Warianty tytułu
Języki publikacji
Abstrakty
Abraham Ravett's documentary films undermine the validity of conventional documentary storytelling, supplanting it with formal experimentation. The realisation of the shortcomings of the position of the second generation witness to the Holocaust leads to devoting attention to the unsuccessful process of retrieving parental past. The essay examines the interrelation between formal experimentation, experience (in its direct and mediated forms), and aesthetic consequences of applying innovative audiovisual form to the representation of belated memories/experience of the Holocaust. Ravett's filmmaking is also akin to the work of mourning as it is preoccupied with recognition of losses.
Słowa kluczowe
Czasopismo
Rocznik
Numer
Strony
114-130
Opis fizyczny
Rodzaj publikacji
ARTICLE
Twórcy
autor
- T. Lysak, no address given, contact the journal editor
Bibliografia
Typ dokumentu
Bibliografia
Identyfikatory
CEJSH db identifier
08PLAAAA03867713
Identyfikator YADDA
bwmeta1.element.317ac924-5882-3c0c-a31a-519afff74196