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THE ANTHROPOLOGY OF LITERATURE, LITERARY ANTHROPOLOGY: BETWEEN CULTURAL RESEARCH AND 'ANTHROPOLOGICAL DREAM'

100%

Rygielska M.

tom 49

nr 4

21-35

The authoress attempts to differentiate the various ways in which the anthropology of literature and literary anthropology are understood in the humanities today. She surveys the various approaches to disciplines. She concentrates on presenting both concepts and showing the differences between them, reserving the term 'anthropology of literature' for the analysis of texts from a social anthropological perspective, and 'literary anthropology' for the texts based in philosophical anthropology.

Tradition Crossed out. Tadeusz Grabowski and the Poznan 'Circle of Polish Scholars'

80%

Wyslouch S.

nr 1-2

221-236

Tadeusz Grabowski (1871-1960), a Polish scholar and Romance philologist, professor of the University of Poznan, was a literary theoretician who promoted the anti-positivist breakthrough in Poland. His article 'Nowa nauka o literaturze' (The new literary science) (1935) was an underestimated interesting attempt at introducing a communicative and anthropological perspective in literary research. Grabowski was a patron of the 'Circle of Polish Scholars' which before the WW II carried out animated research activity. In 1935, the Circle organised a Convention of Circles of Polish Studies at which young scholars from Vilno (Vilnius), fascinated with the Russian formalism (M. Rzeuska, J. Putrament), discussed and held methodological disputes with adherents of the sociological method and Marxism (F. Siedlecki, S. Zolkiewski, D. Hopensztand).

Literary anthropology and anthropology of literature

80%

Lebkowska A.

nr 6(108)

9-23

The article analyses consequences and benefits of the research perspective taken by literary anthropology which, as the authoress claims, should be perceived as a reformulation of literary studies rather than a narrowly conceived research method. The article discusses mutual relationships between literary studies and anthropology with the focus on the theories conceiving literature as the only available form of anthropology (Wolfgang Iser). The anthropological perspective in literary studies, the author claims, should be aimed at extracting literary anthropology from literature.

MEDZI POETIKOU TEXTU A POETIKOU UDALOSTI: K NIEKTORÝM ONTOLOGICKÝM OTÁZKAM EPICKEJ REPREZENTÁCIE

80%

Prušková Z.

nr 4

327 – 342

Research of arts and literature had moved from a striving for exact, structuralist handlings of its objects to observations of the world as mediated and experienced by humans. Research in aesthetics and literary studies not embedded in structuralism is often interdisciplinary in its nature and draws on a host of inspirations (anthropology, epistemology of imaginative processes, ontological transformations of existential meanings, etc.). The creative process and its product – the literary text – can be handled from various viewpoints. Traditionally, literary studies approached the text in terms of its structure, aesthetics, and poetics. Such observations do offer a systematic way in which the functioning and form of the literary work can be described; however, they are much less capable of grasping the ontological sources and origins of aesthetic experience. The latter are inherent to the engagement with an aesthetic object and as such need to be taken into account in the creation of knowledge and value of the literary work. Respecting the psychological subject of the writer and of communicative configurations of the literary text is crucial in this context. The article looks under the surface of textual structures and concentrates on imaginative processes in connection to the reception intention of the literary work.

OD RÉBUSU A HRY S ČITATEĽOM K ANTROPOLOGICKÉMU SVEDECTVU: „ZRNKO PRAVDY“ ZYGMUNTA MILOSZEWSKÉHO

80%

Horváth T.

tom 12

nr 2

40 – 49

The study interprets the detective novel by Zygmunt Miloszewski, Ziarno prawdy (2011), while focusing in the fashion in which the novel analyses the mechanism of anti-Semitism. A significant role in the culprit ś plotting of a fake ritual murder is played by a city with a collective memory, which inspired the modus operandi of the act, when the murder made use of the rooted anti-Semitism of the local community. The myth of the ritual murder in the anti- Semitic interpretation originates through the distortion of the original meaning of the cultural units, their incorrect condensation and the rearrangement of their functions to incorrect positions. In the solution this projection of the culprit onto an „Other“ is discovered to be false, revealing that the worst crimes occur out of hatred behind locked doors. Miloszewski sets these current issues into the genre structure of a classical detective story with the solution abiding by the principles of fair play, while the thriller denouement through a found document is proved to be false.