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What is the ontological status of a musical work? This paper enters the discussion of the question between Julian Dodd and Michael Morris. Dodd is a proponent of a type-token view, which is a version of Platonism. Morris has formulated an argument that purports to show that a musical work cannot be a token of a type. If successful, the argument presents a serious challenge for a type-token theorist with implications for Platonism as a whole. Morris’s argument is, however, problematic in a few respects. The aim of this paper is to identify the problems and weaken the strength of Morris’s argument thus restoring the original appeal of a type-token view.
Filozofia (Philosophy)
tom 67
nr 5
362 – 374
The paper examines the position of realism in the aesthetics and philosophy of art. It analyses the stereotypes in discussions about the possibility of aesthetic realism and points out to some consequences of these for the ontology of a work of art. Further, it shows the position of realism in the ontological theories of an artwork. Various interpretations of Peircean type-token distinction lead to different solutions of the problem of ontology and identity of a work of art. In the final part, the relationship between philosophy and art is reconsidered. The author suggests a new account of realism, which avoids the current debates stereotypes and is suitable for solving philosophical problems concerning art (e.g. normativity of aesthetic judgements, identity of a work of art, art’s cognitive value).
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