Nowa wersja platformy, zawierająca wyłącznie zasoby pełnotekstowe, jest już dostępna.
Przejdź na
Ograniczanie wyników
Preferencje help
Widoczny [Schowaj] Abstrakt
Liczba wyników

Znaleziono wyników: 2

Liczba wyników na stronie
first rewind previous Strona / 1 next fast forward last
Wyniki wyszukiwania
w słowach kluczowych:  SOCIAL CRITIQUE
help Sortuj według:

help Ogranicz wyniki do:
first rewind previous Strona / 1 next fast forward last
T. W. Adorno deals with Kierkegaard intellectual legacy in tens of his works, which were being published in the course of more than three decades. One of his main concerns is rather ambiguous: depicting Kierkegaard as a critique of the society of that time. Adorno examines Kierkegaard's social and political sensibility, as well as his theory of inwardness, and his idea of non-purpose, inter-subjective relationships. He points out to the devastating effects of conforming Kierkegaard's legacy to the principles of existentialist philosophy. Kierkegaard's views are also evaluated on the background of contemporary deficiencies of Western society, such as ethnocentrism or anti-Semitism.
Filozofia (Philosophy)
tom 71
nr 7
595 – 607
Andre Stanguennec sees something new arising in art: after modernity and postmodernity we witness a period called by him a post-post. The latter is a negation of the previous two, included at the same time into a new synthesis, in which they are not opposites any more. The article offers a reconstruction of several aspects of this synthesis. The new form of art is identified first of all in documentary video-art or in the micro-poietics of everyday life. The video-art is attractive due to its engagement and the critique of social defects, especially on legal and political levels. The small, non-grandiose poietics is related to more personal morals. It represents the ethical metaphysical aspect of the new art.
first rewind previous Strona / 1 next fast forward last
JavaScript jest wyłączony w Twojej przeglądarce internetowej. Włącz go, a następnie odśwież stronę, aby móc w pełni z niej korzystać.