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THEODOR W. ADORNO: DVE TVÁRE KIERKEGAARDA AKO KRITIKA SPOLOČNOSTI

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Šajda P.

Filozofia (Philosophy)

2010

tom 65

nr 9

821-832

T. W. Adorno deals with Kierkegaard intellectual legacy in tens of his works, which were being published in the course of more than three decades. One of his main concerns is rather ambiguous: depicting Kierkegaard as a critique of the society of that time. Adorno examines Kierkegaard's social and political sensibility, as well as his theory of inwardness, and his idea of non-purpose, inter-subjective relationships. He points out to the devastating effects of conforming Kierkegaard's legacy to the principles of existentialist philosophy. Kierkegaard's views are also evaluated on the background of contemporary deficiencies of Western society, such as ethnocentrism or anti-Semitism.

SÚČASNÉ UMENIE NA CESTE K POST-POST? AKO ANDRÉ STANGUENNEC SPÁJA UMENIE SO SKROMNÝM, TRIVIÁLNYM A NEGRANDIÓZNYM

100%

Karul R.

Filozofia (Philosophy)

2016

tom 71

nr 7

595 – 607

Andre Stanguennec sees something new arising in art: after modernity and postmodernity we witness a period called by him a post-post. The latter is a negation of the previous two, included at the same time into a new synthesis, in which they are not opposites any more. The article offers a reconstruction of several aspects of this synthesis. The new form of art is identified first of all in documentary video-art or in the micro-poietics of everyday life. The video-art is attractive due to its engagement and the critique of social defects, especially on legal and political levels. The small, non-grandiose poietics is related to more personal morals. It represents the ethical metaphysical aspect of the new art.