Nowa wersja platformy, zawierająca wyłącznie zasoby pełnotekstowe, jest już dostępna.
Przejdź na


Preferencje help
Widoczny [Schowaj] Abstrakt
Liczba wyników
2013 | 1(5) | 37-46
Tytuł artykułu


Wybrane pełne teksty z tego czasopisma
Warianty tytułu
Tańczące zabawki: w poszukiwaniu mechanicznego życia
Języki publikacji
Toys or objects that come alive and interact with human beings fascinate children, academics and philosophers, but also artists. In this study we investigate plots, myths or fairy tales as well as the historical and cultural contexts that inspired the presence of animated toys in three ballets. An analysis of the results, and a comparison of these objects with modern relational artifacts demonstrate that the ongoing quest for mechanical life, in art as well as in technology, can be conceived of as a quest for subjective omnipotence and the suspension of objective reality.
Słowa kluczowe
Opis fizyczny
Rodzaj publikacji
  • Vassiliki Barboussi, Department of Theatre Studies in the University of Peloponnese, Vasileos Konstantinou 21 & Terzaki, P.C 2100, Nafplio, Greece,
  • Vassiliki Barboussi, Department of Theatre Studies in the University of Peloponnese, Vasileos Konstantinou 21 & Terzaki, P.C 2100, Nafplio, Greece
  • Ackermann, E. (2005). Playthings That Do Things: A Young Kid’s “Incredibles”! Retrieved from: <>.
  • Anderson, J. (1979). Dance. New Books: New York.
  • Bowden, S. (1999). The Avant-Garde Politics of Petrouchka: Retrieving the Performance Text of 1911. In J. Adshead-Lansdale (Ed.), Dancing Texts. Intertextuality in Interpretation (pp. 26-53). London: Dance Books Ltd.
  • Caillois, R. (1958). Les Jeux et les Hommes. Paris: Gallimard.
  • Denby, Ε. (1968). Looking at the Dance. New York: Horizon Press.
  • Descartes, R. (1644/1953). Principes de la Philosophie. In R. Descartes, Œuvres et Lettres (pp. 553-690). Paris: Gallimard.
  • Freud, S. (1913). The Interpretation of Dreams (3rd ed.). (A.A. Brill, Trans.). New York: The Macmillan Company.
  • Freud, S. (1919/2003). The Uncanny (D. McLintock, Trans.). London: Penguin Modern Classics.
  • Hoffmann, E.T.A. (1967). The Best Tales of Hoffmann. (E.F. Bleiler, Trans.). New York: Dover.
  • Jentsch, E. (1906/n.d.). On the Psychology of the Uncanny (R. Stellars, Trans.). Retrieved from: <>.
  • Kirstein, L. (1971). Movement and Metaphor: four centuries of ballet. London: Pitman Publishing.
  • Kleist, H. von (1812). On the Marionette Theater. Retrieved from: <>.
  • Krasovskaya, V. (1979). Nijinsky. New York: Schirmer Books.
  • Kuznets, L.R. (1994). When Toys Come Alive: Narratives of Animation, Metamorphosis and Development. New Haven: Yale University Press.
  • Nelson, V. (2001). The Secret Life of Puppets. Cambridge: Harvard University Press.
  • Reynolds, N., & McCormick, M. (2003). No Fixed Points: Dance in the Twentieth Century. New Haven and London: Yale University Press.
  • Turkle, S. (2007). Authenticity in the age of digital companions, Interaction studies 8(3), 501-517.
  • Turkle, Sh., Breazeal, C., Dasté, O., & Scassellati, B. (2004). Encounters with Kismet and Cog: Children Respond to Relational Artifacts. Retrieved from <>.
  • Turkle, S., Taggart, W., Kidd, C.D., & Dasté, O. (2006). Relational artifacts with children and elders: the complexities of cybercompanionship. Connection Science 18(4), 347-361.
  • Walden, D. (1996). The Nutcracker (adapted from the story by E.T.A Hoffmann). Philadelphia: Courage Books.
  • Winnicott, D.W. (1971). Playing and Reality. London: Tavistock Publication.
Typ dokumentu
Identyfikator YADDA
JavaScript jest wyłączony w Twojej przeglądarce internetowej. Włącz go, a następnie odśwież stronę, aby móc w pełni z niej korzystać.