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OLD AND NEW RETAIL ENVIRONMENT IN A POST-COMMUNIST CITY: CASE STUDY FROM THE OLD TOWN IN BRATISLAVA, SLOVAKIA

100%

Križan F. , Bilková K. , Barlík P. , Kita P. , Šveda M.

Ekonomický časopis (Journal of Economics)

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2019

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tom 67

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nr 8

879 – 898

EN

The future success, vitality and viability of urban shopping areas in Slovakia have attracted considerable attention from academics and policymakers alike over the last few years. This paper reports the current state of the urban retail environment in Bratislava (Slovakia) as a result of various transition waves that reflect its changes over a forty-four year period (1967 – 2011). The outcome of this paper is the identification of concentric zones with the highest rates of changes based on analysis of old and new retail data from both temporal and spatial aspects. In addition to this, it also offers a variety of approaches to measuring the change of urban retail environment in a post-communist city.

2

TALIANSKY LUXUS V PREŠPORSKÝCH DOMÁCNOSTIACH 16. STOROČIA

100%

Šimončičová Koóšová P.

ARS

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2016

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tom 49

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nr 2

190 – 201

EN

Archaeological discoveries confirmed the existence of economic and cultural contacts between Bratislava and the regions of Apennine Peninsula. Bratislava was situated at the crossroad of big international trade routes. It was an economic centre of the region; after the Battle of Mohacs the political importance of the town increased too. The findings of this paper have been considerably influenced by the state of research of historic plots, however, it is clear that the most extensive collections of imports concentrated on the plots located along major trade routes in the town (Ventúrska Street, Michalská Street, Water Tower or the castle).

3

MORAVSKÁ KRÁLOVSKÁ MĚSTA, BRATISLAVA A VÍDEŇ: SHODY A ODLIŠNOSTI V MĚSTSKÉM HUDEBNÍM PROSTŘEDÍ V 16. A NA POČÁTKU 17. STOLETÍ

100%

Studeničová H.

Musicologica Slovaca

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2019

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tom 10 (36)

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nr 2

177 - 216

EN

Systematic study of archival sources of a non-musical character in selected Moravian royal cities in the 16th and early 17th centuries has produced a series of parallels with cities of the Central European space, and above all with the nearest of them, Bratislava and Vienna. The following study aims to highlight one of the principal areas of urban musical culture: musical activity in city parish churches, with emphasis on the similarities and differences between individual cities. Cantors, schoolmasters, organists and city trumpeters, in other words the leading figures in urban musical culture in the 16th and 17th centuries, were paid partly from church funds but mainly from the city budget. Extant sources, in the form of municipal account books and books of church accounts, together with testamentary books and other written materials, provide valuable testimony on the specific musical duties of the cantor and his pupils, the church choirs’ repertoires, and the duties of city trumpeters, which were more or less correspondent in the individual cities.

4

K PROBLEMATIKE RIADIACICH ORGÁNOV ŠKOLSTVA NA SLOVENSKU PO ROKU 1918

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Kičková A.

Studia Historica Nitriensia

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2014

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tom 18

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nr 2

378 – 391

EN

The article deals with formation of the State department of the ministry of education and formation and functioning of the school inspectorates after 1918. The text also describes organisation and activities of the school inspectorate in Topolčany.

5

NEISTÁ BRATISLAVA: MEDZI INICIÁCIOU A IMITÁCIOU (IVAN HORVÁTH: LACO A BRATISLAVA)

100%

Mravcová V.

Slovenská literatúra (Slovak Literature)

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2021

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tom 68

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nr 3

255 – 262

EN

The article focuses on the image of Bratislava during the first Czechoslovak Republic as presented in Ivan Horváth’s novella Laco a Bratislava. The city is viewed through the prism of the protagonist’s revaluation of his ideals and as a site of the possibilities it provides on the personal and social level. The movement of the hero through the city bears traces of imitation of certain literary traditions that creatively make use of motives typical for education or disillusionment novels as well as discourses bearing initiation function. In this way, Bratislava becomes a space of emotional education. The hero’s striving for self-actualisation is paralleled with Bratislava’s ambitions to develop, modernise or imitate the style of big cities. His attitude towards the city is analogous with a relationship with a woman. Bratislava is portrayed as a lover, maiden, dark lady or a double. The atmosphere with which the city is invested mirrors the development of a romantic relationship. At first, it is dreamy, postcard-like, melancholic, drawing on memories and history and invested with a hope for a future. The loss of certainty in the romantic relationship, revelation of the city’s social inequalities and the impossibility of self-actualisation are reflected in its changed atmosphere. Disillusionment and nostalgia prevail as the protagonist is leaving Bratislava, hoping for a return which, however, cannot be granted. The city is also portrayed through glimpses of scenes in cafés and exotic air of its oriental features.

6

SPOMIENKOVÉ SKLO 19. STOROČIA V ZBIERKACH MÚZEA MESTA BRATISLAVY

100%

Francová Z.

Študijné zvesti

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2009

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nr 46

185 - 193

EN

Bratislava City Museum (founded 1868) has a relatively numerous collection of historic glass. The article analyses its commemorative glass from the 19th century. From a manufacturing technique this collection may be divided into two fundamental groups: colourless transparent glass decorated by glyptic techniques (cutting, carving or engraving) and coloured glass decorated by painting and gilding, often also in combination with engraving. A larger group of commemorative glass dates back to the period of Empire and Biedermeier (1st half of the 19th century). A number of artefacts were originated in the middle of the century or in the period of neo-styles (2nd half of the 19th century). To the basic characteristics of the commemorative objects belongs a combination of pictorial motives with texts - inscriptions, names (generally in German or Hungarian language) or initials. To the most interesting and qualitative examples belong coloured glasses with decoratively engraved inscriptions, individual letters being created by flowers and leaves. From the viewpoint of decorative motives the author divides the analysed collection into following groups: motives of Bratislava, health resort architecture, names and initials, religious and allegorical motives, symbolic motives and curiosities.

7

CONTRIBUTION OF DOBROSLAV OREL (1870 – 1942) AND OF THREE STATE INSTITUTIONS IN BRATISLAVA TO RESEARCH ON THE EARLY HISTORY OF MUSIC

100%

Hulková M.

Musicologica Slovaca

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2022

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tom 13 (39)

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nr 2

253-272

EN

In the academic year 2021/2022, we commemorate the hundredth anniversary of the foundation of the Faculty of Arts of Comenius University in Bratislava, where the Seminar for Musicology was also established. The latter created a professional base for the development of Slovak music-historical research, especially for heuristics and for the preservation of extant music-historical sources from several places of present-day Slovakia. The founder of this Seminar for Musicology, Dobroslav Orel, a Czech theologian and musicologist, also built a music-documentation station at the Faculty of Arts of Comenius University in Bratislava in Slovakia after the model of Czech and Moravian institutions. By time, however, the competencies changed and the task to amass, store, catalogue, and scientifically process the extant music-historical sources went in the 1950s to the Institute of Musicology of the Slovak Academy of Sciences and then, in 1965, to the Music Department of the Institute of History (today Music Museum) of the Slovak National Museum. The ongoing interdisciplinary and international collaboration improves the quality of the scientific activities of music-documentation institutes in Slovakia, which is facilitated also by their ongoing collaboration with other public institutions.

8

BRATISLAVA KONCOM 15. A ZAČIATKOM 16. STOROČIA VO SVETLE HABSBURSKEJ POLITIKY

100%

Frimmová E.

ARS

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2016

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tom 49

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nr 1

6 – 19

EN

Bratislava became a site of high international politics in the latter half of the 15th and in the early 16th century, a period of permanent rivalry between the two most significant dynasties in the region of Central Europe: the Habsburgs and the Jagiellonians. The paper outlines a political background of major international events, diplomatic talks and their results. It also describes their cultural and social environment. The analysis of individual contracts, literature and archival materials of that time clearly shows that life in Bratislava was strongly influenced by the initiatives of the Habsburgs, especially the emperor Maximilian I, a founder of a modern Habsburg monarchy.

9

VEDECKO-PUBLIKAČNÁ, EDIČNÁ A PROJEKTOVÁ ČINNOSŤ ODBORU MUZEOLÓGIA A KULTÚRNE DEDIČSTVO V BRATISLAVE

100%

Vargová L.

Muzeológia a kultúrne dedičstvo

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2017

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tom 5

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nr 2

183 – 189

EN

The article summarises scientific and publication and editorial activities of museology department in Bratislava during the last two years. It concentrates on their classification and basic evaluation with regards to museum theory, practice and Slovak historiography.

10

SÚBOR RENESANČNÉHO SKLA Z VENTÚRSKEJ ULICE 3 V BRATISLAVE

100%

Lesák B.

Študijné zvesti

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2009

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nr 46

23 - 29

EN

Collection of glass that has been found in cesspit filling on the allotment no. 481 at 3 Ventúrska Street in Bratislava Town Monument Reserve provides us with recently the most complete picture of dining culture in urban milieu. The feature filling contained two relevant collections: collection of glass dated to the middle of the 16th till the middle of the 17th centuries; and that of pottery of the same time period. The glass collection included wide range of hollow glassware - approximately 100 of reconstructed shapes. Local production is completed with shapes from the “Venetian glass” circle.

11

K VÝVINU ČESKO – SLOVENSKÝCH VZŤAHOV V BRATISLAVE (1918 – 1945)

100%

Luther D.

Slovenský národopis (Slovak Ethnology)

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2018

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tom 66

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nr 3

303 – 317

EN

The article deals with the development of Czech and Slovak relations in Bratislava during the inter-war period, disrupted by the autonomist radicalisation of Slovak society that resulted in the establishment of the totalitarian regime of the Slovak state. The incorporation of the predominantly German and Hungarian city in the new Czechoslovak Republic in 1918 resulted in mass immigration of Czechs and Slovaks. The mutual relations developed under the difficult conditions of the new state and multi-ethnic city. I focus on the contribution of Czechs at the stage of Bratislava’s transformation into a Czechoslovak city and on its economic and cultural development which brought Slovak citizens to the fore, becoming the most numerous ethnic population group. It is not my ambition to provide an analysis of the entire 20-year period; my intention is to generalise the social consequences of some key events.

12

AD: VČASNOSTREDOVEKÁ SKLÁRSKA PEC V BRATISLAVE NA DEVÍNSKEJ KOBYLE

100%

Turčan V.

Študijné zvesti

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2009

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nr 46

83 - 86

EN

The article deals with the experiment on reconstruction of upper parts of early medieval glass oven from Bratislava-Devínska Kobyla. The total number of 48 pieces of over-ground wall lining covered with a thin layer of dark green parison, some of them with pointed ends. The fragments could not be attached to the oven body.

13

PO STOPÁCH BUDÍNSKEHO/BRATISLAVSKÉHO ANTIFONÁRA III

100%

Veselovská E.

Musicologica Slovaca

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2016

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tom 7 (33)

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nr 2

222 - 248

EN

The Buda or so-called Bratislava Antiphonary III (Archive of the City of Bratislava) is one of the most important sources of music culture in medieval Hungary. It is one of the representative manuscripts of the principal ecclesiastical centre of the country, Estergom. The manuscript was produced in the last third of the 15th century under the powerful Renaissance inﬂuence of the scriptorium in Buda, or directly in the Buda scriptorium itself. It is the only manuscript source which documents the inﬂuence of the art of the Buda Royal Court in Bratislava. By a detailed comparison and exact accordance of codicological and music-palaeographic components, several lost folios of the Buda/Bratislava Antiphonary III were identiﬁed in the recent past. Seven pages of this manuscript are currently held by the St. Adalbert Society in Trnava and one torn folio is lodged in the Archive of the Slovak National Museum; 38 fragments from the second part of this manuscript may be found in the Austrian National Library in Vienna.

14

HISTORICKÁ ZÁHRADA NA MÝTNEJ ULICI V BRATISLAVE

100%

Maretta R. G. , Vrtel A.

Muzeológia a kultúrne dedičstvo

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2019

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tom 7

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nr 1

111 - 121

EN

The study addresses the creation and early development of the ornamental garden in Mýtna Street in Bratislava. The site was originally a smaller garden on the outskirts of the Blumentál suburb (at that time), located in the vicinity of a road leading to Rača. The first stage of the garden documented in a drawing shows the main axis intersecting the centre of the courtyard and a simple symmetric composition of three fields of vegetation lined by tree alleys. Based on an analysis and comparison of written sources and plans, we assume the garden was founded in the second half of the 1770s. A re-evaluation of the name Esterházy Garden is based on reliable information from historical sources designating the archbishop’s administrator Štefan Ormosdy as the owner.

15

RECONSTRUCTION OF THE BRATISLAVA FRANCISCAN MONASTERY’S TOWER IN THE 19TH CENTURY. PYRAMID OR DOME?

100%

Bereczki Z.

ARS

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2015

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tom 48

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nr 1

95 – 105

EN

The tower of the Franciscan monastery in Bratislava was completely restored in the last decade of the 19th century under the supervision of Frigyes Schulek. It was first disassembled and then reconstructed. A garden pavilion was built in the Aupark (today Janko Kráľ Park) using the old stones. But there is an important difference between the tower of the monastery and the pavilion: while the aforementioned has a pointed, pyramid-like spire, the latter’s termination is curved and dome-shaped. This article also discusses the events of the reconstruction, focusing mainly on the actual dismantling and construction works. The reconstruction of the Franciscan tower indicates a changing of principles in monument preservation: it is a more or less accurate copy of the unsustainable original.

16

SOCIÁLNA ŠTRUKTÚRA BRATISLAVSKEJ UMELECKEJ BOHÉMY V ROKOCH 1920 – 1945

88%

Vass M.

Historický časopis (Historical Journal)

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2018

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tom 66

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nr 1

83 – 105

EN

The study provides an analysis of the authentic modernist cultural and social phenomenon of Bratislava‘s artistic bohemian in the years 1920– 1945 in terms of its social structure. This group consisted of writers and painters, in what amounted to a special social microcosm, in the midst of which a particular social structure spontaneously formed, consisting of a leading integrating personality encircled by a wider group of acquaintances, patrons, female muses, devotees and fans stemming from bourgeois circles. An important issue in the context of the social structure of Bratislava‘s artistic bohemian is the antagonism between bohemian artists, who possessed cultural capital, and the bourgeoisie, who possessed economic capital.

17

SKLO V KOMBINÁCII S KOVOVÝMI MATERIÁLMI V ZBIERKOVOM FONDE MÚZEA MESTA BRATISLAVY

88%

Fiala A.

Študijné zvesti

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2009

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nr 46

181 - 184

EN

In the collections of the City Museum in Bratislava except of functional glass articles there are also many glass objects combined with the other materials. They mainly belong to the sphere of artistic blacksmith´s and locksmith´ s trade as well as to the production of glass windowpanes. From the 2nd half of the 19th century we have dividing bars in combination of iron, bronze and glass. Two painted windowpanes from the 18th century come from the interior of the church of Poor Clares. From our later acquisitions we should mention the windowpane from the Jewish neologic synagogue built in 1893-1894 according to the project of the architect Dionýz Milch.

18

SUBJEKT A MESTO (A POLITIKA): POLSTOROČIE BRATISLAVY V TEXTOCH JANKA ALEXYHO

88%

Masaryk M.

Slovenská literatúra (Slovak Literature)

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2021

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tom 68

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nr 3

222 – 234

EN

The article aims at providing a picture of how Bratislava was portrayed in the texts of the Slovak author and painter Janko Alexy (1894 – 1970), written between 1921 and 1968. The paper combines the knowledge of Slovak and Czechoslovak culture and history with biographical and artistic facts about Alexy’s life and work. With regards to the biography of the author, the article drew on his own memoirs, Ján Abelovský’s monograph, texts by Ján Smrek and various period articles. The paper also makes use of the work of O. Mongin, P. Málek and V. Barborík. It provides an insight into the relationship between the city and the subject and reconstructs the complex image of the period circumstances in its background. It outlines several periods that document Alexy’s changing attitude towards the city and the gradual national appropriation of Bratislava. The identity of the current capital of Slovakia was changing from a multi-ethnic town to a city occupied by a single majority ethnic group. These shifts are illustrated on several Alexy’s texts.

19

KLAVÍRNA KULTÚRA V BRATISLAVE V ROKOCH 1770 – 1830 (II)

88%

Szórádová E.

Musicologica Slovaca

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2016

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tom 7 (33)

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nr 2

165 – 221

EN

This paper addresses the issues of music education in Bratislava (Pressburg, Prešporok), with reference to piano playing, in the ﬁnal quarter of the 18th century. The studied period is more narrowly limited to the years 1777 – 1796, when the Normal School in Bratislava had among its staﬀ the musician, pianist, singer, composer, theoretician and teacher Franz Paul Rigler (1747 or 1748 – 1796), an individual of all-round capability, with a reputation going beyond his local sphere. Analysing the personal, cultural, institutional and creative contexts of his life, the paper seeks answers to questions regarding Rigler’s origin, education and personal connections, and clariﬁes the contribution he made to shape the proﬁle of musical culture. Presented research results are derived from processing part of the extensive source material in the Departamentum scholarum nationalium fund deposited in the Hungarian State Archive (Magyar Országos Levéltár) in Budapest. The primary aim of this study is to clarify the issues of piano education in Bratislava in the given period, its cultural, social, institutional and creative background, and the circumstances of how the music class in the Normal School functioned.

20

„SO ŽIDOM SOM NEVYJEDNÁVAL.” K ARIZÁCIÁM SPISOVATEĽA ĽUDOVÍTA MISTRÍKA-ONDREJOVA

88%

Hlavinka J.

Historický časopis (Historical Journal)

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2019

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tom 67

|

nr 3

501 – 519

EN

The study is devoted to the participation of the notable Slovak writer Ľudovít Mistrík-Ondrejov in the aryanization of Jewish property in Slovakia in the period 1939 – 1945. The fact that Ľudovít Mistrík-Ondrejov profited from the aryanization of Jewish firms is relatively well-known and was already publicized in connection with the bookshop owning Steiner family, whose business Mistrík-Ondrejov aryanized. The present study is a comprehensive study of the aryanizing activities of Ľ. Mistrík-Ondrejov, covering not only the aryanization of the Steiner bookshop, but also of the Känzler Brothers firm in Bratislava from which Ľ. Mistrík-Ondrejov personally profited. The study provides hitherto unknown fact about both Ľ. Mistrík-Ondrejov’s aryanizations.