Ten serwis zostanie wyłączony 2025-02-11.
Nowa wersja platformy, zawierająca wyłącznie zasoby pełnotekstowe, jest już dostępna.
Przejdź na https://bibliotekanauki.pl
Ograniczanie wyników
Preferencje help
Widoczny [Schowaj] Abstrakt
Liczba wyników

Znaleziono wyników: 2

Liczba wyników na stronie
first rewind previous Strona / 1 next fast forward last
Wyniki wyszukiwania
Wyszukiwano:
w słowach kluczowych:  TYRMAND L. ('DIARY 1954')
help Sortuj według:

help Ogranicz wyniki do:
first rewind previous Strona / 1 next fast forward last
EN
The present text is an attempt at a comparative analysis of the two existing versions of Leopold Tyrmand's 'Diary 1954': the original 1954 version, and the revised by the author issued in 1980; it also questions the identity of those texts. The first part of the paper is a summary comparison of the two aforementioned versions, mainly as far as formal changes and additions of fragments absent from the first version are concerned. In the second part of the paper the author tries to establish the identity of the text as confronted with the form of an intimate diary, being - roughly speaking - the first version. The main concern here is the problem to which extent the 1980 version is a diary and to which a novel in the form of a diary, and if there is only one text in two versions or two separate texts using the same plot. The author of the paper also endeavors to reconstruct the writer's strategies that lead to transformations of the text's substance aiming at creating Tyrmand's self, increasing the communicativeness of the text, making an evidence of his presence in time, and turning the diary into a type of autobiographical synthesis. As far as the identity of the text is concerned, the author claims the 1980 version to have a hybrid form and puts forward two terms to define it: 'ironical poem' and 'diary as encapsulated autobiography'.
EN
The present article is an attempt to interpret Tyrmand's 'Diary 1954' with the use of Mikhail Bakhtin's carnivalisation theory. The relationship between Diary and the reality created by social-realist texts can be put into the scheme carnival - the official culture. The literary exponent of this relationship is the grotesque, with which Tyrmand transforms the elements of the official culture. In a totalitarian country, an open criticism of the system was impossible, thus only in his Diary could Tyrmand deride with impunity the communism and the ruling party. He did that through the carnivalisation of the world presented, which related to profaning and degrading of the social-realistic sacrum. Diary writing was also linked with a katharsis that Tyrmand experienced due to the carnivalistic laugh. The theory of carnivalisation makes it possible to delineate the so far unknown elements of Tyrmand's prose.
first rewind previous Strona / 1 next fast forward last
JavaScript jest wyłączony w Twojej przeglądarce internetowej. Włącz go, a następnie odśwież stronę, aby móc w pełni z niej korzystać.