Wyniki wyszukiwania - Biblioteka Nauki

1

Considerations on the Origin of Monumental Architecture in Egypt

100%

Lipińska J.

Rocznik Orientalistyczny

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tom Rocznik Orientalistyczny, T. 41, Z. 2 (1980)

2

Gmach Urzędu Wojewódzkiego i Sejmu Śląskiego w Katowicach. Architektura narodowa w formie i treści

100%

Syska A. , Woźniakowska A.

Estetyka i Krytyka

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2012

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nr 2(25)

163-182

XX

The political consequences of the 2nd World War resulted in part of Upper Silesia being taken over by the Polish administration. It required a new building to house the provincial administration office and the Silesian Assembly. The architects from Cracov designed a building of monumental mass decorated with symbols of nationality and the power of state. The building of the Office was to become a landmark of the new Silesian province and a clear sign of its national status and historical background.

3

Architektura v regionech: metoda, hodnocení a topografický impuls

100%

Rampley M. , Pastýříková L.

Umění (Art)

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2022

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tom 70

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nr 1

92-105

EN

This article is a historiographical reflection on a tradition within Czech art and architectural history. Specifically, it is an analysis of the tradition of local architectural history. It argues that this tradition is without parallel in international scholarship, in terms of the volume of publications written by trained scholars about the architectural of regional towns, cities and regions. On the one hand, it argues that this is a highly welcome phenomenon, since it contradicts the focus on the metropolis that so often dominates scholarship on the history of architecture. At the same time, however, it argues that this large literature suffers a systemic weakness, in that little goes beyond topographic documentation of buildings and sites. This ‘topographic impulse,’ as the article terms it, is a product of nineteenth-century positivism, and suffers the same shortcomings, namely, the lack of a critical conceptual apparatus that can enable it to make judgements about architectural significance. The culmination of this can be seen in the production of vast scholarly works of architectural history that may seem out of proportion to the significance of their subject. Or, to put it in a different, vast scholarly works in which the significance of the subject is never spelled out. The article thus concludes by emphasising the hermeneutic inter-dependence of the individual building / structure and wider historical, social, cultural or political frameworks.

CS

Tento článek je historiografickou reflexí jisté tradice českých dějin umění a architektury. Zaměřuje se obzvláště na analýzu tradice lokálních dějin architektury, jež v mezinárodním měřítku nemá obdoby, pokud jde o množství publikací o dějinách architektury krajských měst, městeček a regionů napsaných kvalifikovanými badateli. Uznává, že jde o velmi vítaný jev, protože tvoří protiklad k převažující koncentraci vědeckého výzkumu dějin architektury na metropoli. Zároveň však tvrdí, že tato rozsáhlá literatura trpí systémovým nedostatkem, neboť jen málokdy přesahuje úroveň topografické dokumentace staveb a lokalit. Tento „topografický impuls“, jak jej článek pojmenovává, je produktem pozitivismu 19. století a má i stejné nedostatky. Postrádá především kritický pojmový aparát, který by umožnil posuzovat architektonický význam. Za vyvrcholení této tendence lze pokládat produkci rozsáhlých vědeckých prací z dějin architektury, které se jeví neúměrné k významu jejich předmětu. Anebo jinak řečeno, obsáhlé vědecké publikace, v nichž význam tohoto předmětu nikdy není objasněn. V závěru článku je pak zdůrazněna hermeneutická provázanost jednotlivých budov/staveb a širších historických, sociálních, kulturních nebo politických rámců.

4

Transfiguracja form, albo - niech sczeźnie funkcjonalizm!

100%

Kozłowski D.

Czasopismo Techniczne. Architektura

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2004

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tom R. 101, z. 10-A

75-78

EN

Today's architecture is not an artistic expression of some definite ideal; it is an expression of every ideal, to which creator will be able to grant a form. Architecture tends to have more and more in common with the other arts, at the same time loosing its name of the great art of utility. Firmity, utility and beauty - they have lost their former meanings. The prime aesthetic category is now - novelty. An architectural composition is based on - the transfiguration of the forms rediscovered. The role of decomposition here becomes particular.

5

Metropolitan

100%

Kłosiewicz L.

Kwartalnik Architektury i Urbanistyki

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2002

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tom T. 47, z. 1

81-85

EN

59 years after the total devastation of Warsaw the reconstruction of the city is still being continued, and much remains to be done. A considerable part of the capital., the Old Town and the Royal Route had been raised from ruin already during the first post-war decade. The discussed conception of reconstruction, however, has already become part of a different era and manner of comprehending architecture than the one represented by the generation of builders of Warsaw in 1945-1970. The Metropolitan building raised in recent years on the northern side of the Marszałek Józef Piłsudski Square is an example of a new venture and approach to the reconstruction of the historical city. How are we to assess the Metropolitan today, without prejudice and excessive hopes? It is necessary to take into consideration several fundamental issues, the first being localisation. The next important problem concerns the relation of the form of the Metropolitan towards the architecture in its immediate surrounding. If the original premises stemming from conservation directives were to entail a harmonious reference to the ambience of the site, then the measures applied by Norman Foster proved insufficient for attaining this goal. It would be difficult to attain a composition harmonising with an architecture of a different, although excellent origin, by applying those principles, together with their characteristic consistency, unless one opts for a pastiche. Within the limits of the accepted convention the building designed by Foster displays consistency and perfection.

6

Architect Marko Vidaković, the Zagreb exhibition of Contemporary Czechoslovakia architecture (1928)

100%

Damjanović D.

Umění (Art)

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2015

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tom LXIII

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nr 1-2

79-91

EN

Czech modern architecture exerted a considerable influence on Croatia owing to the work that Czech architects did in Croatia (e.g. the construction of the Bata factory in Borovo), and more importantly to the many Croatian and Yugoslav architects who studied at the Technical University in Prague. Marko Vidaković (Golubinci, 18 July 1890 - Zagreb, 5 January 1976) was one of the most important such architects. After attending the Vienna University of Technology for a year (1909-10), Vidaković studied intermittently at the Czech Technical University (Česká vysoká škola technická) in Prague from 1910 to 1919. He played a key role in the emergence of modern architecture in Croatia by organising Czechoslovakian Contemporary Architecture exhibition in Zagreb (17 March - 1 April 1928), which he did with the help of Zdenĕk Wirth from the Czechoslovak Ministry of Schools and Public Education. Soon after the exhibition, Vidaković designed and built one of the first buildings designed in the international style in Zagreb, a villa owned by Ljudevit Pfeffermann and located at 27a Jurjevska Street (1928-1929). This and his later architectural designs (such as a never built design for the 1931 pavilion at the Zagreb Fair) show the influences of Czech architectural work. Although the Pfefferman Villa was his last built project, the unrealised designs he created for various buildings and structures in Zagreb (tram stop shelters, 1930; an art pavilion, 1930) provide clear evidence of the great talent of this architect, who adopted the vocabulary of modern architecture. He also played a major role in helping to spread the international style in Croatia and Yugoslavia through his many writings, which were published in the Ljubljana-based magazine Architecture and in daily newspapers in Zagreb and Belgrade. During the Second World War he actively participated in campaigns to save Serbian children in the pro-fascist Independent State of Croatia.

7

Architektoniczna moda

100%

Mazur R.

MAZOWSZE Studia Regionalne

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2016

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nr 19

109-116

PL

Artykuł stanowi refleksję na temat mody w architekturze. Począwszy od jej zdefiniowania, przedstawiony został ambiwalentny charakter tego zjawiska, które towarzyszy procesowi projektowemu od początku cywilizacji. Na przykładach z ostatnich dziesięcioleci moda zostaje pokazana jako element wzbogacający rozwój architektury oraz jako element, który nierzadko przejmuje kontrolę nad wyobraźnią architektów.

EN

The article is a reflection on fashion in architecture. It is a presentation of an ambivalent nature of this phenomenon, which accompanies the design process since the beginning of the civilization. For examples of recent decades, the fashion is shown as an enrichment development of architecture and as an element that often takes control of imagination of the architects.

8

Wewnętrzne drogi przez budynek – architektura i sfera emocji

100%

Nyka L.

Estetyka i Krytyka

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2012

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nr 1(24)

113-133

XX

From the architectural tendencies and styles of the last decades new phenomena are emerging – buildings are not designed on a basis of formal transformations but rather as intricate arrangements of interior pathways. Simultaneously, there is a noticeable pursuit towards achieving specific quality of architecture – where it does not remain neutral, exerts an impact on the observer and evokes emotions. The article explores the two above mentioned tendencies as mutually interrelated. It discusses their origins and reveals that while outlining the important characteristics of the contemporary architecture they arise from early modern concepts. Today’s abysmal foyers where different species of ramps and trajectories let the observer go through space and experience various environments are the continuation of the aesthetic and architectural ideas that evolved in the beginning of twentieth century. The currently ongoing process in which buildings are trespassing the characteristics of stable structures and rather refer to imaginative geographies and landscapes is one of the immediate effects of that continuation. While deeply imbedded in history – it also opens architecture to new spheres of explorations.

9

Contemporary architect’s self-education on the issues concerning architecture history. Selected problems

87%

CHRZANOWSKA O.

Interdyscyplinarne Konteksty Pedagogiki Specjalnej

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2019

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nr 25

403-417

EN

Olga Chrzanowska, Contemporary architect’s self-education on the issues concerning architecture history. Selected problems. Interdisciplinary Contexts of Special Pedagogy, no. 25, Poznań 2019. Pp. 403-417. Adam Mickiewicz University Press. ISSN 2300-391X. DOI: https://doi.org/10.14746/ikps.2019.25.17 The aim of this text is to describe the risks faced by contemporary architects when undertaking to learn, either directly or indirectly, about architecture in the era of the Internet and mass consumption of culture. The role of architect’s self-education on the issues concerning architecture history and aesthetic empathy theory in the context of everyday architectural landscapes. As an example, the historical foundations for the thinking on modernity in designs of the three architects: Peter Zumthor, Christian de Portzamparc and David Chipperfield

10

„Święte życie” na Lizbońskiej. Architektura i sacrum w poezji Mirona Białoszewskiego

87%

Grądziel-Wójcik J.

Poznańskie Spotkania Językoznawcze

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2015

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nr 30

EN

The article presents the late authorship of Miron Białoszewski, especially his poems collected in the book Odczepić się (1978) and a diary Chamowo (2009) that are a document of the poet’s life in the block of flats after his removal to the flat in a tower block at the Lizbońska Street in Warsaw in 1975. In these texts we may notice the new way of writing that was formed by new accommodation and living arrangement that influenced the poets’ life. On the other hand the room on the ninth floor occurs the place that was marked with sacrum and it puts an impact on the poets’ metaphysical and supernatural experience. The flat in the tower block has also influenced the author’s perspective and the way of writing, so that Białoszewski has experienced terminal situation – being between the two forms of living, balancing between the earth and heaven, profanum and sacrum. The removal starts to resemble a ferry across Styx, and the ninth floor becomes an unwanted porch of eternity. The titled word odczepianie się (disconnecting, separating) from the past and being at the top of the tower block means the new beginning for the poet, and writing becomes an imitation of the God’s act of creation that helps Białoszewski to accommodate in the world after heart attack and removal.

11

Skala i miara

80%

Gajewski P.

Czasopismo Techniczne. Architektura

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2005

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tom R. 102, z. 11-A

179--181

PL

Skala i miara jako dwie ważne funkcje architektury. Porównanie skali architektury do skali człowieka. Przedstawienie definicji Modulora Le Corbusier'a.

12

O świadomości tworzenia i skutkach z tego wynikających : (czyli o: konieczności posiadania własnej lub uznania za własną cudzej definicji architektury)

80%

Szymski A. M.

Czasopismo Techniczne. Architektura

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2005

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tom R. 102, z. 11-A

133--137

EN

"Dispute" about the Architecture refers not to the fact whether should we define it or in what form should we do this, but to our comprehension of the Architecture. How do our personal comprehension reach our own experience? In what degree this experience is achieving appreciation in narrow circles of the professional elite and in the wide public perception?

13

7 przypadków architektury

80%

Kozłowski D.

Czasopismo Techniczne. Architektura

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2005

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tom R. 102, z. 11-A

58--61

EN

1. Architecture or Space Entrapped, 2. Architecture or Construction of Useless Things, 3. Architecture or Imagination, 4. Architecture or Construction of Worlds, 5. Architecture or Building on Paper, 6. Architecture or a Splendid Lie, 7. Architecture or Building of Things?

14

Myśli o architekturze

80%

Seruga W.

Czasopismo Techniczne. Architektura

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2005

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tom R. 102, z. 11-A

129--132

EN

What is architecture? The author asks why we practise this profession, why we teach others to exercise this profession, why we write about architecture, why we draw it if we do not know it. In conclusion, he presumes that there are as many definitions of architecture as many people in the world. Thus, this notion ought to be treated individually and very personally. The author quotes his own comments which are supposed to bring the Readers nearer his personal attitude towards architecture and his own works.

15

Architektura jako konieczność działania

80%

Taczewski T.

Czasopismo Techniczne. Architektura

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2005

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tom R. 102, z. 11-A

138--143

EN

The cultural tradition forms a paradigm of necessity of man's activity directed towards creating life conditions. It reflects all the conditions and opinions of the society, together with the habits and knowledge level of the individuals. One of these activities of arranging the space is architecture. It shows the author's image and contributes to his great satisfaction. All the views mentioned above can be seen in the author's projects.

16

Architektura bez granic, czyli miasto

80%

Kantarek A. A.

Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych

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2006

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tom T. 2

9--14

PL

Autorka próbuje zdefiniować przestrzeń urbanistyczną jako żywą przestrzeń dialogu architektury. "Bezgraniczność" architektury oznacza, iż obiekty organizują przestrzeń wokół siebie, nawiązują dialog z tym, co jest obok, co się zdarza. Otwartość architektury na przestrzeń miasta, to właśnie brak jej granic. Powstaje miasto.

EN

The paper is an attempt at defining urban space as the live space of architectural dialogue. Architecture without limits means that buildings organize the space around themselves; they enter into a dialogue with that which is nearby, with what happens around. Architecture's 'limitlessness' is its openness to the space of the town. This way the town is created.

17

Definicje

80%

Żuk P.

Czasopismo Techniczne. Architektura

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2005

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tom R. 102, z. 11-A

444--445

EN

Definitions are imperfect. Definitions are too concise. Definitions create limits. Described phrases don't want to stay between the limits. Definitions aren't objective. There are many definitions of the architecture but no one is proper. We don't need another one. Architects who are looking for the definition of the architecture loose their time.

18

Architektura to spełnianie marzeń. Rzecz o wyobraźni

80%

Zawisza R.

Czasopismo Techniczne. Architektura

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2005

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tom R. 102, z. 11-A

432--434

EN

80th - the astronomical observatory of Jai Singh in Jaipur and Super-Kamiokande neutrinos detector were built because of people interest in discovering most exciting secrets of universe. The old one became to be a museum and also a sculpture, but also a matter of Julio Cortazar's book. 80th examples show how architecture can be dreams (based on great scientists' imagination) execution.

19

Architektura - sztuka w relacjach

80%

Staszewska-Furmanek A.

Czasopismo Techniczne. Architektura

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2005

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tom R. 102, z. 11-A

399--401

EN

There are a lot of definitions of architecture, but it is obvious that architecture no exists without exterior and interior relations. The reciprocal relationships between architecture, landscape, time, human are being ignored. The creative liberty of this art should be more responsible than in other arts.

20

Co to jest architektura według nowych modernistów

80%

Zaguła A.

Czasopismo Techniczne. Architektura

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2005

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tom R. 102, z. 11-A

427--431

EN

In our Word today there is nothing, which is certain, no definition obeys. In opposition to this view, there is group of architects called New Classicists, who are against postmodern relativity. They want to rediscover classical language in architecture. But we can ask, if it is possible in the world, in which differences are so big?