Wyniki wyszukiwania - Biblioteka Nauki

1

Muzeum szkolne w Szadku (jubileusz 30-lecia)

100%

Stefańska D.

Biuletyn Szadkowski

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2005

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nr 05

189-210

2

Nowoczesne, czyli jakie? Refleksje nad nową formą muzeów etnograficznych

100%

Szaszkiewicz M.

Zbiór Wiadomości do Antropologii Muzealnej

|

2019

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nr 6

PL

The article is try turning the attention to new forms and actions performed by museums of the 21st century. This is analysis of new forms of activity of ethnographic museums oriented not only on exhibitions, but also on the organization of events such as science fairs, festivals, concerts, workshops. Article is attempting to create a field to discussion about a new ethnographic museum model that would be the answer to contemporary challenges posed by globalization and technology, as well as finding definitions and categorizing knowledge regarding the „modern ethnographic museum”.

3

Prawo pierwszeństwa nabycia zabytku na gruncie art. 20 ust. 1 ustawy o muzeach

80%

Grygutis J.

Studenckie Prace Prawnicze, Administratywistyczne i Ekonomiczne

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2017

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tom 21

115-129

EN

This paper presents Polish regulation regarding “right of first offer” in the Museum Act. Author explains the legal nature and allocation of this institution within Polish legal system. The analysis is conducted from perspective of axiology and legal dogma, while the provision under scrutiny is reviewed in the light of constitutional protection of ownership’s right. Moreover, this regulation’s mayor cons are pointed out which result from imprecise usage of terms of legal language for drafting this regulation’s provisions. Consequently, this regulation hardly can be applied, therefore it does not protect monuments as effective as it should be, as it was intended by the Legislator.

4

History of the building of the Archaeological Museum in Kraków at the exhibition "The history of the building housing the Archaeological Museum in Kraków"

80%

Tyniec A.

Geology, Geophysics and Environment

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2013

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tom Vol. 39, no. 2

113--123

EN

The site currently occupied by the Archaeological Museum in Kraków abounds with finds dating back to the early medieval period. It is located on the edge of the alluvial cone of the Prądnik, a tributary to the Vistula River. In the 9th-13th century, the area was contained within the fortified suburbium where a dwelling, productive and commercial settlement developed. After 1612, the land was donated to the Discalced Carmelite Order, and the monastery with the church of St. Michael and St. Joseph were built. In the year 1797, on the strength of the decree issued by the Austrian Emperor Joseph II (from 1782), concerning the dissolution of monastic orders, the Carmelite Order was dissolved, and the church with the monastery were confiscated by the State Treasury to be used as prison and jail cells. In 1954, Kraków authorities donated the complex to serve the needs of the Archaeological Museum in Kraków. The history of the buildings became the topic of subsequent exhibitions.

5

Od „wypastowanej samotni” do atrakcyjnej przestrzeni publicznej. Muzeum w mieście

80%

Szalbot M.

Studia Etnologiczne i Antropologiczne

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2017

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tom 17

317-326

6

Evaluating the role of the National Museum of Iran in the development of cultural tourism

80%

Farokhi O. S. , Hosseini S. Y.

Studia Periegetica

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2021

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tom 34(2)

9-26

EN

In addition to acquainting the public with the culture of a particular region, cultural tourism creates economic opportunities. Taking into account various tourist sites, museums are definitely among the most important ones. In Iran, the National Museum is one of the most important museums because of its rich collection of historical monuments related to the ancient Persia and Islamic periods. The authors of this article analyse the role of the National Museum of Iran in the development of the country’s cultural tourism. The analysis is based on information obtained from the database of the Iranian Cultural Heritage Organization and the National Museum of Iran. Confirmatory factor analysis and structural equation modelling were employed for data analysis. The results confirm the importance of the National Museum of Iran in the development of cultural tourism.

7

Odtworzenie Kopalni Doświadczalnej Węgla Kamiennego "M-300" w Zabrzu oraz jej przekształcenie na Skansen Górnictwa Podziemnego "Guido"

80%

Lamparska-Wieland M. , Srokosz Z. , Lamparski H.

Przegląd Górniczy

|

2002

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tom T. 58, nr 6

30-38

PL

Zachowane XIX wieczne wyrobiska górnicze, dawnej kopalni "Guido " w Zabrzu, które znajdują się w obrębie Kopalni Doświadczalnej Węgla Kamiennego "M-300" w likwidacji, przekształcane są w obiekt geoturystyczny pod nazwą Skansen Górnictwa Podziemnego "Guido". W wyniku przebudowy i odtworzenia zlikwidowanych wcześniej wyrobisk, zabytkowa kopalnia, której dotychczasowa działalność uzależniona była od Kopalni Węgla Kamiennego "Makoszowy", stanie się obiektem niezależnym pod względem przewietrzania i bezpiecznej ewakuacji. Skansen Górnictwa Podziemnego ma stać się głównym ośrodkiem geoturystyki w Zabrzu, dostosowanym do działalności rynkowej. Przewidywaną niezależność finansową, obok turystyki, zapewni mu działalność kulturalno-rozrywkowa i gastronomiczna. Rozpoczęcie działalności nowego skansenu przewidziane jest pod koniec bieżącego roku.

EN

Preserved mine workings of 19th century, belonging to former colliery "Guido" at Zabrze, which have been within Experimental Hard Coal Mine "M-300" in liquidation, are being converted into a geo-tourist object named Skansen Górnictwa Podziemnego "Guido" (Heritage Park of Underground Mining "Guido"). As aresult of reconstruction and regeneration of the earlier liquidated mine workings, the historic mine being so far subordinate to Hard Coal Mine "Makoszowy", becomes an independent object as regards ventilation and safe evacuation. Heritage Park of Underground Mining will become a main geo-tourist center at Zabrze, adjusted to market activity. Financial independence will be ensured by cultural-and-entertainment as well as gastronomic activities, forseen besides tourism. Opening of the new heritage park is forseen at the end of this year.

8

Idea muzeum : trwanie i przemijanie

80%

Pacholewicz K.

Czasopismo Techniczne. Architektura

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2011

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tom R. 108, z. 4-A/2

333--335

PL

W wielu nawet najnowocześniejszych projektach można odnaleźć idee sprzed kilkudziesięciu lat. Niepostrzeżenie trwają w nich, mniej lub bardziej zamierzone podobieństwa do, wydawać by się mogło, minionych koncepcji czy postulatów. Analogie i kontynuacje uwidaczniają się w pojedynczych elementach bądź też formie, kompozycji, użyteczności czy strukturze całości.

EN

Some ideas born several dozen years ago can be find in many, even most up-to-date projects. Imperceptibly, they give some more or less intentional similarities to some concepts or postulates long gone a chance to last. Analogies and continuations appear through singular elements as well as form, composition, function or structure.

9

Sztuka w muzeum wyobraźni

80%

Hańderek J.

Estetyka i Krytyka

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2011

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nr 2(21)

61-75

EN

The article attempts to reconstruct the aesthetical category of imaginarium by Andre Malraux. Malraux approached it on various levels: imaginative space of culture participant, artistic creation, museum a set of meanings, cultural codes and symbols. The category is a key to perception of the world where meanings and senses are both interpreted and constituted. The metaphor of imaginarium allows the French thinker to trace the way culture develops its meanings and senses as well as gives opportunity for an analysis of interactions between cutures. It is by imaginarium, its symbolic and meanings cutures develop as well as contact each other, leading to birth of new meanings and symbols.

10

Muzeum publiczne jako zakład administracyjny

80%

Zalasińska K.

Przegląd Prawa Publicznego

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2013

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nr 7-8

130-146

EN

Museums provide public services of an great importance for society. They are custos - guardians of the national treasures. However they are also providing other significant public services. In the structure of the government they act as administrative facilities, what significantly affect their activity. Contemporary issues in the management of public museums is connected with the widely described in the literature crisis of public entities providing services for society.

11

Badania bazyliki i mol w Marei w Egipcie

80%

Babraj K. , Szymańska H.

Materiały Archeologiczne

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2013

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tom 39

169-194

EN

During the two-month excavation season, the space of the south pastophorium of the basilica was examined. Excavations in the north part of utility rooms were related to the previous season, and focused mainly on searching for the proper entrance to the “cellar” located below those rooms (# 30, # 33, # 34, # 35), where the deposit of jugs discovered in 2009 (124 items), coins, glass and terracotta were found. Because of annually increasing considerable deterioration of the piers, caused mainly by weather conditions and environment pollution, during the discussed season we made the effort of inventorying the above mentioned structures. In Marea, which used to be a lake port, there are four piers which may have been used for loading and unloading cargo ships and river boats of shallow draught, as well as taking and serving the incoming passengers.

12

The tourism function of the castles of the Knights of the Teutonic Order in Poland

80%

Musiaka Ł.

Turyzm

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2013

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tom 23

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nr 2

49-57

EN

The author’s main objective is to define the level of development of the tourism function of the Teutonic Order castles found in the area of contemporary Poland. The author has taken into account both well-preserved and renovated castles, as well as those in a state of ruin. In order to achieve his goal, he analysed forms of castle development and numbers of tourists, which is the main measure of the tourism function. The final stage of the research was to define the tourism rank of the castles studied.

13

The History of the Witkacy Collection in Słupsk

80%

Brochocka A.

Estetyka i Krytyka

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2013

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nr 4(31)

39-47

EN

This account describes the activity of the Museum in functional terms and reports on the 45-year presence in Słupsk of the Witkacy collection. The presence of Witkacy’s work in Słupsk was instigated by an initial acquisition of 110 works which were brought to Słupsk in 1965. This was part of a post-war endeavour aimed at countering the influence of Germanic traditions then present in the region. In a short space of time the collection of works by Stanisław Ignacy Witkiewicz became the primary museum collection of Słupsk, eclipsing all other collections including. The museum now works with the City Council in a three-fold way: through exhibition, educational outreach, and as part of broader promotional activity of the City of Słupsk. However, perhaps the Museum's most important measure of success is the international scholastic conferences dedicated to the life and work of Witkiewicz.

14

Kwiat, kości, siekiery: o problemach upamiętniania miejsc zagłady na przykładzie muzeum w Jasenovcu

80%

Falski M.

Pamiętnik Słowiański

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2010

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tom 60

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nr 1

35-48

EN

The largest and pitiless concentration camp in the fascist Croatia was located in Jasenovac on the Sava river, near the Bosnian border. In early 1960s the memorial site and museum was founded there. The article proposes an analyze of the public debate in Croatia in 2004-2006, related to the complete change of the museum exposition. Supporters of the change emphasize new perspective of commemoration, individualization of a victim, and giving him/her the dignity back. On the other side are opponents which point out that the change can obscure the Croatian responsibility for the crime, and strengthens the revisionist policy towards the NDH (Croatian fascist state during the 2nd world war). As it turned out, the organization of the museum is related to the most important problems of the Croatian identity and the interpretation of the past.

15

Współczesne muzeum jako miejsce i znak w przestrzeni miasta

80%

Rogińska-Niesłuchowska M.

Czasopismo Techniczne. Architektura

|

2008

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tom R. 105, z. 6-A

503-509

PL

Współczesne muzea przeszły znaczący rozwój jako instytucje publiczne. Ich cechą jest wzrastające zapotrzebowanie na dodatkową przestrzeń służącą edukacji, odpoczynkowi, rozrywce oraz sferze komercyjnej handlu i usług. Muzea projektowane są jako dzieła sztuki, które mają wpływać na atrakcyjność ich miejskiego otoczenia. Przyjmują role urbanistycznych drogowskazów i symboli tożsamości kulturowej.

EN

Contemporary museums have evolved as public institutions. They have increased demand for space for education, recreation, entertainment, commerce and services. Designed as a work of art spectacular museum building can enhance a city's attractiveness. The museum has assumed the role of an urban landmark as a symbol of cultural identification.

16

Pierwsze sarkofagi egipskie w Polsce. Z historii zbiorów antycznych w Polsce

80%

Gałczyńska C.

Materiały Archeologiczne

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2013

|

tom 39

241-262

EN

This is a review of Egyptian sarcophagi, probably the most spectacular artefacts in Polish collections, exclusive of those which appeared as a result of organised archaeological excavations. The survey has contributed to verifying some erroneous information in the literature of the subject, provided new information concerning less well-known artefacts of that type and, above all, drew attention to Aleksander Branicki (1821-1877) and his previously unknown excavation work in Egypt.

17

Museum’s marketing communication tools – results of empirical research

80%

Macalik J.

Nauki o Zarządzaniu

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2018

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nr vol. 23 no. 2

12-18

EN

The aim of the article is to present the results of a quantitative survey of marketing managers in Polish museums on the marketing communication tools used in these institutions. The survey was conducted using the CAWI method in 2017 on a group of 85 marketing managers in museums. In the study, the scope of application and the importance of particular marketing communication tools for museums were established. It has been shown that advertising and Public Relations have a key role in the promotion of museums, in particular contact with the media and the organization of events. This study shows that a large group of Polish museums uses a fairly narrow range of marketing communication tools and that they only sporadically reach for modern communication tools. The article also presents the factors that have a positive and negative impact on the possibility of implementing effective marketing communication in museums.

18

Wykorzystanie aplikacji mobilnych w muzeach – przegląd i analiza polskich projektów

80%

Gmiterek G.

e-mentor

|

2017

|

nr 2 (69)

25-39

EN

Cultural heritage institutions (e.g. museums) expand the scope of information technology adaptation and make mobile applications available to the users. Up to date mobile devices (like smartphones or tablets) become fully functional devices for display and interaction with online museum information resources. This type of information dissemination can be exploited efficiently in shaping information literacies for young users for whom mobile device has become a major tool for communication, entertainment and knowledge acquisition. The paper presents the results of comparative analysis of mobile applications for museum information services in Poland. The study covered recent and most popular mobile application for online exhibitions and for accessing museum collections and it has been limited to mobile applications for Android operation system. The analysis was based on selected applications highly rated on Google Play Store and AppBrain.com. The popularity of mobile applications was established based on statistical data- rating score, user comments and the total number of downloads. The study indicates selected features such as mobile devices capacities, built-in mechanisms (gyroscope, GPS, camera), interactivity and multimedia features.

19

The value of museum communication: the cases of the Paper and Watermark Museum in Fabriano and the Ascoli Piceno Papal Paper Mill Museum in Ascoli Piceno

80%

Dragoni P.

Budownictwo i Architektura

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2017

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tom Vol. 16, nr 4

49--58

EN

Guaranteeing the survival of cultural heritage, increasing its accessibility, both physical and intellectual, and the creation of countless benefits for different categories of stakeholders depends both on a perfect comprehension of the interests and abilities of users to take advantage of what is offered and, above all, on identifying and analysing the various types of value that can be attributed to it. According to Montella, there are three types of value that may be analysed for this purpose: a presentation value, informative in nature and inherent in the historical, cultural and possibly artistic value implicit in the heritage; a landscape value, extended to the context, inherent in the factual information services aimed at supporting policies of preventive and programmed conservation: and a production value, commercial in nature, which concerns the external effects generated by cultural heritage management to qualify the products and the images themselves of the businesses in order to make them stand out from the competition. The aim of this article is to inquire into whether, in what way and to what extent the communication of the Paper and Watermark Museum in Faabriano and the Ascoli Piceno Papal Paper Mill Museum in Ascoli Piceno creates presentation value and therefore leads the public to understand how far paper production has influenced the economic and socio-cultural history of the area in which they are located.

20

Narracja współczesnych budynków muzealnych

80%

Szpakowska-Loranc E.

Przestrzeń i Forma

|

2015

|

tom nr 24/1

85--100

PL

Artykuł prezentuje wybrane przykłady współczesnych muzeów europejskich, których forma zaprojektowana została w powiązaniu z retoryką ekspozycji. Spójna narracja ma służyć wzmocnieniu odbioru idei miejsca. Współczesne wystawiennictwo, przyczyniające się do powstania nowego modelu budynku muzealnego, zamknęło okres muzeów jako funkcjonalistycznych, neutralnych „kontenerów” na rzecz budynków tworzonych w zespoleniu z umieszczoną w nich ekspozycją.

EN

The article presents selected examples of modern European museums, whose forms have been designed in association with the rhetoric of their exhibitions. This coherent narrative strengthens the reception of the idea of space. Contemporary exhibitions, contributing to the creation of a new model of the museum, closed the period of museums as functionalist neutral "containers" in favor buildings created in the anastomosis of their exposure.