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1

Zur Rezeption der deutschen Meditationsliteratur im tschechischen protestantischen Milieu des Späthumanismus

100%

Malura J.

Acta Comeniana (International review of Comenius studies and early modern intellectual history)

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2013

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tom 27

75-102

EN

The study deals with early modern literary works whose purpose was to improve the private devotion of the laity. In German-speaking lands, the term used for this genre is Erbauungsliteratur; in Czech-speaking lands it is called nábožensky vzdělavatelná literature (religious educational literature). There was a real boom of this type of literature in the German-speaking Protestant countries from the 1580s. This paper analyses how printed production in the Czech language coped with this phenomenon. It focuses primarily on books in which the genre of mediation dominates, and explores the prompt reaction to two authors active between approximately 1580–1620 who found intensive response in the Bohemian Lands. One was the non-conformist writer Martin Moller (1547–1606), whose activity was connected primarily with Lower Silesia. His two books written in German were published in Czech as early as 1593. One was the První díl Meditationes (First Part of Meditationes), compiled predominantly from the meditations of medieval mystics (translated by Tobiáš Mouřenín of Litomyšl); the other a volume of Passiontide meditations, Soliloqvia de Passione Iesu Christi (translated by Daniel Adam of Veleslavín). Our second author is the influential theologian of Lutheran orthodoxy Johann Gerhard (1582–1637), who worked mainly at the university in Jena and wrote in Latin. Gerhard's contemplative work was issued in a Czech version for the first time in 1616, under the title Padesátero přemyšlování duchovní (Fifty spiritual meditations). It was translated by the otherwise unknown burgher Pavel Lykaon Kostelecký from the Old Town of Prague. Gerhard uses impact of affects and elaborate rhetoric, and understands meditation as the comfort and healing of the sick soul. The dominant aim of the books analysed was not denominational influence, but the deepening of the burgher's private spiritual life and his self-improvement. The translations at the same time raise Czech religious prose to a new stylistic level, founded on linguistic expressiveness. The impulses of German contemplative literature later bore fruit in the work of Comenius, especially in his so called consolation writings of the 1620s and 1630s. From the 1710s, further interest in the more sophisticated writings on meditation can be traced in the Czech and Slovak environment, that is, among the Protestant exiles and Lutherans in Upper Hungary.

2

Yelling into the Silence and its Echos. Czech Shoah Poetry Written till 1960s and its Reception

87%

Balík Š.

Poznańskie Studia Slawistyczne

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2017

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nr 12

29-45

PL

The literary reflection of the Shoah in Czech war and post-war poetry is very limited. Only a few non-Jewish poets have ever returned to thistheme (e.g. František Halas,Jiří Kolář,Jaroslav Seifert, Jan Skácel, Karel Křepelka, Radek Malý). Additionally, literary “testaments” of Jewish authors (Karel Fleischmann, Pavel Friedmann etc.) resulted in only two collections of poems entirely dedicated to the suffering of the Jews during the Nazi oppression (Ota Reich and Michal Flach). On the other hand, there are several books of poetry about Lidice and suffering of the Czech people during the World War II by Viktor Fischl, Karel Šiktanc, Libuše Hájková, Miloš Vacík and others. After the war there were only Jaroslav Seifert and Jiří Kolář among well-known poets who refered to the Shoah in a more significant way. Seifert created a figure of a Jewish girl, Hendele, in his collection of poems Koncert na ostrově (Concert on the Island), which develops the literary narration of the Shoah. Jiří Kolář referred to the Shoah repeatedly, however, he only had a limited chance to publish his work. As a result of this fact, the reception of Czech post-war poetry about the Shoah is almost absent. In my article, I concentrated on some reviewers’ remarks that have already been published since the war-time and other reflections of this kind such as editions of books by Jiří Orten, Hanuš Bonn, Jiří Daniel. A hypothetical reaction on the Shoah verses by Pick’s cabaret audience or Halas’s anonymous poetic obituary paying tribute to Jiří Orten are rather specific sorts of reception. The critical reflection of Kolář’s work in the context of the mass murder commited during the WW II is exceptional. However, the specific motifs of the Shoah were significantly focused on only in recent years by three foreign reviewers (Leszek Engelking, Hanna Marciniak and Anja Golebiowski). Czech Shoah poems printed or reprinted in Jewish periodicals (e.g. annual “Židovská ročenka”, published since 1954) represent a commemorative function, even though sometimes with informative commentaries. They miss any analytical aspect.

3

King John in the “Vormärz”: Worrying Politics and Pathos

75%

Gillett R.

Multicultural Shakespeare: Translation, Appropriation and Performance

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2019

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tom 19

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nr 34

71-89

EN

This article picks up on a tendency of recent criticism to look to Shakespeare for insights into contemporary politics, and extends it backwards to the period of German history known as the “Vormärz”―the period between 1815 and 1848. It establishes parallels between that period and the current debates about Brexit, and shows how equivalent issues are reflected in the accounts of King John given by three leading German critics of the “Vormärz” period―which also successively demonstrate the deleterious rise of German nationalism. These issues include: the weaknesses, mistakes and crimes of the powerful, and their effect both on the nation directly afflicted with them, and on others; the issue of national sovereignty and its relationship to the fellowship of nations; the struggle against arguably alien ways of thinking; the dividing line between necessary compromise and rank betrayal; the dilemma of choice; and the poisoned chalice of democratic freedom. And the parallels they establish between Shakespeare, the “Vormärz” and us are as instructive as they are unsettling.

4

Olomoucké diecézní synody 16. století a přijetí dekretů Tridentského koncilu

75%

Parma T.

Studia theologica

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2021

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nr 4

51-72

EN

The article examines the Olomouc diocesan synods of the sixteenth century, which were dedicated, after the Council of Trent, to the acceptance of its decrees within the environment of the Moravian clergy. The synod, organised after the end of the council negotiations of Bishop Vilém Prusinovský in 1568, accepted the council decisions only in terms of the content. Nothing was printed against the decision at the time. Another diocesan synod was finally organised in 1591 by the Olomouc bishop Stanislav Pavlovský of Pavlovice. This synod formally accepted the decision of the Council of Trent in its integrality. Due to the circumstances, however, the organisation of the synods did not become a rule in the Moravian Church; this synod was consequently the last diocesan synod in the Olomouc diocese until present time.

5

The Fall of the Spanish Armada: Historiography, Identity and Reception

75%

Illik P.

West Bohemian Historical Review

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2018

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tom 8

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nr 1

1-17

EN

This short study is based on the monograph titled A spanyol armada pusztulása (1588) Historiográfia, identitás, recepció [The Fall of the Spanish Armada. Historiography, Identity and Reception], Budapest, 2017. The book was written by the author in Hungarian language. This article offers a short analysis of the major lines in English historiography, political speeches, works of art, journals and secondary school education in order to show how the topic of the fall of the Spanish Armada evolved and became part of the English reception.

6

Beata Krajewska, Telewizja w recepcji dorosłych studentów. Teorie i rzeczywistość, Wydawnictwo Uniwersytetu Kardynała Wyszyńskiego, Warszawa 2009

75%

Dąbrowska-Cendrowska O.

Rocznik Bibliologiczno-Prasoznawczy

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2012

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tom 15

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nr 4

165-167

7

The Ecclesiological Relevance of Reception

75%

Beinert W.

Review of Ecumenical Studies Sibiu

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2016

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tom 8

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nr 2

187-205

EN

From the perspective of a theory of communication the church is a community of reception [of messages] relevant for salvation (conf. Hebr. 1, 1 sq.; 2, 1; 1 Cor. 15, 1-39). It has to consciously undertake the apostolic message as its addressee in the actuality of its own existence. This primarily takes place through the instances of faith testimonies (Scriptures, Tradition, Magisterium, Theology, and Sense of Faith), among which the sensus fidelium is given particular importance: the experience of all Christians must be incorporated in the shared belief so that it can truly be faith of the church. The consequences that entail can be canvassed through examples from cannon law, the theology for the magisterium and, most of all, from ecumenism.

8

Die kontextuelle und personenbedingte Konzilsrezeption in Polen

71%

Polak M.

Teologia Praktyczna

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2018

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nr 19

223-229

EN

The article deals with the issue of reception of the teaching of the Second Vatican Council in Poland. This is a pastoral refl ection that points to the socio-cultural context and the importance of church personalities. The fi rst part of this paper attempts to highlight the cultural-social and political context of the Council reception in Poland. Basically it is about two periods of post-conciliar history of the Church of Poland – before the turn of 1989 and after her. The second part is intended to show the second factor of the characteristic of the reception, namely the importance of the leading ecclesiastical personalities for this reception.

PL

Artykuł porusza kwestię recepcji nauczania Soboru Watykańskiego II w Polsce. Jest to refleksja duszpasterska, która wskazuje na kontekst społeczno-kulturowy i znaczenie w tym procesie osobowości kościelnych. W pierwszej części niniejszego artykułu podjęto próbę podkreślenia kulturowo-społecznego i politycznego kontekstu recepcji Soboru w Polsce. Stanowią go dwa okresy posoborowej historii Kościoła polskiego – przed przełomem 1989 roku i po nim. Druga część ma ukazać drugi czynnik charakterystyczny dla recepcji Soboru, a mianowicie znaczenie wiodących osobistości kościelnych.

9

Introduction: Shakespeare and/in Europe: Connecting Voices

63%

Fayard N.

Multicultural Shakespeare: Translation, Appropriation and Performance

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2019

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tom 19

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nr 34

9-30

EN

Recent Shakespearean productions, just like current European crises, have highlighted the exclusionary nature of European identity. In defining the scope of this special issue, the aim of this introduction is to shift the study of Shakespeare in/and Europe away from the ideological field of “unity within diversity” and its attendant politics of negotiation and mediation. Instead, it investigates whether re-situating Shakespearean analysis within regimes of exclusionary politics and group conflict attitudes helps to generate dynamic cultural and social understandings. To what effect is Shakespeare’s work invoked in relation with the tensions inherent in European societies? Can such invocations encourage reflections on Europe as a social, political and/or cultural entity? Is it possible to conceptualize Shakespearean drama as offering an effective instrument that connects―or not―the voices of the people of Europe?

10

Pastorační rozlišování – reformní vize papeže Františka pro církev 21. století v kontextu recepce pojmu znamení doby

63%

Ambros P.

Studia theologica

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2017

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tom 1

1-20

EN

The reform vision of Pope Francis is determined by a demand for accompanying, for discerning, in order to integrate human weakness. These efforts follow in the footsteps of previous popes (Benedict XVI and St. John Paul II) aimed at bringing the conclusions of the Second Vatican Council to life. The presented study draws attention to the gradual development of the theological concept of the term aggiornamento, signs of the times and the council reception. It focuses on a deeper anchoring of pastoration reform within the Jesuit practice of spiritual discerning. It specifies its theological contents and reflects on its roots in patristic tradition and in the tradition of the Christian East.

11

Dzieło otwarte w wersji 2.0 czyli transformacja czytelnika

63%

Opiłowski P.

Folia Bibliologica

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2017

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tom 59

189-198

PL

Autor artykułu przedstawia to, w jaki sposób forma istnienia dzieła literackiego wpływa na jego interpretację. Koncepcja dzieła otwartego scharakteryzowana przez Umberto Eco zestawiona z nowymi formami literatury ukazuje przekształcenia, jakie zachodzą w percepcji, lekturze i interpretacji tekstu. Wykorzystując metodę porównawczą do analizy poszczególnych elementów teorii dzieła otwartego w odniesieniu do cyfrowej rzeczywistości, wskazano istotne zmiany zachowań czytelniczych, jakie pojawiają się w konfrontacji koncepcji Eco z nową formą czytelnictwa 2.0. Ma to na celu zobrazowanie, jak zmienia się oblicze samego czytelnika.

EN

The author of the article presents how the manner of existence of a literary work affects the way of interpreting it. The concept of the open work characterized by Umberto Eco juxtaposed with new forms of literature shows transformations that happen in perception, reading and interpretation of a text. Using a comparative approach to the analysis of particular elements of the theory of the open work in relation to digital reality, there are indicated significant changes in reading behaviours which emerge in the confrontation of Eco’s concept with the new form of reading 2.0. The aim is to illustrate how the character of the very reader changes.

12

Broken images. "Auschwitz", nostalgia and modernity. The reception of the Holocaust in popular culture

51%

Kaźmierczak M.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2011

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tom 8

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nr 15-16

101-120

EN

Broken images. "Auschwitz", nostalgia and modernity. The reception of the Holocaust in popular culture The reception of the Holocaust in popular culture is like a set of the broken images of the past. There are fluent differences between fiction and reality, beetween texts and facts, between knowledge and ignorance. This article concerns the forms of the influence of poplar culture on the representations of the Holocaust. Broken image can reveal a part of same event, the same fact. There are intellectual and axiological challenges between revealing and abusing the “Auschwitz” in the contemporary texts of culture. There are three main parts of the article: The contexts of the terms, Opened arguments and How instrumentally where are described the mechanisms of reduction, instrumentalization and mediatization of the reception of the Holocaust.