Wyniki wyszukiwania - Biblioteka Nauki

1

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Štefanides J.

Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)

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2013

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tom 16

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nr 1

6-18

EN

This article points out the necessity to research theatrical life in Moravia separately while its development until 1918 differed enormously from that in Bohemia and Silesia, as the author claims. The research has to go much further than understanding theatre history as a picture of isolated national cultures. The multicultural aspect of theatrical life has to be respected, considering the fact that the German-speaking productions predominated in this region until 1918. Lacking its own cultural centre, Moravia became the place of transition in which various forms of European theatre collided and coexisted.

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Prawda i fikcja w autobiograficznych trylogiach emigracyjnych Eduarda Limonowa

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Bieliński R.

Acta Polono-Ruthenica

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2012

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tom Tom 1 Nr XVII

115-125

EN

Limonov’s character adores to be different, he loves to shock people. He lives then with kind of an other life. From one side it gives to him a hallmark of singularities and uniquenesses, from other it is underlining intuitive - ness, which is such important to him as the base of knowledge and reasoning. This philosophy is meeting all requirements of Eddie’s “life philosophy”. Empirical knowledge the own soul, and also souls of other people is leading him to height of the success and the vital fulfilment in own antrophosphere, own existence, time and space. Ediczka is standing out, he is “different”. However the most important is fact, that Eddie - character is the same as Limonov - writer. The life and the existence of the character are becoming author’s being at the same time. There is no Eddie's existence without existing of his author - Limonov. Eduard Limonov antrophosphere’s multidimensionality has reflection in the Eddie’s form. Character, similarly as his author, is a writer, publicist, rebellious critic of political world’s order (especially his two “homelands” - America and the USSR). Analysing interviews with Limonov a striking similarity of both figures views is noticed. Tragedy of the man left by “mother - Russia” and thrown to “orphanage - America” is becoming from one side - more definitive, from second- highly deceptive and seeming.

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The material world of digital fictions

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Janik J.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2021

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tom 29

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nr 38

57-72

EN

This paper explores the interdependency between digital matter and the representational or mimetic layer of the digital game object. The main aim is to foreground the mechanisms by which the representationalelements of the game world emerge from the materiality of the process of play. These mechanisms are examined from the perspective of the ontology of the game object. The issue of digital materiality will be linked with the aesthetical explorations of Tadeusz Kantor, who emphasised the relation between the materiality of the theatre and its fictional elements. As the main example of this analysis, I will focus on Undertale (Toby Fox, 2015) as an example of a game that plays with the boundaries between the fictional world being presented and the elements of digital materiality that are usually hidden from the player’s sight.

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Biografia i autobiografia w literaturze audialnej

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Bachura-Wojtasik J. , Uniwersytet Łódzki W. F. , Joanna Bachura-Wojtasik – adiunkt w Katedrze Dziennikarstwa i Komunikacji Społecznej UŁ. Jest autorką książki Odsłony wyobraźni. Współczesne słuchowisko radiowe (2012) oraz współautorką (obok Elżbiety Pleszkun-Olejniczakowej i Aleksandry Pawlik) książki Dwa Teatry. Studia z zakresu teorii i interpretacji sztuki słuchowiskowej (2011). Podstawą jej zainteresowań badawczych jest radioznawstwo p. w. a. g. r. I. j. t. w. k. j. p. , joanna.bachura@gmail.com

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2015

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tom 28

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nr 2

EN

The article discusses the audio form of the biography and autobiography – as seen in the radio- drama and documentary – as a distinct form in audio literature. The article is inspired by the theoretical findings of Philippe Lejeune concerning autobiographical literature and the personal diary genre. Theoretical reflections are complemented by selected examples of artistic audio genres. The examples of radio-dramas and artistic documentaries (features) discussed illustrate the specificity of the radio medium, which, on the one hand, opens up new opportunities for documentaries that are impossible to achieve in printed literature, while, on the other hand, it also imposes restrictions.

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THE ROLE OF SYNTACTIC STYLISTIC MEANS IN EXPRESSING THE EMOTION TERM LOVE

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Panasenko N.

Research in Language

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2013

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tom 11

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nr 3

277-293

EN

Love as one of important feelings in human emotional, cognitive and social life has always attracted attention of the researchers: psychologists, linguists, philosophers, ethnologists, etc. We may speak about extralinguistic and linguistic ways of love manifestation. To linguistic ones belong, of course, stylistic means, which include lexical, syntactic, phonetic, and semasiological level. The author focuses on lexical-syntactical means of expressing love in two Slavic languages, Czech and Slovak, using linguocognitive and cultural approach. This research is inspired by the GRID project, which aimed at study of 24 emotion terms in 35 languages

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Opowieść transmedialna – znak naszych czasów

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Boczkowska M.

Postscriptum Polonistyczne

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2014

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nr 2(14)

125-137

EN

The article presents the so¬ called transmedia stories that have become more popular in the epoch of media convergence. Transmedia texts are the texts that tell their stories using different media, for example television, Internet or literature. Transmediality can be regarded as a kind of intertextuality. The author also presents several novels whose plot as well as other elements (for example fictive author) refer to popular TV series.

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Fikcja a fałsz, O właściwościach semantyczno-składniowych przymiotników fikcyjny i fałszywy

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Zaucha J.

Linguistica Copernicana

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2014

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nr 11

35-52

EN

The aim of the paper is to pinpoint semantic and syntactic features of two Polish predicates, namely fikcyjny and fałszywy. The author shows what they have in common, as well as how they differ. Particularly, she concentrates on the differences in the scope of reference for the two predicates. She also presents two short representations of their semantic content. The analysis of the Polish expression fikcyjny sheds new light on certain theoretical problems of fiction, known from philosophy and literary theory.

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Evaluative Beliefs in a Thought Theoretical Framework? A Proposal For Non-positing Epistemic States

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Neuber S.

Estetika: The Central European Journal of Aesthetics

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2015

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tom 52

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nr 1

23-38

EN

Thought Theory (TT) seems to provide an answer to the paradox of fiction (PoF) which has the ontological merits of current pretence accounts without, however, assuming mere pretence emotions. This article will question whether present formulations of TT live up to what they promise. Whenever its current versions try to include evaluative beliefs in a TT framework in order to comply with a cognitivist account of emotions, they either stop being a genuine thought theory or endorse the irrationalism of fictional emotions. This unfortunate outcome can be prevented by shifting the focus to thoughts, and specifically to the genetic dynamics of how we come to think of the objects in question. This is at least what we can learn from Edmund Husserl, who developed a still underestimated account according to which it is possible to have the belief that x merits evaluation as appearing emotion-worthy without this belief implying that x merits being believed to exist.

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Interference Patterns of the Verb Say in the Narration of English-Polish Literary Translations: A Corpus-Based Study

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Olejniczak J.

Anglica. An International Journal of English Studies

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2016

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nr 25/2

139-150

EN

In this paper I present a corpus-based study of the interference of the verb say from English source texts into their Polish translations. I compare a sizeable corpus of native Polish fic- tion with corpora of English-Polish fiction translations and argue that the various forms of the verb say commonly used in the English narration influence the choices made in some (albeit not all) of the Polish translations. In order to exemplify my claims I use parallel corpora to show how two different professional translators working with an identical set of source texts were influenced by the narrative verb distribution.

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Access Paths: On Popular Women’s Literature and Criticism

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Nowacki D.

Tematy i Konteksty

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2020

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nr 1

395-404

EN

Referring to critical statements that have appeared during the last few years, the author discusses ways of commenting on popular literature penned byfemale authors. One may distinguish five types of comments, 1) Appropriation (Aneksja), employed when a popular novel is included in the socially important literature referring to pressing and alarming problems (e.g. domestic violence). 2) Playing with convention (Gra z konwencją), based on pinpointing both grotesque and ironic elements and, above all, metaliterary signals in popular novels. 3) Adherence to tradition (Zgodnie z tradycją), best represented in the secondary literature, either through a poetologic approach (structural analyses) or approaches inspired by feminist criticism. 4) Exhortation to pay close attention (Dobrze się wschłuchać), focused on the approaches suggested by other fields, e.g. how popular women’s literature is read by sociologists. 5) Focus on emotions and excess (Emocje i zbytek), based on emotional and therapeutic research on the perception styles of popular literature. In this case, one focuses not on popular women’s fiction, but on the way it influences the readers’ emotions.

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Непубликуваните фикционални текстове (Васил Попович и Асен Христофоров)

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Аретов Н.

Poznańskie Studia Slawistyczne

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2020

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nr 19

149-168

EN

This paper deals with some texts from the archives of two authors from different periods. These texts were not published by the authors in their lifetime. The reason was not some kind of censorship, especially in the case of Vasil Popovich, who probably had some scruples dealing with events from the private life of his opponent Konstantin Jireček. Asen Hristoforov, a writer who was expelled from the University and sent to a labor camp, did not offer texts about his time in the labor camp for publishing. However, in this published texts there are hints about the repressions he suffered and about his disapproval of the communist regime. At the same time, there was a tension between his criticism and his attempt to partially accept the official perspective towards some events and political figures of Bulgarian communist past.

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Jokes, aporia and undecidability

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Segal A. P.

The European Journal of Humour Research

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2018

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tom 6

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nr 1

EN

Derrida saw laughter as a version of aporia; and he linked aporia to an undecidability that he ties to fiction. I argue that such undecidability contributes to some jokes. Sometimes this undecidability enables the joke to combine plausibility and delightfulness. More interesting and more aporetic is the way that undecidability contributes to jokes that foreground their textual status (some meta-jokes for instance) and those that have an effect of unfathomability. The jokes considered include one on which Derrida commented and another which was told at his Columbia University memorial service.

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Lucky Jim – Kingsley Amis as the master of peripheral characters

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Klepuszewski W.

Acta Neophilologica

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2016

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nr 18/2

149-159

EN

Kingsley Amis’s Lucky Jim is a classic novel, popular both with readers and critics. It has been in print ever since the date of its first publication, 1954, and still attracts critical attention. Most criticism concerning Lucky Jim focuses on the academic milieu it delineates and its main representatives, Jim Dixon and Professor Welch. However, a discerning reader will immediately notice that Amis’s novel is crowded with marginal characters, whose presence contributes immensely to Amis’s masterpiece. The aim of this article is to revisit Lucky Jim in order to focus on a number of background characters and give more prominence to their role in the novel.

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L’Histoire vue de « l’Autre côté » dans les récits d’Amin Maalouf

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Elmoudden S.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

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2020

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nr 61

148-157

EN

The article aims to analyze the relationship between history and fiction in Amin Maalouf ’s novels. Fascinated by history and literature, the Franco-Lebanese writer, tries, in several of his works, to combine history and romance and to make real and fictitious characters coexist in one universe. However, far from being limited to a simple transcription of history, Amin Maalouf has set himself the audacious goal of shedding light on the other side of history, as it was seen and lived on the “other side”; and at the same time he tries to revive the memory of certain figures forgotten or even denigrated by the official historiography. Thus, by rediscovering and reinterpreting history from a new perspective, Amin Maalouf aspires to understand the present and to build bridges between the two shores of the Mediterranean, between the North and the South, and between the East and the West. KEYWORDS (en)

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Rapport sur l’affaire Darrieussecq

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Lipták-Pikó J.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

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2015

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tom Special Issue: Le monde de la litérrature

174-181

EN

Marie Darrieussecq, a contemporary French writer, had been accused of plagiarism several times during her career. Besides defending her reputation, these accusations forced her to think about her conceptions on fiction and writing. Finally, in Rapport de police, she succeeded in showing a mirror to the society of contemporary French writers, in which a tendency towards denying the legitimacy of fiction in certain cases can be observed. This phenomenon is diagnosed by Tiphaine Samoyault as the extension of the domain of plagiarism on simple particles of life. Behind this tendency resurges the old controversy of Plato and Aristotle on mimesis and fiction. Along with Jean-Marie Schaeffer’s analysis on the function of fiction from a cognitive point of view unfolds an apology for lecture and for a fictional writing that is capable of saying the inexpressible and speak for those who don’t have access to language.

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Odwołania do literatury pięknej w orzecznictwie Europejskiego Trybunału Praw Człowieka

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Maroń G.

Ruch Prawniczy, Ekonomiczny i Socjologiczny

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2019

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tom 81

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nr 2

67-82

EN

The article discusses the practice of invoking literary works in the jurisprudence of the European Court of Human Rights. The quantitative analysis of the case law allowed for the formulation of some conclusions. Firstly, literary references appear exclusively in dissents and concurrences, not in the Court’s judgments themselves. Secondly, the phenomenon of citing fiction in the ECtHR’s case law is neither common nor marginal. Thirdly, in the last two decades there has been a marked intensification in the use of literary references by the Court’s judges. Fourthly, the willingness to cite works of fiction in the dissent or concurrence is essentially independent of the judge’s nationality, sex or country of origin. Fifthly, literature is one of many extra-legal sources quoted in the ECtHR’s case law, among those such as philosophy, movies or music.

PL

W artykule omówiono praktykę posługiwania się odwołaniami do literatury pięknej w orzecznictwie Europejskiego Trybunału Praw Człowieka. Kwantytatywne studium orzecznictwa pozwoliło na sformułowanie kilku wniosków. Po pierwsze, beletrystyczne odniesienia pojawiają się nie w uzasadnieniach wyroków Trybunału, a wyłącznie w zdaniach odrębnych i zbieżnych do tych wyroków. Po drugie, praktyka posiłkowania się utworami literackimi w orzecznictwie strasburskim jakkolwiek nie jest powszechna, to zarazem nie ma też charakteru sporadycznego. Po trzecie, w ostatnich dwóch dekadach sędziowie Trybunału co raz częściej przywołują dzieła literatury pięknej. Po czwarte, gotowość posłużenia się literackim odniesieniem jest zasadniczo niezależna od narodowości i płci sędziego oraz typu kultury prawnej właściwej dla jego kraju pochodzenia. Po piąte, literatura piękna to jedno z wielu źródeł pozaprawnych wykorzystywanych przez sędziów Trybunału w zdaniach odrębnych i zbieżnych, obok np. filozofii, kinematografii czy muzyki.

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Interpretation, Intentions, and Responsibility

70%

Alward P.

Estetika: The Central European Journal of Aesthetics

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2018

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tom 55 (New Series 11)

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nr 2

135-154

EN

In this paper, I defend a contextualist account of the role of authors’ intentions in interpretation, according to which their role depends on readers’ interpretive interests. In light of a general discussion of intentions and responsibility, I argue that insofar as readers are interested in attributing authorial responsibility for interpretations of fictional works, authors’ intentions need to play a central role in those interpretations. And I investigate the implications of this account for ‘accidental authorship’, cases in which interpretations of a work are neither intended nor reasonably foreseen by the author.

18

Alienacja, fikcja, narracja – formy (o)powieści bytu społecznego

70%

Juchniewicz N.

Estetyka i Krytyka

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2014

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nr 4(35)

107-126

XX

The article takes up the problem of significance of literature, especially of the novel, as a symptom of alienation (Marx), which can manifests itself in the creation of possible worlds in fiction (Ricoeur), in ideology (Lukács) and in antyfiction (Marquard). The analysis of literature tropes found in economic-social conceptions reveals not only social-historical narrations, but also scientificphilosophic ones (White, Kellner).

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Old future, new past, or how Neil Gaiman tinkers with temporality in Marvel 1602

70%

Bemben A.

Świat i Słowo

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2020

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tom 34(1)

159-175

EN

The purpose of this article is to substantiate the thesis that, in the Marvel 1602 series, there is a common denominator of the narrative mechanisms with which its author embeds fiction in history and reworks selected characters from the so-called mainstream Marvel continuity. As such denominator, I see the idea of repeatability of situational and behavioural patterns. With this end in view, I open this work by outlining how selected events of the so-called “age of heroes” are transplanted into the Elizabethan age. Second, I show how chosen Marvel characters are reworked to match the sixteenth- and seventeenth-century context. Third, I expand on the reiterative quality of the mechanisms the author uses for these purposes to support the view that the repeatability of situational and behavioural patterns is the main idea informing the narrative structure of Marvel 1602. In the conclusion section, I capitalise on the presented findings and suggest their potential implications.

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Autobiography and "Genre" Transgression in Malika Mokeddem’s Works

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Mokhtari F. H.

Lublin Studies in Modern Languages and Literature

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2016

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tom 40

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nr 2

DE

Der Band enthält die Abstracts ausschließlich in englischer Sprache.

EN

In life narratives, authors unveil their lives, and autobiography also inspires authors from Muslim Arab societies. In contemporary societies, some authors have talked about their “ego” without fully revealing all their secrets. Things are more complex in a Maghrebian context in which disclosing and recounting one’s life (childhood, adolescence or even adult life) becomes a vital act. Our reasoning in this paper consists in showing that, to Malika Mokeddem, despite the criticisms and taboos, writing and being emancipated are no impediments; on the contrary, these taboos or proscriptions have motivated and served her life choices. Algerian authors often write about themselves by referring to their childhood, education and readings. Often the history of their country is at the center of their autobiographical novels. In this article, we focus on Malika Mokeddem’s childhood and adolescence, two very important periods for her, and proceed to analyze the different processes used by the novelist who in her autobiographical works seeks to “recover” her identity.

FR

Le numéro contient uniquement les résumés en anglais.

RU

Том не содержит аннотаций на английском языке.