Wyniki wyszukiwania - Biblioteka Nauki

1

Simone de Beauvoir: "Druhé pohlaví" - a kletba překladu

100%

Pichová D.

Filosofický časopis (Philosophical Journal)

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2019

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tom 67

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nr 2

241-250

EN

The article deals with a Czech, a Slovak and two English translations of Simone de Beauvoir’s work The Second Sex (Le deuxième sexe, 1949). The first English translation (1953), as well as the Czech (1966) and Slovak (1967) versions, were selective; the only complete translation is the second English translation (2009). However, even this complete English version is considered problematic by the academic public. A comparative analysis of the four translations of The Second Sex presents the choices made by different translators and illustrates the impact of the (incomplete and/or erroneous) translations on the general reception of Simone de Beauvoir’s work.

FR

Cette étude propose une comparaison des traductions tchèque et slovaque et de deux traductions anglaises du chef-d’oeuvre de Simone de Beauvoir, Le deuxième sexe (1949). La première traduction anglaise (1953), ainsi que les versions tchèque (1966) et slovaque (1967) sont partielles. La seule traduction intégrale étant la deuxième traduction anglaise de 2009. Mais elle est également considérée comme problématique par les spécialistes. L’analyse comparative des différentes traductions du Le deuxième sexe indique d’autres procédés de traduction et montre l’influence des traductions (non intégrales et/ou fautives) sur la réception de l’oeuvre de Simone de Beauvoir en tant que telle.

2

Plauto senza frontiere. Il “Miles gloriosus” nelle traduzioni

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Krauze J.

Studia Ełckie

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2021

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tom 23

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nr 4

525-534

EN

The works of Titus Maccius Plautus and his lively and picturesque lan-guage (sermo famialiaris full of archaisms and colloquialisms but in perfect harmony with the metric norms), were characterized by a conspicuous presence of loans from the Greek language and rhetorical figures aimed at highlighting the bizarre traits of the characters and over the centuries they have been a challenge for translators from all over the world. The secret of his success that breaks down times and frontiers consist in the richness and originality of his language that continues to influence every form of artistic expression. In this article the Italian versions that range from the seventeenth to the twentieth century are examined, focusing on the versions of Lodovico Dolce and Pier Paolo Pasolini, mentioning some Polish translations of the work of Plautus (Jan Szczepan Wolfram, Gustaw Przychocki, Zygmunt Węclewski) and coming to the conclusion that the result of the translation of classical texts should be a reasonable balance between those two poles that are called the ancient and the modern.

3

Najstarsze tłumaczenia tekstów biblijnych na język kaszubski

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Sikora A. R.

Poznańskie Studia Teologiczne

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2008

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nr 22

55-65

EN

This paper discusses translations of biblical passages into Kashubian which originated in Evangelical circles between the 16lh and 19th centuries. Although the tradition of translation dates back to the 16th century, translation of the entire Bible, or at least one complete biblical book, which would have originated in this particular environment has not been preserved. Presumably it never existed. The oldest translations of biblical texts into Kashubian were generally based on the German language. The first printed book with texts in Kashubian included, among others, eleven works defined as Psalms and a range of short passages originating both from the Old Testament and the New Testament. This very book was the Simon Krofey’s Hymnal published in Gdańsk in 1586. Translation of The Small Catechism of Martin Luther came out approximately half a century later, and similarly to the Krofey’s Hymnal it included many biblical passages. However, the biggest collection of biblical texts which has survived is dated for the turn of the 17th and 18* centuries. These texts are found in the so-called Smoldzinian Perikopes, containing lessons and Gospels for all Sundays and church holidays. Many smaller passages of the older translation of biblical texts represent only occasional translations of biblical passages incorporated in other religious texts. The first intended and methodical translation of texts from the Sacred Scripture into Kashubian was the collection of so-called Smoldzinian Perikopes. Research conducted on these translations allows to conclude that although authors of these translations did not translate from original texts, but in most cases from the German language, their translations of the Bible are characterised by a high degree of faithfulness to the thought of original texts. Moreover, accuracy and efforts to make the texts comprehensible and literary beautiful grant their authors the best testimony.

4

Translations of books for children and young adults in Poland 1918-1939 (a research reconnaissance

100%

Staniów B. , Kisilowska M.

Z Badań nad Książką i Księgozbiorami Historycznymi

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2019

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tom Tom specjalny: Dla Niepodległej / Special Issue: For an Independent Poland

309-324

EN

Based on the bibliography method (mainly Bibliografia literatury dla dzieci i młodzieży 1918-1939. Literatura polska i przekłady, by B. Krassowska i A. Grefkowicz, Warszawa, 1995), the article presents the extent of foreign literature for young people translated into Polish, edited in Poland in 1918-1939. The most popular languages, literary genres, bestseller authors and titles, the intensity of publishing in periods, the biggest publishers, and the most popular series are analyzed. Besides classics, many foreign light titles were published, because of the lack of such literature in the Polish book market. They were attacked by literary critics and educators, but very widely-read in fact. The abundance and variety of foreign literature for children and young adults in 1918-1939 are emphasized. Language mosaic and author-subject diversity of these books had never been repeated after World War II, mainly due to political reasons.

5

O przekładach literatury polskiej w Czechach i czeskiej w Polsce. Komentarz do bibliografii przekładów w 2016 i 2017 roku

100%

Altmann J.

Przekłady Literatur Słowiańskich

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2019

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tom 9

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nr 3

95-114

PL

Presented article is a recapitulation of visible tendencies in both Polish and Czech publishing markets with regard to publications of literary translations of Czech literature in Poland and Polish literature in the Czech Republic in 2016 and 2017. It presents the most important literary translations in each language pair, pointing out leading publishers and the most active translators in this area. Finally, the author outlines general paths along which the Polish literature translations in the Czech Republic and vice versa develop.

6

Kafkovy překlady za života (1909-1922)

100%

Soukup J. , Szarková S. , Mittnerová L.

Česká literatura (Czech Literature)

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2015

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tom 63

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nr 5

672-706

7

Five Centuries of Bible Translations into Kashubian

88%

Sikora A. R.

Verbum Vitae

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2021

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tom 39

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nr 4

1175-1192

EN

This paper discusses translations of biblical passages into Kashubian, which originated in the Lutheran circles between the 16th and the 19th centuries, followed by translations made in the Catholic circles in the 20th and the 21st centuries. The history of these translations has been divided into two periods: “old translations” and “contemporary translations.” The former comprise various bibli[1]cal texts preserved in manuscripts and printed monuments, which came into being between 1586 and the second half of the 19th century. The fundamental texts of this period include the works by Szymon Krofey (1586), Michał Pontanus (1643), and Perykopy smołdzińskie (1699–1701). The old translations were done from German in the Protestant circles in West Pomerania. In turn, the “contemporary trans[1]lations” of biblical texts into Kashubian embrace translations from the second half of the 20th century, which were produced in the Catholic environment of Gdańsk Pomerania: from Latin (Mk 4:3-20) by Alojzy Nagel (1973), from Latin (four Gospels) by Rev. Franciszek Grucza (1992), from Polish (the New Testament and the Psalms) by Eugeniusz Gołąbek (1993–2007) and my own translations from Hebrew and Greek (the Four Gospels, the Pentateuch, Ecclesiastes) prepared in 2001–2020.

8

Motifs and themes in Emily Dickinson's poems translated by Ludmiła Marjańska

88%

Zawadzka B.

World Scientific News

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2019

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tom 123

220-233

EN

The article is intended to demonstrate selected motifs and themes of Emily Dickinson’s work which is a separate phenomenon in the poetry of the second half of nineteenth century. The poet’s work referring to timeless sense of human existence became a challenge for the Polish poet - Ludmiła Marjańska - who had ventured to translate it and was carrying on with the task throughout the years. Ludmiła Marjańska and Emily Dickinson were connected through richness of their inner lives. Each of the poets is an extraordinary individuality. Their works prove enormous joy of life and fondness of nature. They both deal with existential matters. Emily Dickinson considered the question of the way of existence - not only her own but of each individual - and her place in the world. She expressed it in her works. This paper is a brief introduction to Emily Dickinson and Ludmiła Marjańska and an analysis of selected poems by Dickinson with a bird motif, encumbered with diversified functions. This bird is a sign of joy, hope, reflection, but it also has a self-creative function. Further part of this paper presents some oneiric space as a poetic method employed in Emily Dickinson’s poems. Sleep in the poet’s works is multifaceted. The sleep motif combines the real and eternal worlds. Poetic translations by Ludmiła Marjańska evoke the spirit of the original. The poet believed that a good translation requires adequate preparation and an intuitive approach. In her translations of Emily Dickinson’s poems, the poet attempts to reflect the sound of a given piece of work in Polish. A poem read in an original language version sounds differently, and no translation is capable of exactly reflecting its content in a foreign language, but it may bring it closer.

9

The Reception of Galician Performances and (Re)translations of Shakespeare

88%

Lorenzo-Modia M. J.

Multicultural Shakespeare: Translation, Appropriation and Performance

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2017

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tom 16

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nr 31

75-88

EN

This presentation will deal with the reception of performances, translations and retranslations of Shakespeare’s plays into the Galician language. As is well-known, Galician is a Romance language which historically shared a common origin with Portuguese in the Iberian Peninsula, and which had a different evolution due to political reasons, i.e. the independence of Portugal and the recentralization of Spain after a long partition with the so called Catholic monarchs. As a consequence, Galician ceased to be the language of power and culture as it was during the Middle Ages, and was spoken by peasants and the lower classes in private contexts for centuries. With the disappearance of Francoism in the 1970s, the revival of Galician and its use as a language of culture was felt as a key issue by the Galician intelligentsia and by the new autonomous government formed in 1981. In order to increase the number of speakers of the language and to give it cultural respectability, translations and performances of prominent playwrights, and particularly those by Shakespeare were considered instrumental. This article will analyse the use of Shakespeare’s plays as an instrument of gentrification of the Galician language, so that the association with Shakespeare would confer a marginalized language social respectability and prestige.

10

Notes on Foscolo and the English language (1816–1827)

88%

Caselli C. P. , Caselli C. P.

Kwartalnik Neofilologiczny

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2019

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nr 2

11

“A novel that does not uncover a hitherto unknown segment of existence is immoral”. A Conversation with Marek Bieńczyk on Milan Kundera’s Works (Conducted by Olga Żyminkowska)

88%

Bieńczyk M. , Żyminkowska O.

Czytanie Literatury. Łódzkie Studia Literaturoznawcze

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2019

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nr 8

421-433

EN

The interview with Marek Bieńczyk covers, in general, the subject of the philosophy of novel by Milan Kundera and the reception of his works nowadays in Poland and abroad. Marek Bieńczyk – the French translator of Milan Kundera’s novels – talks about the history of his first translations and the beginnings of scientific thinking about Kundera. Moreover, he explains the problems connected with Kundera’s authorial and elaborate philosophy of novel: the conception of narrator, hero and composition. Bieńczyk also narrates his own memories with M. Kundera. What is more, he indicates the inspirations he draws in his own work from innovative prose by Czech novelist, who is celebrating his 91st anniversary this year.

12

Apokryficzne Proroctwo o Chrystusie w pogańskiej świątyni boga Apollona i jego znaczenie dla badań nad związkami literatury ruskiej z Bałkanami

88%

Stradomski J.

Latopisy Akademii Supraskiej

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2019

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tom Вѣнецъ хваленїѧ. Studia ofiarowane profesorowi Aleksandrowi Naumowowi na jubileusz 70-lecia

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nr 10

85-100

EN

The “Tale Afroditian” is one of the most popular Christian Biblical apocrypha in the Byzantine-Slavic literature. In the Medieval Cyrillic manuscripts, it is accompanied by a brief text entitled “Prophecy About Christ in the Pagan Temple of Apollo.” There are assumptions that both texts have a common origin, even though the Greek text of the “Prophecy” has not been found to date. Thanks to the analysis of several copies of the “Prophecy”, it is possible to reconstruct the common history of both apocrypha in the Church-Slavonic literature, which once again confirms durable relations of the literature of the former Ruthenia with the Balkans. Copies of both apocrypha from the handwritten “Bonarówka Code” are very helpful in re-tracing some unclear moments in the textology of the “Tale of Afroditian” and the “Prophecy About Christ”.

13

Příhody Václava Vratislava z Mitrovic a jejich osudy v české literární historii

88%

Matějec T.

Historie – Otázky – Problémy (History, Issues, Problems)

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2014

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tom 6

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nr 2

147-154

EN

This paper analyses the history, publication and aesthetic evaluation of Příhody (Events) by Václav Vratislav of Mitrovice, early modern Czech literary document thematically associated with the Turkish wars.

14

The Qur’ān in Medieval Slavic Writings. Fragmentary Translations and Transmission Traces

88%

Brzozowska Z. A. , Leszka M. J.

Vox Patrum

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2022

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tom 83

367-412

EN

The Qur’ān was never translated into Church Slavic in its entirety; still, in the writings of some mediaeval Christian authors (Byzantine and Latin) quite extensive quotations and borrowings from it can be found. Many of these texts were transmitted in the Slavia Orthodoxa area. The aim of this article is to present the Church Slavic literary sources which contain quotations from the Qur’ān. The analysis covers Slavic translations of Byzantine and Latin authors as well as original texts of Slavic provenance. The main conclusion of the research is that only ca. 2% of the text of the Qur’ān has been preserved in the Church Slavic material.

15

Lauda Sion, Salvatorem Sequence and its Polish Translations in the Source Songbooks

88%

Garnczarski S.

The Person and the Challenges. The Journal of Theology, Education, Canon Law and Social Studies Inspired by Pope John Paul II

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2020

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tom 11

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nr 2

219-253

EN

Research on the sequence Lauda Sion, Salvatorem dedicated to the Corpus Christi ceremony, allowed us to find and analyze over a dozen translations into Polish of this 13th century Latin pattern. It consists of 12 pairs of stanzas, with their parity – according to the poetics of the sequence – is emphasized by the conformity of a sound of the final verses of each pair of the stanza and the remaining verses are connected by adjoining rhymes, usually feminine, accurate, with aab + ccb scheme. We know most translators by name: Stanisław Grochowski, Jan Białobocki, Stanisław Serafin Jagodyński, Father Ignacy Hołowiński, Father Tadeusz Karyłowski, Jadwiga Gamska-Łempicka, Leopold Staff, several translations are anonymous. All Polish translations agree with the original on the content. However, differences appear in the form, structure of the poetic sequence, number of stanzas and in metrics. The common knowledge of the sequence Lauda Sion, Salvatorem, was probably the fruit of the great Eucharistic devotion in Poland, which was marked already in the 13th century, when the Church introduced the feast of Corpus Christi and lasted for the next centuries, up to the 20th century.

16

Вопреки тому времени… Отец и сын Фаддей Францевич Злинский и Адриан Иванович Пиотровский

88%

Śmiechowicz O.

Classica Cracoviensia

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2015

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nr 18

391-412

EN

The present paper analyses how the biography of Tadeusz Zielinski, one of the most famous Polish classicists, was influenced by the history of Poland, Russia and Germany. (He was living in Sanct-Petersburg, Leipzig and Warsaw.) On the basis of his Autobiography and Diary I am trying to seek his real personality apart from the common knowledge about the famous scholar with outstanding publications and thousands of students. In his private papers Zielinski had openly described his “colorful” student life and love affairs, but he concealed his illegitimate children… One of them – Adrian Petrovsky – was a classicist, translator and dramatist. He was the first translator who translated all Aristophanic Comedies into Russian (1934 – first edition). After the premiere of the ballet The Limpid Stream (with music by Dmitri Shostakovich, libretto by Petrovsky), censors banned the piece and Petrovsky was attacked in a “Pravda” editorial. Shortly after that he was arrested by the NKVD (November 1937) and shot in prison (15 November 1937).

17

Poezija kao prostor intimnog i javnog

88%

Gverić Katana P.

Przekłady Literatur Słowiańskich

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2019

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tom 9

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nr 3

59-72

PL

The article gives a brief overview of translated Polish literature in Croatia in 2017 and considers the visibility of Polish poetry in a body of literary works translated after 1990, focusing on contemporary phenomena such as poetry in new media and the place it takes in the contemporary reception.

18

Angielski przekład Pana Tadeusza i jego polskie echa

87%

Budrewicz A.

Poznańskie Studia Polonistyczne. Seria Literacka

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2015

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nr 26

195-216

EN

The article discusses a variety of opinions related to the first English translation of Adam Mickiewicz’s poem Pan Tadeusz published in 1885 by Maud Ashurt Biggs (1857-1933). The main point for the author is to analyse the scope of the Polish critics’ opinions and attitudes towards this translation. Some of them were issued by well-known experts in literary translation at the time (for example Stanisław Tarnowski), as well as critics who regularly published notes on British literature and culture in Polish periodicals (Edmund Naganowski). The article points out that the translation of Pan Tadeusz triggered neither numerous, nor enthusiastic reviews; it did, however, contribute to the publication of several interesting reflections related to poetry translation.

19

New South Slavic Translations of Aesop’s Fairy Tales

87%

Walczak-Mikołajczakowa M.

Poznańskie Studia Slawistyczne

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2018

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nr 14

PL

In 2006 for the first time after more than 30 years a new translation of Aesop’s fairy tales into Bulgarian by Vladimir Atanasov was published. Aesop’s tales were also translated into Macedonian for the first time (by Valerij Sofronievski) and published in 2008. The article contains discussion and comparison of both translations. A collection of both volumes and classic editions of Aesop’s tales were described and translations were made from them. The authoress precedes her arguments with a short outline of the history of Aesop’s translations into Bulgarian. Particular attention is paid to the translation of bishop Sofroni from the early 19th century, because both discussed contemporary translations clearly refer to this work.

20

Self-Rapists, Adulterers and Unrelenting Inquisitors – How Bogusław Butrymowicz and Edmund Cięglewicz Introduced Aristophanic Comedy into Polish Reading Culture

75%

Śmiechowicz O.

Classica Cracoviensia

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2017

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nr 20

141-163

EN

In this article, I would like to reflect on the question of the introduction of Old Attic comedy to Polish reading culture. My main source for trying to reconstruct how Aristophanes’ comedies have been brought into Polish reading culture is the first “complete” translations produced at the beginning of the 20th century by Bogusław Butrymowicz and Edmund Cięglewicz. We are still in the period parallel to the Victorian era in England, so we can apparently predict, before even getting down to reading, what both the authors’ translation strategies may look like, especially in the face of Aristophanes’ prolific sexual innuendos. It turns out, however, that each of the authors being reviewed by me somehow tried to pick up the gauntlet which had been thrown down by the ancient playwright. Their courage to translate the original meanings without beating about the bush surprises us many a time, especially when we compare the Polish translations by them with those made into English by Benjamin Bickley Rogers, in the same period. Both Butrymowicz and Cięglewicz worked directly on the original Greek texts. Their prose translations released by the most popular publishers enabled outsiders to the small circle of experts to read pieces of ancient literature. As for pupils, students, theatre directors and theatregoers, their first (and usually only) contact with Aristophanes was by reading those translations.