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EN
Representation and placing of negation together with a construction of clauses and order of the sentential components belong to main indicators of separation and idiomacy of the phraseology regarded in this paper. The author analyses Slovak phraseological fund and describes types of sayings involving negation and defines their typology.
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EN
Professor František Miko with his innovative works has influenced originally formation of many branches of Slovak linguistics as well as other related scientific disciplines (literary sciences, semiotics, theory of translation etc.). In morphology his sense for innovation in a grammatical thinking has revealed. He fundamentally influenced a change of paradigm of the Slovak morphology (establishment of the morphological semantics as against the traditional, formal morphology), in the system of adverbs he has innovatively distinguished the adverbs of consideration. He significantly intervened in the study of syntax, mainly with his delimitation of complex sentences, study of sentence as a textual and semiotic item, and mainly with his first and still unsurpassed attempt at complex description of Slovak syntax by methods of generative grammar. But the basic subject matter of Miko's scientific work was stylistics where he has formulated an expressive conception of style (defining items more elementary then the style and creating a new terminological system), paradigmatic dimensions of style as against characteristics of a concrete style, primary and secondary styles, transposition of colloquial style into the sphere of other communication types (colloquialism) and textuality and metatextuality (connection of stylistics with a theory of text). Miko's methodological trajectory goes through structuralism, post structuralism and logical positivism as well, but at the same time he took intuition and other concepts of phenomenology into account, too.
EN
The study deals with Professor J. Mistrík’s terminology used in his interpretation of religious texts. It is proved that at the beginning of 1990’s, J. Mistrík identifies the term religious style, which is specific for its attributes such as its connection with a sacral sphere, subjectivity, rituality as well as functional and formal disparity, applying the means from various semiotic fields etc. However, later on, in the last edition of his Stylistics, he leaves this term aside and explains the whole group of communicates from this sphere by the means of more specific terms (the so called secondary styles). Moreover, he explicitly defines liturgical, homiletic and biblical style. The author observes that J. Mistrík realizes that these styles depend on the nature of concrete religion (sometimes called as the hagiolects of particular religious systems), but he also emphasizes the existence of certain universal features and means of this style or these styles regardless of a religious type.
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