Wyniki wyszukiwania - Biblioteka Nauki

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"W przypływie języka". Wznowienie powieści Stefana Grabińskiego "Klasztor i morze"

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Trzeciak K.

Rocznik Przemyski

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2012

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tom 48

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nr 2: Literatura i Język

315-318

2

Przestrzenie przemienione (O kreacji świata w prozie Stefana Grabińskiego)

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Krzyńska-Nawrocka E.

Rocznik Przemyski

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2012

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tom 48

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nr 2: Literatura i Język

207-231

EN

The article entitled ‘Spaces transformed (Creation of the world in prose on Stefan Grabiński) focuses on the issues of creating and describing reality in Grabiński’s prose. I will pay meticulous attention to the so-called ‘transformed spaces’. The reflections include in this work concerning the problem of space as myth and the most important problem: obsession of space and spaces damned. The article concerns the complex issue of the space and relation between space to man describing in this prose. Also concerns the spaces illusory, significant use of metaphors of dreams and vision. Article concerns with the problem of moved in Grabiński’s prose and problem that the human mind is priority element, which may creating the world. Grabiński is fascinated by multi-existence. Man and the world are not one-dimensional in his works. There is a multiplicity of realities. In this reality man is lonely and feels alienated from the surrounding spaces but also he' s co-existenent trapped inside them.

3

Między realizmem a realnym. O elementach realistycznych w "Fałszywym alarmie" Stefana Grabińskiego

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Trzeciak K.

Rocznik Przemyski

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2013

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tom 49

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nr 2: Literatura i Język

99-106

EN

This article suggests reading Grabiński’s story called False Alarm through realistic elements present in it. The literary work by the author of The Motion Demon seems to resist the poetics of realistic writing, however its elements appear in many novellas. In this article False Alarm is treated as a tale revealing the mechanisms of realism itself, understood as making up a narration which remains in close relation with reality outside the text. Using the tools of Lacan’s psychoanalysis, Grabiński may be seen as a writer who protects the realism of reality, showing that it always includes some inexplicable remainder beyond symbolic meaning, unable to be integrated in rationalized reasoning. That “remainder” requires making use of an uncanny tale, however it allows us to see to what extent Grabiński aimed at describing reality with all its unpredictability and inexplicability.

4

Zdania inicjalne w powieściach Marka Krajewskiego

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Ruszkowski M.

Stylistyka

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2016

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tom 25

267-276

EN

Opening sentences raise a lot of interest of both linguists and common Polish speakers. It is evident from numerous websites in which Internet users share their observations on the best opening sentences of books (most often novels), as well as theoretical papers and writing guides. The analysis of opening sentences of ten novels by Marek Krajewski (co-author of two of them being Mariusz Czubaj) is to provide an answer to the question to what extent the utterance opening of the texts of the Wroc³aw-based prose writer fulfill the requirements to be met by such type of constructions. It turns out that most crucial are syntactic and semantic features rather than lexical ones. The clash between theoretical assumptions and the M. Krajewski’s writing practice shows that opening sentences of his novels not always fall into classical determinants of incipient formulas. It also illustrates the thesis that a skillful writer does not need to cling to theoretical assumptions to create good opening sentences and novels translated into nearly twenty languages.

5

Интердискурзивни варијации: односот книжевност – теорија

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Ѓорѓиева Димова М.

Poznańskie Studia Slawistyczne

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2012

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nr 2

EN

The subject of this paper is the theoretical fiction genre as a manifestation of interdiscursive relations between fiction and theory/criticism. Firstly, this paper offers a brief overview of the constitutive features of the theoretical fiction genre; and secondly, these features are interpretatively confirmed through the novel Papokot na svetot (Navel of the World) by the Macedonian writer, Venko Andonovski.

MK

The subject of this paper is the theoretical fiction genre as a manifestation of interdiscursive relations between fiction and theory/criticism. Firstly, this paper offers a brief overview of the constitutive features of the theoretical fiction genre; and secondly, these features are interpretatively confirmed through the novel Papokot na svetot (Navel of the World) by the Macedonian writer, Venko Andonovski.

6

Nieznośna lekkość przyjęć, czyli o różnych wcieleniach pani Dalloway

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Izdebska A.

Zagadnienia Rodzajów Literackich

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2016

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tom 59/119 z. 3

41-55

EN

The main issues discussed in this article are the intertextual relationships between two novels: one the most famous modernistic texts — Mrs Dalloway by Virginia Woolf and The Hours by Michael Cunningham. The American writer’s novel alludes already in the title to Woolf’s work. The Hours was the working title for Mrs Dalloway. The detailed analysis of the various references to it acknowledges the hypotext in the Cunningham novel and proves that intertextuality in this case has its mainly existential dimension: for heroines of The Hours Mrs Dalloway provides an opportunity for not only re-writing or re-reading but for re-existing as well.

7

Domy złe. Motyw upiornego miejsca w opowiadaniach Stefana Grabińskiego

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Juszczyk A.

Rocznik Przemyski

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2012

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tom 48

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nr 2: Literatura i Język

193-206

EN

The following essay is dedicated to a particular way of the creation of space and places by Grabinski in his novels. These spaces can be both analysed as an action scenes and as an important part of the story building up the overall horror atmosphere. An aptly constructed space can evoke the impression of fear and danger. Together with other irrational incidents in the storis, space co-creates the very atmosphere in the novels by Stefan Grabinski. It must not, however, be forgotten that this space can as well be fully meaningful by itself. The evil houses play a particular horror-bearing role in the Grabinski's literary creations. It is said that such literary figures represent a hidden core of the human nature, as if they were two emmanations of the personality's structure combining both the waking life and the sphere of dreaming. Space so originally thought by Grabinski is a means to their symbolic presentations as weird, unconscious yet always active reality.

8

"Dwuznacznośc zaułków", "Zacięte usta symbolów" - miasto w twórczości prozatorskiej Stefana Grabińskiego

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Krzyńska-Nawrocka E.

Rocznik Przemyski

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2013

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tom 49

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nr 2: Literatura i Język

75-88

EN

This article is a brief study on urban space in the prose of the author of The Motion Demon. The author considers the imagery and symbolic presentation of urban area by Grabiński. Particular attention is paid to the labyrinthine character of the city and the related problem of roaming the streets and captivity. The article presents the question of diverse and multi-level perception of urban space by the author of Baphomet’s Shadow.

9

"Fizika na tygata" Georgiego Gospodinowa - bułgarska tęsknota za powieścią?

80%

Pytlak M.

Studia Slavica

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2013

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tom 17

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nr 2

189-196

EN

At the beginning of 2012 in Bulgaria was published Ôèçèêà íà òúãàòà (Physics of sorrow / of longing) by Georgi Gospodinov, one of the most important Bulgarian writers of the younger generation. Since the release of the book, Bulgarian literary scholars and critics are in dispute about whether Bulgaria has finally its contemporary, post- or even postpostmodern novel. My paper is an attempt to answer the question why the Bulgarian literature is waiting for a novel, and whether and how it has been used by Gospodinov – writer and literary scholar. The text poses also question about the boundaries of the novel genre. The text focuses on the use of myth, which turns out to be important for the story itself, as well as for its reception. Bulgarian writer deconstructs the myth of Minotaur, using the figure of the labyrinth in the structure of the book. Resigning from the classical myth, Gospodinov goes to meet the expectations of readers placed on the genre of the novel, which by Bartoszyñski is „specific creation of a social mythology”.

10

Комментирование художественного текста и проблемы поэтического сознания: фрагмент Посмертных записок Пиквикского клуба Чарльза Диккенса в интерпретации Льва Толстого

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Фортунатов Н.

Acta Universitatis Lodziensis. Folia Litteraria Rossica

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2012

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tom 05

EN

The article devoted to commenting one of L. Tolstoy’s diary note (1902), where he used fragment of Ch. Dicken’s The Posthumous Papers of the Pickwick Club.

11

“Mała powieść” Antoniego Czechowa o zbrodni karze: “Zabójstwo”

80%

Lis K.

Slavia Orientalis

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2015

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tom 64

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nr 1

67-80

EN

This article attempts to analyze A. Chekhov short story Murder in afree comparison with F. Dostoyevsky’s grand novels concerning crime and punishment, Russia and “a russian soul”, the search for God, the demons which move Russia, the cleansing power of Siberian katorga, and the possibility of spiritual rebirth in the hell of the House of the dead. The author of this article postpones ahypothesis, that Chekhov in Murderintentionally undertakes dialogue with Dostoyevsky both on the level of the thematic-ideological content, and of the form, bringing the short story genre closer to the novel one. Against the grand novelist, master of brief prose sets his “little novel” saturated with rich socio-philosophical problematics, complying in the construction of his small volume work the key formal differentators of great classic novel.

12

Measures of Time of Literature. Review of Rafał Pokrywka’s book titled „Współczesna powieść niemieckojęzyczna”, Universitas, Kraków 2018

80%

Szymańska K.

Czytanie Literatury. Łódzkie Studia Literaturoznawcze

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2019

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nr 8

395-403

EN

The article is a discussion of a study by Rafał Pokrywka titled Współczesna powieść niemieckojęzyczna (Kraków 2018). The author of the study analysed selected works written at the turn of the 21st century, and – in an interesting manner – developed his discussion around a progression of three dimensions of time: the past, the present, and the future, which constitute the contexts for reading individual narratives. The interpretations of German, Austrian, and Swiss novels, both these which exist as Polish translations and these which have not yet been translated, are accompanied by cultural and sociological contexts, while the (re)definitions of the words used in the title of Pokrywka’s volume presented in the introduction enable one to place this original overview in the context of modern studies on the most recent literature.

13

Zakryte Zaryte, czyli zakopiańszczyzna na styku kultur. Dygresje na marginesie lektury Witkacego

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Łoboz M.

Góry, Literatura, Kultura

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2016

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tom 10

187-195

EN

The article is an attempt to describe the cultural phenomenon of Zakopane in the early 20th century on the basis of Witkacy’s Pożegnanie jesieni [Farewell to Autumn]. In the dynamic and multi-layered plot of his novel Witkacy, emotionally involved but also with his usual sarcastic and critical distance, presents a collection of characters who make up a collective model of a specific group of residents of Zakopane set against the background of a clearly defined mountain space (the action of the novel takes place in Zakopane). The key motifs of the novel correspond to the narcotic Zakopane demonism — a style characteristic of the Zakopane culture at the turn of the centuries and using the legend and creative capital of the Young Poland movement in the Tatras. An important plane bringing together the protagonists’ sentimental sublimations in the novel is music as a universal form of art, using the power of sound, i.e. communication tool available to all sensitive recipients. Two protagonists compose and perform it (Żelisław Smorki and Prince Azalin Prepudrech), others listen to it. Smorski is a pupil of Karol Szymanowski (who lived in Zakopane at the time); the name of the composer recurs several times, which testifies to the author’s intention to make his literary fiction credible. The model of the protagonists’ pianistic interpretation also draws on the virtuoso method of Egon Petri, who in the inter-war period ran his own piano school in Zakopane.

14

Top Seven Polish Science Fiction Novels of the Communist Era (Lem aside)

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Leś M. M.

Crossroads. A Journal of English Studies

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2017

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tom 18

EN

With the exception of Lem’s works, Polish science fiction of the communist era is largely forgotten. Anglo-American readers know only fragments of Lem’s literary work, and they know almost nothing about other Polish science fiction writers. The aim of this article is to familiarize Anglo-American audience with seven Polish science fiction novels written in the communist era: Farther than Hatred (Dalej niż nienawiść) by Wojciech Bieńko (1963); Aspasia (Aspazja) by Andrzej Ostoja-Owsiany (1958); To Drain the Sea (Wyczerpać morze) by Jan Dobraczyński (1961); Arsenal (Arsenał) by Marek Oramus (1985); Paradisia (Paradyzja) by Janusz A. Zajdel (1984); The Robot (Robot) by Adam Wiśniewski-Snerg (1977); Imago (Imago) by Wiktor Żwikiewicz (1985).

15

From The Laboratory Of The 1990s To The Novel Of The 21st Century – Contemporary Bulgarian Literature In Highlights

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Dimitrova E.

Slavica Lodziensia

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2017

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tom 1

EN

The text presents the main trends in Bulgarian literary development from the 1990s to the present day through the highlights of the lyrical boom of the 1990s and the novel wave since 2001 on. Some lines of continuity are outlined, tracing back to the 1960s (regarding the literary experiment and dissident attitude), and the period before 1944 (the adoption/challenge of the modernist tradition in the 1990s). A separate research topic is the fi xation of the critical interest on certain writers’ personalities.

16

Kaśka Kariatyda już tu nie mieszka. Temat niechcianej ciąży i aborcji w nowej prozie kobiet

80%

Nowacki D.

Postscriptum Polonistyczne

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2017

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nr 2 (20) Oblicza kobiecości

85-101

EN

The article discusses the literary representations of the experience of unwanted pregnancy and abortion in new women’s prose. The author of the article refers to the novels published between 2003 and 2016. He considers the previously conducted research on the same subject (especially that of Agnieszka Mrozik). However, he concentrates mainly on the prose created in the last few years. He is above all interested in changes regarding the problem of unwanted pregnancy and abortion that occurred after 1989. When writing about this aspect of female experience has appeared in new prose, it is usually about the past and used to question the morality of the Polish People’s Republic. Recently the problem of unwanted pregnancy seems to be non‑existent as all issues pertaining to maternity are solved in a similar way: despite initial hesitations the heroines of the novels decide to have babies and never regret their choice. In this context Aleksandra Zielińska’s novel Przypadek Alicji (The case of Alice) seems to be especially interesting. Considerations concerning this novel appear in the final part of the article.

17

Železný had v horském lese: Bitva Olhy Kobyljanské

80%

Špina M.

Góry, Literatura, Kultura

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2016

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tom 10

117-125

EN

The article is devoted to Olha Kobylianska’s story The Battle (1895), which focuses on the introduction of railways into the Carpathian landscape (Bukovina). While in metropolitan areas and economically advanced regions of Europe railways became a “natural” element of the landscape at the turn of the 20th century, in distant mountain regions railways constituted an alien and invasive element. In the main part of the article the author examines the motif of the opposition between nature and civilisation. In addition, the author explores the cultural symbolism and opposing meanings of iron and trees. Thus what emerges as the central motif of the story is the fate of the Hutsuls as an ethnic group living in the highlands in the context of the opposition indicated above. The originality of Kobylianska’s story lies in the fact that nature becomes its main protagonist. In the last part of the article the author embarks on a comparative confrontation between The Battle and Karl Emil Franzos’ German-language prose.

18

Z Przewodnika po powieści Słowian Zachodnich (1945-1995)

80%

Derlatka T.

Slavia Occidentalis

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2017

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nr 74/2

161-184

PL

This article contains a selection of notions from the Guidebook to the Novels of the West Slavs (a working title). The Guidebook is addressed predominantly at researchers involved in comparative studies of the literatures of the West Slavs and it will cover fifty years (1945–1995) of novels written by West Slavic authors: Kashubian, Polish, Slovak (from Slovakia and the so-called Lower Land), Czech as well as Upper and Lower Lusatian, and how they changed. Each entry will consist of a brief presentation of a novel’s content, bibliographical information (the subsequent editions, possible translations; reception in the other languages will be limited exclusively to the West Slavs area), interpretation, a novel’s significance to a writer’s achievements, specific national literature and, finally, the West Slavs’ novels as a whole, a selection (maximum five items) of the most important literature on the subject.

19

Anna Sulimowicz-Keruth, Hatice Meryem, Ja i moja towarzyszka niedoli, Turcja

80%

Sulimowicz-Keruth A.

Przegląd Orientalistyczny

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2019

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nr 3-4(271-272)

309-312

EN

A translation of a novel by Hatice Meryem "Me and my misery companion, Turkey".

20

Formen des Religiösen in ausgewählten Werken Gertrud von Le Forts

80%

Piasta E. A.

Acta Universitatis Lodziensis. Folia Germanica

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2018

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nr 14

83-91

DE

Works by Gertrud von le Fort belong with literary religious discourse and enter a debate between Roman Catholicism and Protestantism.The writer sets her plots in the past, most frequently in the Middle Ages, which enables her to offer a critical assessment of contemporary political, ethical and religious issues.The article presents various connections between literature and religion, in terms of both motifs and style. References to religion are found in the thematic, axiological and linguistic layers of her texts. The analysed works comprise the novellas Der Dom (The Cathedral) and Am Tor des Himmels (At the Heavenly Gate) as well as the novel Magdeburgische Hochzeit (The Magdeburg Wedding). These works also reflect the phenomenon of the so-called cultural Christianity. Le Fort’s characters are not indifferent to the religious system, even if they do not fully identify with it.