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LITERARY HISTORY UNDER REDEVELOPMENT

100%

Kostkiewiczowa T.

nr 1/2(91/92)

22-43

The authoress contemplates the situation of history of literature in a post-structuralist and post-deconstructivist era, in our time of commonly heralded crisis of the modern humanities paradigm (as regards cognition, history, and the subject). This situation renders literary historians obligated to think over the basic ontological and theory-cognitional assumptions, forming the discipline's foundations. The first issue here is one of a humanistic nature of the subject of study (literary utterance) and its cognition method. The second is to make a reference to the discussion of several recent years concerning interpretation of the literary work and investigation into its meanings. Another question concerns literary-historical consequences of considerations on how to understand history and historicism, and on the very possibility of constructing a discourse on the past. The interrelated questions would concern the understanding of the categories of change and continuity in literature; the nature, course and conditions of temporal literary changes. Lastly, the issue occurs of the relation between literary discourse and other types of cultural discourses. By making reference to certain hermeneutic inspirations (particularly, Paul Ricoeur) not having been sufficiently reflected upon on the literary study soil, the authoress suggests some literary history building options that would transgress the aporiae of a post-modern era in this area, whilst respecting the autonomous nature (being justifiable as to the essence) of literary history's subject of investigation which is peculiarly situated within temporality and within a cultural area being shared with other discourses.

PIERRE BOURDIEU: THE SOCIOLOGIST BETWEEN ECONOMICS AND LITERATURE

70%

Vajdova L.

nr 2

66-78

Social and sociological orientation in the contemporary Western literary criticism is one of the most interesting but also the most fashioned trends. In his works about literature, Bourdieu represents a trial for reconciliation of structuralistic methodology and Marxist views in the social sciences and humanities becoming one of the motivational sociological and cultural issues. The article maps some of Bourdieu's opinions and shows a view of possible application of his results in the study of history of literature. Bourdieu's analysis in the French modernism from the second half of 19th century (Les regles de l'art) opens literary topics for sociological orientation of both theory and empirical research under one condition - to not apply his systematism and terminology in a mechanical way. In connection with the general tendencies to contextual study of literature seems to change the existing traditional approaches in a literary history by the contribution of the cultural representations of the time in study.

INTERTEXTUAL ASPECT OF THE FAUSTIAN THEME IN 19TH-CENTURY SLOVAK AND CZECH LITERATURE: JONÁŠ ZÁBORSKÝ, ŠEBESTIÁN HNĚVKOVSKÝ, AND THE CATEGORIES OF “NATIONAL” VS. “WORLD”

60%

Zelenková A.

nr 4

45 - 58

The study attempts to identify the “inter-literary network” of the post-Romantic period from the perspective of “small national literatures” through an analysis of two Central European texts: Faustiáda (1864) by the Slovak writer Jonáš Záborský and Doktor Faust (1844) by the Czech writer Šebestián Hněvkovský. Although in the history of their respective literatures, both texts rank among the classics, they have been seen as “antiquary relicts” because of their genre hybridization, literary-orientation interference, and parallel coexistence of two different poetics within individual texts. The works belong to the genre of “Faustiads” whose purpose is to demythicize and desacralize the Faustian theme. The parody-humorous form or didactically patriotic presentation enables them to cope with the historical philosophy of their nations. The inter-literary interpretation of these works results in the transformation of fixed negative reflections in the literary discourse and in the confirmation of the diversity of the Central European post-Romantic tradition.