Sound Behaviour of Concrete Churches. The Church of Santa Cruz de Oleiros

• Autorzy: Bueno A. M. , Galindo M. , León A. L.

Identyfikatory

DOI

10.24425/122377

• Języki publikacji: EN

Abstrakty

EN

The church of Santa Cruz de Oleiros, Spain (1967) shows architect Miguel Fisac’s perception of sacred space after the Second Vatican Council. In this place of worship, the architect responded to the new liturgical guidelines combining geometry and architectural forms with the material of the moment, concrete. However, ordinary religious celebrations reveal acoustic deficiencies for the main use of the building. This fact is corroborated by acoustic measurements in situ. With a methodology that uses simulation techniques for the sound field, the analysis of the current acoustic behaviour of the room will serve as the basis for an acoustic rehabilitation proposal aimed at improving the acoustic conditions and so, the functionality of the church.

Słowa kluczowe

EN

room acoustics; concrete; worship acoustics; acoustic simulation; acoustic energy; intelligibility

• Wydawca: Instytut Podstawowych Problemów Techniki PAN ; Komitet Akustyki PAN ; Polskie Towarzystwo Akustyczne
• Czasopismo: Archives of Acoustics
• Rocznik: 2018
• Tom: Vol. 43, No. 2
• Strony: 297--306
• Opis fizyczny: Bibliogr. 26 poz., fot., rys., tab., wykr.

Twórcy

autor

Bueno A. M.

• Department of Architectural Buildings I, University Institute of Architecture and Building Sciences (IUACC), Higher Technical School of Architecture (ETSA), Universidad de Sevilla, Avda. Reina Mercedes 2, 41012 Seville

autor

Galindo M.

• Department of Applied Physics II, University Institute of Architecture and Building Sciences (IUACC), Higher Technical School of Architecture (ETSA), Universidad de Sevilla, Avda. Reina Mercedes 2, 41012 Seville

autor

León A. L.

• Department of Architectural Buildings I, University Institute of Architecture and Building Sciences (IUACC), Higher Technical School of Architecture (ETSA), Universidad de Sevilla, Avda. Reina Mercedes 2, 41012 Seville

Bibliografia

• 1. Álvarez-Morales L., Martellotta F. (2015), A geometrical acoustic simulation of the effect of occupancy and source position in historical churches, Applied Acoustics, 91, 47-58.
• 2. Álvarez-Morales L., Girón S., Galindo M., Zamarreño T. (2016), Acoustic environment of Andalusian cathedrals, Building and Environment, 103, 182-192.
• 3. Barron M., Lee L. J. (1988), Energy relations in concert auditoriums I, Journal of the Acoustical Society of America, 84, 2, 618-628.
• 4. Beranek L. L. (1993), Acoustics, American Institute of Physics, Acoustical Society of America, New York, USA.
• 5. Berardi U., Cirillo E., Martellotta F. (2009), A comparative analysis of energy models in churches, Journal of the Acoustical Society of America, 126, 4, 1838-1849.
• 6. Bradley J. S., Soulodre G. A. (1995), Objective measures of listener envelopment, Journal of the Acoustical Society of America, 98, 5, 2590-2597.
• 7. Bueno A. M., León A. L., Galindo M. (2012), Acoustic rehabilitation of the church of Santa Ana in Moratalaz, Madrid, Archives of acoustics, 37, 4, 435-446.
• 8. Cirillo E., Martellota F. (2003), An improved model to predict energy-based acoustic parameters in Apulian-Romanesque churches, Applied Acoustics, 64, 1, 1-23.
• 9. Cirillo E., Martellota F. (2006), Worship, Acoustics and Architecture, first edition, Multi-Science, Brentwood, UK.
• 10. Cox T. J., D’Antonio P. (2009), Acoustic absorbers and diffusers. Theory, design and application, 2nd ed., Taylor & Francis, Abingdon, Oxfordshire.
• 11. Gade A. C. (2007), Acoustics in halls for speech and music, Rossing T. D. (Ed.), Springer Handbook of Acoustics, New York: Springer, pp. 301-350.
• 12. Galindo M., Zamarreño T., Girón S. (2009), Acoustics simulations of Mudejar-Gothic churches, Journal of the Acoustical Society of America, 126, 3, 1207-1218.
• 13. Houtgast T., Steeneken H. J. M. (1971), Evaluation of speech transmission channels by using artificial signals, Acustica, 25, 355-367.
• 14. IEC 60268-16:2011, Sound system equipment – Part 16: Objective rating of speech intelligibility by speech transmission index, 4th ed.
• 15. Inter Oecumenici (1964), Instruction on implementing liturgical norms, Consilium of Sacred Congregation of Rites, http://www.adoremus.org/Interoecumenici.html [access on 25.09.2017].
• 16. ISO 3382-1:2009, Acoustics. Measurement of room acoustic parameters. Part 1: Performance spaces.
• 17. Marshall L. G. (1994), An acoustics measurement program for evaluating auditoriums based on the early/ late sound energy ratio, Journal of the Acoustical Society of America, 96, 4, 2251-2261.
• 18. Martellotta F. (2010), The just noticeable difference of center time and clarity index in large reverberant spaces, Journal of the Acoustical Society of America, 128, 2, 654-663.
• 19. Martellotta F., Della Crociata S., D’Alba M. (2011), On site validation of sound absorption measurements of occupied pews, Applied Acoustics, 72, 12, 923-933.
• 20. Morimoto M., Jinya M., Nakagawa K. (2007), Effects of frequency characteristics of reverberation time on listeners envelopment, Journal of the Acoustical Society of America, 122, 3, 1611-1615.
• 21. Reichardt W., Abdel Alim O., Schmidt W. (1974), Dependence of the boundaries between usable and useless transparency on the type of music motif, the reverberation time and the reverberation time of use [in German: Abhängigkeit der Grenzen zwischen brauchbarer und unbrauchbarer Durchsichtigkeit von der Art des Musikmotivs, der Nachhallzeit und der Nachhalleinsatzzeit], Applied Acoustics, 7, 4, 243-264.
• 22. Sacrosanctum Concilium (1963), Constitution on the Sacred Liturgy, http://www.vatican.va/archive/hist_councils/ii_vatican_council/documents/vat-ii_const_19631204_sacrosanctum-concilium_en.html [access on 25.09.2017].
• 23. Schroeder M. R. (1954), Die Statistischen Parameter der Frequenzkurve von Großen Raumen, Acustica, 4, 594-600. English translation: Schroeder M. R. (1987), Statistical Parameters of the Frequency Response Curves of Large Rooms, Journal of the Audio Engineering Society, 35, 299-306. Note: Schroeder in the original paper (1954) proposed a constant of 4000 instead of 2000 in Eq. (1), which is related to a tenfold modal overlap.
• 24. Vigeant M. C., Celmer R. D., Jasinski C. M., Ahearn M. J., Schaeffler M. J., Giacomoni C. B., Wells A. P., Ormsbee C. I. (2015), The effects of different test methods on the just noticeable difference of clarity index for music, Journal of the Acoustical Society of America, 138, 1, 476-491.
• 25. Vorländer M. (2008), Auralization, fundamentals of acoustics, modelling, simulation, algorithms and acoustic virtual reality, 1st Ed., Springer-Verlag, Berlin.
• 26. Zamarreño T., Girón S., Galindo M. (2007), Acoustic energy relations in Mudejar-Gothic churches, Journal of the Acoustical Society of America, 121, 1, 234-250.

Uwagi

Opracowanie rekordu w ramach umowy 509/P-DUN/2018 ze środków MNiSW przeznaczonych na działalność upowszechniającą naukę (2018).