation of Historic and Artistic Works, J. Art Conserv. Far East Art, 1988, pp. 64-68.
  • 5. Usami N. The Construction and Repair of Japanese Folding Screen. J. Art Conserv. Far East Art, 1998, 59-64.
  • 6. Mc Clintock TK. Japanese Folding Screen in a Western Collection: Notes on a Representative Treatment. J. Pap. Conserve. 2006; 30: 25-42.
  • 7. Anne Haldane E. Encounters with paper conservation: The treatment of a Chinese painted silk dress. V&A J 2005; 49: 1-5.
  • 8. Abdel-Kareem O, Morsy M. The Effect of Accelerated Aging on Properties of Egyptian Cotton Textiles Treatment Received 15.04.2013 Reviewed 04.08.2013 with Fungicides. Scientific analysis of ancient and historic textiles: informing preservation, display and interpretation: postprints. In: The First Annual Conference. 13-15 July 2004, London UK, pp. 57-65.
  • 9. Rezvani ME, Qaziha F. Memoirs of 3th Travel of Naser al-Din Shah to Foreign. publication of National Library & Archives of IR of Iran,Tehran,1995.
  • 10. Kuyaji JC. Cults and Legends of Ancient Iran and China, Tehran: translated by JalilDustkhah, Organization of Fine Arts, 1974, pp.110-111.
  • 11. Abdel- Kareem O, Alfaisal R. Treatment, conservation and restoration of the Bedouin dyed textiles in the museum of Jordanian heritage. Mediterranean Arch. &Archaeometr J. 2010; 10: 25-36.
  • 12. Booth C. Methods in Microbiology. London: Academic Press, 1, 1971. 13. Domsch KH, Gams W, Anderson TH. Compendium of soil fungi, London: Academic Press, 1 & 2, 1980.
  • 14. Raper KB, Thom C. A Manual of the Penicillium. The Williams & Wilkins Co., Baltimore, 1949.
  • 15. Bhatnagar IK, Mani M. Requisites of an Effective Fungicide for Works of Art. In: Agrawal OP, Dhawan S, Pathak R. (eds.): Studies in Biodeterioration of Materials - 1, India: INTACH, Lucknow, 2001, pp. 89-96.
  • 16. Agrawal OP. Problems of Biodeterioration of Culture Property in India. In: O.P. Agrawal, S. Dhawan, R. Pathak (eds.): Studies in Biodeterioration of Materials -1, India: INTACH, Lucknow, 2001, ixxii.
  • 17. Abdel-Kareem O, Szostak-Kotowa J, Barabasz W, Paśmionka I, Galus A. Fungal Biodeterioration of Ancient Egyptian Textiles, Part I: Survaying Study for The Most Dominant Fungi on Ancient Egyptian Textiles, Drobnoustreje w Środowisku Poland: Występowanie, Aktywność i Znaczenie, Wyd. AR Kraków, 1997, pp. 279-290.
  • 18. Whitney PJ. A Comparison of Two Methods for Testing Defined Formulations of PVC for Resistance to Fungal Colonisation with Two Methods for the Assessment of their Biodegradation. Int. Biodeter. Biodeg. 1996: 205-213.
  • 19. Srivastava AP, Narain K, Srivastava RB. Biodeterioration of Coated Textile Fabric and Protective Measures. In: Agrawal OP, Dhawan S, Pathak R. (eds.): Studies in Biodeterioration of Materials - 1, India: INTACH, Lucknow, 2001, pp. 1-11.
  • 20. Lucas N, Bienaime C, Belloy C, Queneudec M, Silvestre F, Nava-Saucedo JE. Polymer biodegradation: Mechanisms and estimation techniques. Chemosphere 2008; 73: 429-442.
  • 21. Abdel-Kareem O. Microbiological Studies to Evaluate Polymers and Resins Used in Consolidation of Ancient Egyptian Linen Textiles. Wydawnictwo Politechniki Krakowskiej, Kraków. Czasopismo Techniczne 2000; 1A: 202-211.
  • 22. Abdel-Kareem O. The Long-term Effect of Selected Conservation Materials used in Treatment of Museum Artefacts on some Properties of Textiles. Polym. Degrad. Stab. 2005; 87: 121- 130.
  • 23. Allsopp C, Allsopp D. An update survey of commercial products used to protect materials against bio deterioration. Int. Bio. Deteriorate Bulletin 1983; 19: 99-145.
  • 24. Montegut D, Indictor N, Kostler RJ. Fungal deterioration of cellulosic textiles: A review. International Bio deterioration. 7th edn. D. R. Houghton (ed.), London: Elsevier, 1991, pp. 638- 702.
  • 25. Abdel-Kareem O. Application of fungicides in preservation of ancient Egyptian Linen textile. Wydawnictwo Politechniki Krakowskiej. Czasopisno Techniczne 2000; 1A: 189-201.
  • 26. Agrawal OP. Problems of bio deterioration of cultural property in India. Studies in bio deterioration of materials. In: 1st National Seminar on Bio Deterioration of Cultural Heritage. New Delhi, 2001.
  • 27. Nemat-allahi S. Design of Textile Weave. Tehran: Soroush press, 1994, pp. 176.
  • 28. Hulton P, Smith L. Flower in art from East and West. London: British Museum Publications, 1979, pp. 50.
  • 29. Shimadzu Y, Keune K, van den Berg KJ, Boon JJ, Townsend JH. The effects of lead and zinc white saponification on surface appearance of paint. In: 15th Triennial Meeting New Delhi. India: ICOMCC Paris, 2008, pp. 626–632.
  • 30. HadianDehkordi M. Application of Scientific Investigations in Conservation and Restoration of Historical Buildings. PhD. Thesis, Tehran InstConserv Cult Relics, Iran, 2005, pp. 175.
  • 31. Timar-Balazsy A, Matefy G, Csazyi S. Effect of stains removal on historical textiles. In: ICOM Committee for Conservation 1993, pp. 329-335.
  • 32. Lee V, Xiangmei GU, Lihou Y. The Treatment of Chinese Ancestor Portraits: an Introduction to Chinese Painting Conservation Techniques. JAIC 2003; 42: 463-477.
  • 33. Landi Sh. Textile conservator`s Manual, Butterworth & Heinemann series in conservation and Museology, London: Routledge, 1985.
  • 34. Boston: Museum of Fine Art, 2012.
  • 35. Gutarowska B, Michalski A. Microbial Degradation of woven fabrics and protection against Biodegradation, Woven Fabrics, Prof. Han-Yomng Jeon (Ed.). In: InTech, 2012.
  • 36. Hawkes R. The use of Lascaux Acrylic Dispersions in paper conservation, UK: Art work Conservation Ltd.
Typ dokumentu
Bibliografia
Identyfikator YADDA
bwmeta1.element.baztech-0ed06c44-769b-4a09-9d73-820bbeacf472
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